Columbogey On My Tail – Lucy Goldring

Sally, who had only meant to rest her eyes, woke to the captain’s smooth-voiced warning. Revised shipping forecasts had been received too late to return to port. Passengers should now prepare for ‘extremely rough conditions’.

Within ten minutes the ferry was sloshing about like a bath toy. Bottles of spirits skidded slantwise behind the bar, clinking like drunken dinner guests. Sally was pleased to note she didn’t feel queasy but asked a passing crewmember for a baggy ‘just in case’. Despite her protestations, she was swiftly ushered to the designated vomiting zone.

The pong suggested car-warmed bananas and microwaved train food. Sally took one of two remaining seats at the edge of the alcove, angled her body into the aisle and mouth-breathed carefully. Every pitch of the boat elicited a chorus of groaning and heaving, whilst a bronzed attendant minced back and forth with sick-bags pinched in latexed fingers.

When Columbogey was deposited in the opposite chair, she laughed out loud in astonishment. But Columbogey – riding a tsunami of nausea and dimly aware of keeping his cover – stared hard at the floor, his pasty brow beading with sweat.

Sally had first clocked the private detective two weeks’ earlier on her way home. He’d stalled at the lights on Alpine Road, then over-revved his engine in panic. Even from her rear-view mirror, she’d noticed his twitchy movements and intense stare. When Sally had picked out a meandering route – creatively interpreting the city’s variable speed limits as she did – Columbogey had followed at a uniform distance. That night she’d padded down the landing of the house she’d shared with her husband for over two decades and read his emails. The agency promised ‘unparalleled expertise in clandestine surveillance’.

Sally hadn’t expected to be tailed to her sister’s in Guernsey though. Clearly Pat was more invested in their marriage than she’d thought. (When she’d confessed last year’s office flirtation, she may as well have been talking to the understairs cupboard.)

Sally experienced a pleasant liquidy sensation spreading out from her chest, as if a secret reservoir of affection had been unstoppered. She smiled at Columbogey so long and so meaningfully that he had to meet her gaze.

‘I know who you are,’ she stage-whispered. Columbogey raised his eyebrows whilst continuing to spit drool from his lips. ‘What’s your name?’

‘Danny,’ he managed, before puking up his marmite on toast. He couldn’t be much older than the girls.

‘I won’t say anything,’ said Sally, after a respectful amount of time. Columbogey nodded gratefully. ‘But, just so you know, I’m far too knackered for an affair. Pat can be a pain in the backside at times but… we’re a team – of sorts.’

As the ferry came into Saint Peter Port, they enjoyed the cool of Sally’s mint imperials in their mouths; the comforting clack against the backs of their teeth. Columbogey – abruptly attractive having regained his olivey complexion – was the most stimulating thing to happen to Sally in years. She thought of Pat, installed on the sofa for a weekend of golf-watching and ‘fine ale’, and hoped to God he felt the same.

 

LUCY GOLDRING is based in Bristol and writes short and shorter fiction (along with developing her comedy writing). She has been shortlisted for Flash 500 and for the National Flash Fiction Day micro competition (2018 and 2019). Lucy has a story forthcoming in this year’s National Flash Fiction Day anthology and online publications with Ellipsis Zine, Reflex Fiction and 100 Word Story. You can follow her on Twitter at http://www.twitter.com/livingallover

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Image by Helmut Jungclaus from Pixabay

The next train to arrive on Platform Two will be the 1300 to Manchester Piccadilly – Hannah Storm

‘I’ve left my mate with the masking tape’,
Your parting shot, and you’re off to stop
His sellotape shadow unravelling,
Not me.
‘Goodbye darling.’

A starling throws itself from the platform to the track,
I try to shout ‘stop’ but you both disappear.
Breath held instead, until the bird returns,
Beak bearing gifts for its young.
Not you.

You’re gone before I can say, ‘Listen, it’s me that has to leave.’
Listen.
‘The next train to arrive on platform two will be the 1300 to Manchester Piccadilly,
Calling at…’
It’s still too far away to see the new arrival, blurred by sun light high.

I squint, shadows split the station’s eaves,
Me beneath.
Platformed between light and shade,
An Atlas holding up the sky.

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Image by Michael Gaida from Pixabay

27 Takes – Jim Snowden

Ginny knew her harness was way too thick. Maybe if she were wearing a winter sweater it wouldn’t show, but she was in a paisley linen blouse whose top two buttons were open because Howard wanted cleavage for this scene. The camera couldn’t help but pick up the edges of the harness that was now chafing the underside of her breasts. “Howard, I think we need a different harness.”

Howard, chatting with Gus, the DP, paid Ginny no mind.

“Howard?”

Still nothing.

“Howard!”

“Ginny, I’ve told you before I’m not used to being shouted at,” Howard said. “What do you need, honey?”

Honey? God, you’re an ass, Howard. The only reason I’ll let you get away with it is that it’s 7:30 in the morning and it’s already 7,000 degrees Fahrenheit out here and the sooner we start the sooner we’re done. “This harness isn’t going to work.”

“Why?”

“It’ll show.”

Howard turned to Gus, “What do you think, Gus?”

“Now that she mentions it…”

“I think it’ll be fine.” Howard said.

In Ginny’s imagination, Gus’s handlebar mustache straightened at both ends. “Howard, I was about to say…”

“No. It looks fine. It’ll work. Let’s get onto something important. We’ll call places in about half an hour, okay?”

“Fine, Howard.” Ginny said. “Whatever you say.” Ginny returned to the folding chair her purse was hanging on and sat. Normally, at moments like this, she’d bury herself in the script, but there was no reason to that. She had one line, and they’d be dubbing that in post. All she had to do was scream and mouth her line when she saw HighMar holding the ray gun on her. The stagehand would yank her backward, she’d fall into a pit, and that was it. Just the sort of thing she had to spend two years training at the The Actor’s Studio to learn how to do. She picked up her Thermos, detached the cup, and poured some coffee. She had stronger stuff in her bag, but coffee would do for starters.

After leaping from his makeup chair in a single bound, Frankie jaunted over, wearing that stupid red and silver v-neck Martian uniform costume that made him look like he sang falsetto with The Lettermen From Outer Space. “Get a load of my ray gun.” He held up this bright red plastic toy.

“I’ve seen those at JJ Newberry’s.” Ginny said.

“Yeah. They sanded the label off.”

“So that’s the instrument of my death, is it?”

“That it be.”

“I’ve been shot 19 times in my career. That’s the silliest looking thing I’ve ever been shot with.”

“Any tips on making it look less dumb?”

“Hold it as if it weighs something. If it looks like you believe it’s solid and lethal, the audience might go with it.”

“Hold it like it weighs something. Got it. Cool. Thanks. I’ve never really acted before, you know.”

“Don’t start. It’s a very disreputable occupation. That’s what my mother says, anyway. What do you do normally?”

“I’ve got a band. It’s called ‘Head’.”

“Like the Monkees movie?”

“The Monkees made a movie?”

“Yeah.”

“Oh. Anyway, that’s not the name of our band for this movie. We’re called Frankie DeWolf and the Sensations.”

“Why the change?”

“We’re a psychedelic band, and the message of this movie doesn’t fit our image, so we made something else up when Howard’s check cleared.”

“Smart. Listen, you’re in a psychedelic band. You have some experience with LSD, right?”

“I dropped acid a couple of times, but I’m not that into it. Too unpredictable. Why?”

Ginny reached into her purse and, keeping her body between it any prying eyes, pulled out a small bag of mushrooms. “These are a gift from my daughter Judy.”

“Your daughter gave you peyote?”

Ginny whispered, “I don’t have enough for the crew. Cool it.”

Frank whispered, “Your daughter gave you peyote? Seriously?”

“We have an unusual relationship.”

“Yeah. I guess you do. I have a daughter. She’s seven. I can’t imagine…”

“Yeah. well.”

“How old’s your daughter? Fourteen? Fifteen?”

“Judy’s twenty-three.”

“Wow. I’m not trying to be fresh or anything, but you don’t seem old enough…”

“Math is not the subject I need your advice on, Frank. I’m experienced with grass, but peyote is new for me. And I figured since one of the few advantages of being in this stupid movie is coming up here where the view is nice, maybe I could drop some after we finish killing me. Since I need someone to keep an eye on me through the trip, I was wondering if you would, you know, keep an eye on me.”

Frankie scratched his ear with the barrel of his ray gun. Ginny caught a whiff of Howard’s rotting-funeral-wreath-soaked-in-jet-fuel scented cologne, which meant he was coming over to tell them to come to places. Frankie said, “On two conditions.”

“Which are?”

“First, share.”

“That’s a given. And second?”

“Don’t do it until we’ve played the joke on Howard.”

“What joke on Howard?”

“I’ll tell you later. If it works it’s going to be really funny.”

“Okay. I’ll hold off until after.”

Ginny stashed her baggie and sipped the last of her cup of coffee. She reminded herself that she’d been in good movies and TV shows—well, pretty good movies and TV shows—and set out in search of her mark. She figured it was on the south edge of the pit they’d dug on the top of this mesa, but when she got there she didn’t see anything except dust at the pit’s lip. As a stagehand pulled the back of her blouse up to attach the cable to her harness, Ginny yelled at Gus, “Where’s my mark?”

“It’s not there?”

“If it were there, I’d be looking at it right now.”

Bounding out from behind the camera, Gus looked down at the lip of the pit, frowning in a professional-looking manner before saying, “I guess we didn’t leave one. Could you stand there? We’ve got to do the lighting test over again.”

“Sure, why not. It’s just another hour of my life I won’t get back.” Ginny said.

“There’s no need to say unkind things.”

A flurry of comebacks flashed through Ginny’s head, but she lent none of them voice, mainly because a fight would just mean a longer delay. So she stood there for an hour and a half while they fiddled around with reflectors and camera angles until they finally had the look they thought they wanted. By the time they’d finished, Ginny had sweated out her makeup, so it was time for a new cleanse and coat. Another half hour gone. Then another re-harnessing and another stand at the lip of the pit. The coffee buzz was wearing off, and the time was creeping toward noon and the lunch break, not that Howard ever paid attention to lunch breaks. Ginny would make him pay attention. Little did Howard know that, last year, shortly after she wrapped her role as Carol the Pornographer in Howard’s The Baleful Yen, she’d been elected a SAG shop steward.

Finally, at little after 11am, Take One. Frankie took his position. Ginny summoned the emotional recall of begging her mother not to set her stuffed animals on fire for flunking 7th grade math, the same punishment dear old Mom would visit on Judy sixteen years later. Goddamn it, now Ginny was pissed instead of scared.

Dope Dealers From Outer Space, Scene 46, Take One.”

“Action.”

Ginny bent her knees in supplication and screamed, “Please, no. HighMar! Please no!”

“Die, Earth whore!”

With a mighty yank, the stagehand pulled Ginny backwards and off her feet. Into the pit she fell. On impact with the mat, pain rocketed through her back. “Motherfucker!” In seconds, concerned faces were looking down on her from the surface world. Ginny groaned and rolled over. Lifting up the mat, she found a pointy rock underneath. “Look at this! Nobody saw this? What the fuck is this?”

Frankie jumped in, “Are you all right?”

Ginny got up, rubbing her lower back. “I guess so. I’ll have a bruise the size of Texas, but I think I’m okay. This stupid harness is probably why I still have a kidney. Fuck!”

Howard looked accusingly at the crew, “Which one of you screwed this up? Which one of you useless assholes screwed this up?”

No one replied.

“You pieces of shit,” Howard went on, face the color of the Krypton sun, “You could have killed her. I could have been sued. I—“

“Blow it out your ass, Howard!” Ginny said. “You could’ve checked, but you didn’t. You never check on anything. You just make sure that someone else has to clean it up when you blow it. Now somebody help me out of this pit.”

One of the stagehands, with one pull of his beefy arm, raised Ginny back to the Earth’s surface. “Now,” Ginny said, “Pull up the mats, remove the stones. rake the area down, maybe pour some of the sand back in that you took out to dig this pit, then lay the mats back down and let’s start again. Okay?”

“You’re not the director of this film, Ginny.” Howard snapped. “You back off.”

“I’m taking lunch now. Back in an hour. Frankie, want to come with?”

“Right with you.” Frankie clambered up and started following Ginny back to the craft services cooler, where Howard kept the bologna sandwiches. As they walked away, Ginny heard Howard shout, “Pull up the mats and get those stones out of there, and someone bring in some of that sand to pad the floor of this pit. Right now!”

Putz.

Ginny and Frankie choked down their bologna sandwiches and RC colas. As they waited for the lunch meat and sugar burps to subside, Frankie asked how Ginny ended up in Howard’s films.

“Howard got a crush on me in ’57. I was the love interest in this western, Death Rides To Laredo or something, for Universal, which Howard saw 34 times, or so he claims. And when he sold his half of his family’s heavy harvester business to his brother and got into making movies, someone told him that he could get good actors for bit parts if he found ones who had a only few days left on their contracts at the end of the year. A lot of actors do. Three days, four days, sometimes a week or two left over from the year’s allotment. So anyway, he checked through the player’s directory until he found out I’d moved from Universal to Paramount, and whenever he was making a picture he made sure to do it before the fiscal year was up so he could claim my days. He buys up my scrap days, Paramount makes its money, and I kill myself falling into pits.”

“Bummer.”

“Yeah.”

“How do you know he has a crush on you?”

“Because the first time he cast me, in The Caveman Watusi, he tried to make the leap from crush to couch. I brushed him off and told him to go back to his wife. I don’t know why I said that last bit. I don’t hate his wife. So, to change the subject, tell me about this joke you guys are—”

When Frank opened his mouth to reply, Howard called them back to work. As Ginny passed near Howard, Howard grabbed her arm, “You and me are going to talk.”

Pulling Ginny back toward the coolers, Howard leaned in close and said, “You don’t make me look bad in front of the crew.”

“Get your damned hand off me, Howard.”

It took a moment, but Howard gave Ginny her arm back.

Ginny rubbed her bicep. “You look bad on the set without me, Howard. Besides, what are you going to do? Fire me?”

“Paramount would be upset.”

“Oh, do not try to pull the ‘you’ll never work in this town again’ shit. When Paramount tells me I have to go work for you, they’re always apologetic. If you tried to mess me up with them, it’d backfire. They like me. They think you’re a zero. Now I’m here to act for you because my contract says I have to. So let’s punch in and do our jobs, shall we?”

“Paramount Pictures Incorporated, A Gulf and Western Company thinks I’m a zero? Are you sick in the head or something? I make huge films. My films make huge money. Just the other day a major paper compared me to Orson Welles. What do you think of that?”

Ginny wasn’t sure what to make of it. Sarcasm? The reporter fell down and hit his head on something hard? The stringer for the Redlands High School Picayune was hard up for a metaphor? Howard made it up just now? The list of possible interpretations was endless. “I don’t make anything out of it.”

Howard sniffed a couple of times and puffed his chest out. “Well, you should. Because I don’t do anything better than I do this, believe me.”

“I believe you.”

“I mean, you’re not bad looking, but you’re dumb, Ginny. Really dumb.”

Ginny’s shoulders bunched up. Hatred set her veins and arteries on fire, and she shuddered as if she were primed to unleash great forces upon Howard. But she counted to ten and let it abate. “Let’s go to work, Howard.”

“Mr. Zez.”

“Howard.”

Ginny found the grip and had him help her don her harness. “Am I going to break my back next take?”

“No. We saw to it. You’ll be okay. We swear.”

“All right. I’m not puncturing a lung for this picture.”

“You won’t, honest injun.”

That’s great, Hopalong Cassidy. What are you? Twelve? “Fine.” Ginny took her mark. She felt the line tense behind her. Frankie took his mark. Howard farted around for a minute or two, then called for places. Take 2. “Action.” The cord yanked Ginny into the pit. She hit the mat, let out a little puff. But it was all right. Ginny rolled forward, got to her feet, and peeked over the edge of the pit. “Did we get it?”

“No.” Howard said. “There was a problem with the camera. It didn’t start off right. Let’s go again.”

The stagehands helped Ginny out. Back on her mark. “Places everyone”. Speed. Take 3. “Action.” Yank. Oof. Up.

“Aw, shit. What now?” Howard said. “Sorry. We need to go again. These cheap cameras. Why doesn’t the studio send us better equipment?”

Because you don’t pay for it, you putz. Ginny clambers out again. The costumer comes over with a brush and starts dusting her off. “Howard, this isn’t a tracking shot with a thousand extras. Can we get this done?”

“I’m doing the best I can.” Howard said. “Please be patient.”

Oh, Good. You’re doing the best you can. Why can’t you aspire instead to do the worst that a competent person can do? It’d be better by a factor of ten. Okay, Ginny, hold on. How many more of these can there possibly be?

Take four. Oof. Take five. Oof. Take six. Oof. Take seven. Cable broke. No spares, so the stagehand had to run into town to get a new one. On the stagehand’s way down, Frankie gave the him a dime and phone number to call to tell the bass player of Frankie DeWolf and the Sensations that he won’t be able to rehearse tonight. Short break. Coffee. Stares into the middle distance alternate with long looks at the bag of mushrooms. Oh, great. He’s back. Take eight. Howard: “Maybe this is the wrong angle. Let’s move over this way.” More lighting tests. Fresh makeup. More brushing of clothes. Getting hungry. Take nine. Oof. Take ten. Oof. Take eleven. Tarantula! Right by Ginny’s face, looking right at her! Jesus Fucking Christ!

Ginny scrambled out of the pit. The skin over her ribs felt like frying hamburger. Her back ached. Her costume was now wearing a mask of sand. “Get the fucking spider out of there. As long as it’s in. I’m fucking out.”

Howard bounded over, smiling, “You should know things are going great.”

Ginny got up on one knee, looked up at Howard, and saw in his smug expression all the evidence she needed that none of these takes had been necessary. He was just fucking with her now, showing her just how far he could push her contractual obligation. A day meant a day. 24 little hours of as many takes as he wanted. By the time he got the angle and lighting and take, Howard would turn Ginny into a bruise with legs. “Howard, how many more?”

“I need to make sure we have what we need, Ginny. It’s what professional filmmakers do. You want to work with a professional, don’t you, Ginny?”

Excuse me, Howard. I’m going to the State Legislature to lobby for the repeal of the laws against murdering your boss because I think those laws are wrong. “That spider needs to be out of there.”

“Sure. Get some water and get brushed off. We’ll handle it.”

Limping slightly because in the scramble she must have pulled something, Ginny grabbed a glass of water from the catering table, sat in her chair, and put the glass to what were now chapped lips. She didn’t like to think of herself as suffering. Surely, there were victims of floods and famines and brutal tyrants who would gladly trade places with her, for at least six takes. Were any of them available? She’d split her per diem.

Some man by the pit screamed, “Get it off me! Get it off!” Ginny guessed they got the spider. Though it could have been something else. Maybe a roc was dragging him off to its nest to feed its children. Why couldn’t that be me?

Ginny stretched her neck, got a few satisfying pops for her trouble, then looked down at her bag.

She’d known actors who’d gone on drunk or high. They’d always say they’d done great, but that was mostly because their fellow cast members had done a great job of covering their fuck-ups. Still, what was there to fuck up on this job? Look scared, beg a little, cable gets pulled, the end. It doesn’t take extraordinary powers of memory to handle that. Besides, if Howard could mess with her, she could mess with him. Fair was fair. Was Ginny right, or was Ginny right? Ginny reached into her bag, pulled out the baggie of shrooms, and chewed as many as her daughter’d recommended.

Ginny passed by Frankie on her way back to her mark, “Keep an eye on me.” She said. “I may get a little weird.” She found her spot and watched the sand at her feet. These little swirls started, well, swirling, in shapes that made the desert floor look like the carpet her friend Susan had put in, so many little squares, but with rounded corners, turning and turning like parts of some great machine. A warm wave washed over Ginny just as the stagehand attached the cable to her back. A cool, prickly feeling danced across her goose pimpled skin as the world poured the words “Take Twelve” into her ear. And she laughed and said, “Take twelve what?”

“Action.”

And Ginny looked up at Frankie. She saw he was aiming a gun at her, but out of it were coming these blue and white swirls, like See’s peppermint sticks. So she kept laughing, pointing at Frankie until finally the stagehand yanked her. Ground streaked into sky which streaked into Earth, from which they make loam which would eventually stop up a beer barrel. When she hit the mats, the sound of her breath forced from her body seemed to echo from someplace deeper than the center of the Earth. All this was one, wasn’t it? Sky, sand, cable, Ginny, Frankie, even Howard. Well, that last one was a pity, but still…

Frankie came. Reluctantly, Ginny took his hand and let him launch her from the pit.

Howard was standing there, also looking like he was made out of Susan’s swirling carpet. Judy you are the best. You get that from me. Howard said, “That was an interesting choice, laughing like that.”

“I thought so.” Ginny said.

“Let’s stick with that. It makes you look extra-crazy. I think it might be good.”

“I think it is.” Ginny said.

“Let’s go again.”

“Let’s.”

By the time the next take was set up, Ginny saw little wizards dancing around Frankie, which made laughing really easy. They were all dressed like Mickey in Fantasia, all grinning and pirouetting and briséing all over the place. Ginny’s ribs hurt from the tickling this gave her, and when she got yanked back, she cackled all the way down. More takes followed. Ginny lost count of how many there were. But when they stopped, and she was lying on her back in the pit, she looked up and saw this great, pulsating light. The Great Atom, come to visit, hovered in the sky over her, blue and red, with tendrils of parti-colored light radiating from it in all directions. It seemed like the key to everything in the universe, the thing that really ruled over all she saw and heard and touched. And yet it didn’t judge. It didn’t tell her she should feel guilty, or bad, or ashamed of her life or career. It just was. Above her, as she was below.

It.

She closed her eyes, then opened them. It was there.

She closed and opened her eyes again. It was still there.

She closed and opened her eyes yet again. And it was gone. Above her were stars. So many millions of stars. Ginny never saw these in the city. From not too far away, she heard a familiar voice shouting, “What the what? WHAT?”

Ginny sat up. She couldn’t see the walls of the pit she was in, but she felt dirt and dust and smelled grass pollen. She got out of the pit and saw they’d struck all the equipment, except the mat she’d been lying on, which she now supposed she’d have to strike. The voice was coming from below somewhere. It was Howard’s voice. Ginny ran to the edge of the bluff and looked down, but she couldn’t see anything except a few lanterns. One of the lanterns looked like it was bouncing fast along the desert floor. “IT’S THE GHOST!” Howard shouted “IT’S THE GHOST!”

Goddamn it. I missed the joke. They’re making Howard look like the idiot he is, and I’m missing it. Now somebody will have to explain the gag, and I’ll think it’s a little funny, but I’m missing the best part, the “if you could’ve seen the look on your face” part. And what other joys can I have on this worthless job?

The Great Atom whispered in Ginny’s ear, “Am I nothing?”

Ginny got a good laugh out of that. No, she thought as she walked back to the pit to retrieve the pad, you’re not nothing.

 

JIM SNOWDEN has placed fiction in Pulphouse, Mind In Motion, The Seattle Review, The King’s English, and MAKE. Dismantle the Sun and Summer of Long Knives, his first two novels, were published by Booktrope in 2012 and 2014, respectively. Jim’s novella, Escape Velocities, was named a notable story by the editors of StorySouth. His one-act play, Dr. Kritzinger’s 12 O’Clock won the Bill and Peggy Hunt Playwright’s Festival in 2015.

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Image via Pixabay

The Star Collector – Damon Garn

Mama told me we came from the stars, and I believed her. She probably meant it in a more symbolic way than I had understood it at the time, but I believed her nonetheless. I don’t think this dismal ball of rock and ice could have spawned something so glorious as Mama on its own. We were from another world, another time perhaps.

The viruses, the radiation, the contaminated water made us sick all the time. You could taste the sickness in your mouth like the residue of vomit. You could smell it oozing out of yourself. It was part of life. I didn’t realize when she became ill again that it would be for the last time. That first night she was sick, she’d tossed and turned, fevered but not really burning up, then cold but without body wrenching shivers. She’d eaten the small dinner I’d fixed her – gritty bread and chunky milk – so I didn’t worry.

The second day was much worse. She’d moaned and talked, describing sunsets she’d seen as a little girl and oceans she’d swum in on her honeymoon. She didn’t recognize me at all that day. She’d whispered to herself, sometimes giggling gleefully. Her body took her through emotions and sensations, breaking her mind slowly. It scared me, making me feel small and vulnerable. Mama was my whole world.

The third day she was much better. Her eyes lost their fevered light and her sweaty body seemed to regain some strength. She ate all I fed her, including my own meager meal for the day. She looked ashamed when she realized that, but I was so relieved that I hardly noticed the hunger pangs.

“You are my star, child, do you know that?” It was something she said to me all the time. Like I was some magical thing for her. She sighed. “You are my star. They are all stars out there now – your Daddy, grandma and grandpa, Boxer…” her voice trailed off and she stared through the ceiling into a galaxy only she could see.

Boxer had been my dog. He’d died protecting me from rabirs – fierce predators that roamed this part of the world. I’d snuck away from the house, just as I’d been told not to do, and he’d faithfully followed me. When the rabir pack came after me, he held them back as I fled through the icy ravines toward home. We found what was left of his mutilated body in the snow the next day.

Now he was dead. And apparently he was a star.

When Mama slept that night, I stepped out of the front door and looked up through the darkness toward the sky. So many little lights out there. Were those dead people? Children and dogs and parents and grandparents? Is that what Mama meant when she said they were all stars now? It was kind of creepy and I shivered with more than just the bitter cold. I didn’t understand her spirituality any more than I understood the science she tried to teach me.

“No no no!” she’d say in exasperation as we peered at an old astronomy textbook. “The stars are huge. They are on fire.”

“But they’re not huge, Mama. Look at them at night – they are tiny. They don’t look like fire.”

She would sigh and continue trying to teach me. She sketched starships and cities and medicines and something called a restaurant where you could ask for as much food as you wanted. She called all this “civilization” and tried to help me imagine it. Mostly it made me feel angry and very lonely.

But at night, as she tucked me into my small bed, she would say “Goodnight. You are my star, child, do you know that?” and kiss me gently.

I was so confused.

When she died the next morning, I understood perfectly. I felt her, far above me in the empty sky. A beautiful twinkle of light that assured me she was still there, still part of me, still part of my future. She was a star now.

And I didn’t want her to be.

She was Mama, strong and smart and beautiful. I was skinny and little, the illness should have taken me instead. I could have been a real star for Mama. Didn’t she always tell me I was her star anyway?

I refused to accept her death. There had to be something I could do. Some way I could make it better. Those stars up there – weren’t they always giving us their light? If Mama was up there, couldn’t her light come back to me? I thought about this in my bed that first night I was alone.

I found our toolbox and I took our old dented flashlight and I worked all day. I used tape and gum and science and religion and I built the Star Collector. It was a wonderful device, made of love and fear and hope and tears. I didn’t have any blueprints, just my own grief-ignited imagination.

That night I dragged Mama’s light empty body on our sled to an open space between the cliffs and laid her in the snow. Boxer was buried there, so I had always associated this place with him, and with how much I’d loved him.

I placed the Star Collector on Mama’s chest and turned it on.

And it worked.

A cone of star light seeped from the sky into my Star Collector. The bright light was kindled into a single point at the center of the lens. It pulsed like a struggling heart a few times before the Collector became full and turned off.

Mama opened her eyes to the stars.

 

DAMON GARN lives in Colorado Springs, CO with his wife and two children. He enjoys hiking, writing and annoying his neighbors with mediocre guitar playing. He writes in the fantasy/sci-fi realm experimenting in flash fiction, short stories and a novel. Follow on Twitter: dmgwrites or at http://dmgwrites.wordpress.com

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Image by Jonatan Pie on Unsplash

The Church on the Hill – Debz Butler

You cannot see the church on the hill from the valley today. The wind causes the snowflakes to roar round the stone walls. Some manage to escape the tireless race of the storm and settle on graves that surround the building. The graves are covered in thorned weeds and thick, creeping brambles. There are no loved ones left to clear the graves and plant fresh flowers in remembrance. Only the path lies clear, even the brambles recoiling from where he treads.

His car is a mile away now. It speeds round the bends, never hesitating with caution. Even with dark falling, he does not switch on the headlights. He knows the road well, he has travelled it for many years.

Inside the church, leaves pile against the wall. Blown in through the broken windows, the give off the smell of damp and rot. The stone floor is cracked in places, moss creeping through the splits. The pews still rest in the space they did before. Grey with thick dust, rather than the brown wood that was polished every week with bodies dress in their Sunday best. The kneelers, which once supported the devout as they prayed for absolution, lay abandoned on the floor. The thick embroidery has long since been chews through by cold, pregnant mice. If art once adorned the walls, there is no sign of it now. Just cold, bleak stone.

His car reaches the end of the path and the engine turns off. The church feels his stare upon it and the groan of the wind amplifies. He climbs out of the car. The snow melts where his boots fall on the path, the hiss of steam lost in the sound of the screaming storm. He reaches the heavy wooden doors, they seem to shrink before his hands but when he turns the knocker they open easily. He steps inside.

His bleached, blue eyes have no need to adjust to the darkness. They have known darker than this. He walks to the end of the centre aisle and stares at the broken alter ahead of him. Above it, the last remaining stained-glass window, Mary the Virgin cradling her child. Once beautiful and revered, the colour is now drained. Cracks have formed with some small panes missing.

He raises his gaunt face so he can take it in, although he knows every inch by memory. After a moment, the corners of his mouth twitch. A sound begins, quiet a first, the sound of glass scraping glass. He stands frozen, his eyes do not leave the window. His smile widens. His eyes blaze, the pupils engulfed by the blue, no space for light to enter. The screaming of glass grows louder, now unbearable for anyone but him. This is what fuels him, causes his spine to fizz, he feels sparks in his fingers.

Finally, he grins. No longer the screaming of glass, now the desperate final scream of a mother. A scream of fear and agony, of futility. Deafening and piercing.

Another pane in the stained-glass cracks. For a moment, silence.

His face returns to neutral. Black blooms in his eyes once again. He turns and leaves the church. Once outside he closes the door and feels in his pocket for the cold, iron key. The lock turns, sealing the doors for another day. He walks to his car, he will be back in the morning to open up. Just in case.

 

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Image via Pixabay

Holy, Holy – Marisa Silva-Dunbar

I.

My friends tell me, find someone else who feels like home.

II.

I’m trying to consecrate myself—
divinity used to rest in me, I can still make
sparks in the palms of my hands;
the Saints still know my name.
My house is still sacred—
find sanctuary here and heal.
I cannot go back to yours,
until it is saged and sanitized.
Throw out the towel she used—
she has defiled it. The sign of the cross
can’t save her—no demons or angels
want to answer her call. The spirits
were never entertained by excreta.

III.

I want your prayers burned onto my skin
She’s already gone. She won’t be here
ever again. I want to draw blood from
you as you whisper these into the night.
Make sacrifices so you can be sanctified—
I have the oils to anoint you.

IV.

I leave a circle of bite marks around your heart
so she knows who you always belonged to.

 

MARISA SILVA-DUNBAR is a Latina poet. Her work has been published in work to a calm, Chanterelle’s Notebook, and Marias At Sampaguitas. Marisa is a contributing writer at Pussy Magic. Her work is forthcoming in Dark Marrow, The Charles River Journal, and Dear Reader. She is the EIC of Neon Mariposa Magazine.

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Image via Pixabay

The Post Office Delivers A Shock – Michael Grant Smith

Our town of Last Chance gets heavy snow every fifty years or so, but we elect a mayor every four. Many who win are candidates to join a damn Homeric Hero Hall of Fame, truly they deserve it, but other mayors, not so much. You could say we’re blessed with an honest, competent public servant as often as we warn our kids to bundle up before they go sledding.

A ways back in 1993 the aforementioned rare snow fell and nearly made Last Chance disappear. Two or three discontented residents

applauded the change, declared it an improvement. Constable Arlene was dispatched to visit each complainant in their home, where she said people had a right to speak their mind but if they had so much pep why couldn’t they attend to these code violations, and these ones over here. The blizzard abated nigh the dawn of Monday business. Honey Sweet, our postmistress, flipped her sign to “Open.” Christmas loomed a week hence.

The post office door’s bell tinkled and a slight but dapper fellow entered. A silvery goatee embellished his ruddy man-in-the-moon face. Honey had shoveled and salted the sidewalk, but the gentleman brushed non-existent snowflakes from his camelhair overcoat and stomped his spotless wingtips upon the doormat. He marched thusly for quite a while.

“Good morning, Mayor Nelson,” said Honey. “May I help you?”

Mayor Lowell “Fuzzy” Nelson thumped once more, approached the counter, and set on it a shoebox-sized parcel. With a flourish, he removed his porkpie hat. He attempted a smile but it ended up a grimace, not the train-coming-at-you grin that got him elected mayor three terms and off scot-free from at least two intervening indictments.

“I wish to mail something valuable to myself,” His Honor shouted. “Its cost far exceeded what I could afford, yet its worth is vastly less than what I deserve!”

Honey peered over her eyeglasses and took one step backwards.

“Sir, you aim to mail it to yourself?”

Because the eight o’clock hour had barely passed, Honey and the mayor were alone. Tammy, Honey’s subordinate and best friend, was not scheduled to arrive until ten, and Charlotte’s Salon & Barber upstairs opened at noon — the staff worked late evenings in order to provide “Premium Bath and Spa Services” to Last Chance’s elite.

“To myself, yes, you are correct,” the mayor boomed. “I will receive it with grace and good humor!”

“Well, then,” said Honey. She blinked. “It’s your choice. Ain’t no law says, don’t send yourself Christmas gifts.”

“Christmas gift! A Christmas gift? Nonsense!”

Ice crystals gleamed within Mayor Nelson’s eyeballs. His chin whiskers bristled like a bed of nails.

“Let the great feats I have accomplished be my legacy,” he bellowed. “I will live forever in the public consciousness as a monument to talent and tenacity! My package relates to those noble precepts, not Christmas!”

Honey wrote out a postage receipt and then forgot she had just written one, so she made another. She scribbled on the receipt and deleted the duplicate charges. Her hands jerked around as if a puppeteer pulled strings.

“Fine, sir, fine,” Honey said, looking away from the mayor’s face. “We’ll send your package right away.”

She kept her attention stuck on the counter. Her long-ago training had finally found a home. Troubled, violent patrons are less likely to kill you if they believe you can’t ID them. Would an elected official commit murder? Even if the victim had voted for the murderer? Her best hope was that Constable Arlene might respond within the hour.

“I don’t think you are aware of my identity,” said Mayor Nelson. He waved his hat for emphasis or to swat invisible insects. “Maybe you live in isolation or are in another way unable to recognize me. Do you suffer from impaired vision or an untreated cognitive disorder?”

Honey, who had greeted the mayor by name bare minutes ago, shook her head and nodded simultaneously. Her customer inhaled a hogshead of air and wobbled with indignation.

“I have left an indelible mark on human history,” he roared. “My great triumph shall remain mine always, singularly my very own!”

Honey affixed a postage label to the box and slid it off her scale.

“Comes to twelve dollars and seventy-five cents, sir.”

He reached into his overcoat. Honey squeezed out a sob, but the mayor produced only an exquisitely finished leather billfold, counted out thirteen one-dollar bills, and pushed them across the counter. Honey gave him his change, receipt, and a fake smile. Pocketing his quarter, the mayor squared his shoulders and proclaimed:

“A postmark’s timestamp will flout the test of eternity and enshrine my notoriety. In furtherance of this objective, the package’s contents shall remain forever a mystery to me and everyone else.”

“Okay, thank you, have a blessed day,” Honey said in a cracked whisper. “Please enjoy your not-a-present unknown thing.”

“I’ll never know if I will or will not enjoy it,” thundered the mayor. “I mustn’t open the package or molest it in any way. Do you not understand?”

Mayor Lowell “Fuzzy” Nelson donned his hat, turned, and was gone, his exit punctuated by the door’s jingle-jangle. Honey idled in neutral for a bit; pondered how bells and etcetera ran her life. She drew a fresh address label from the stack.

Tammy arrived at half-past ten. Upon her lips died an excuse about how the blankety-blank weather messed up her whole morning and the roads were almost too evil for her military-surplus jeep.

“Why do you gaze at yon box, Honey?” said Tammy. “One might believe it’s the first you ever seen.”

Honey dragged her stare from the mayor’s parcel. Tammy noticed the red eyes and jittery lip of a moral dilemma, having witnessed a few in connection with her irregular employment upstairs at Miss Charlotte’s.

“Thirty-two years I upheld my swore oath,” said Honey. “Thirty-two years. No matter what, I never felt no temptation to monkey with The Rules. Until this day.”

“Are you fixing to confess badness, girl? I mention it because you got a look about you, of admitting stuff. What is it you done or are ciphering about doing?”

“I’m already going to burn, so don’t fuss with trying to stop me.” Honey held up Mayor Nelson’s box so her friend could read the address label.

Even without her half-glasses, Tammy made out the destination just fine. She’d been there so often to sit on the porch and sip shot glasses of beer, and the familiar handwriting left no doubt.

“Miss Honey Sweet, why’re you showing me a box you’re mailing to your own place?”

The best part of getting snow every half-century or thereabouts is you can hope it doesn’t reoccur for a plenty long while. Some of Last Chance’s citizens behave similarly, in regard to their indiscretions and lapses and whatnot. Unexplainable no-good behavior will happen when it wants, which is what makes it impossible to explain. The rule applied to Mayor Lowell “Fuzzy” Nelson’s stubbornly consistent bad habits and mental flat tires, but don’t get all encouraged and assume it’s the same for regular folks.

 

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Image via Pixabay

The Colour Of Us – Patricia Sandberg

I hold the postcard in my hand. Pots of pigment in a South American market array on a worn blanket spread on hard ground. Vessels of intensity.

And I think of you, how I might paint who we were.

Carmine, the red of crushed cochineal insects. Yellow, like purree, the pigment made from urine of India’s cattle starved on mango leaves. Lapis lazuli blue, a mineral inlaid into Tutankhamun’s funeral mask. White of powdered chalk, a void of colour. Black of charcoal, burned matter.

Pigment cupped for protection or to prevent escape.

*      *      *

I see us as the painting begins, take up a pencil, its sides rough against my fingers, its point blunt.

Emerald burns with jealousy. Gold turns to sulphur. Ruby catches fire. Essences lose distinction when blended, fade when diluted and bleed when they run. Canvas is a material for display or cover.

I sketch, rough and hurried with lines crossing yet unconnected – the edges of us are yet to be determined. We can’t get enough of one another. Flesh is electric. Lightning and storm. A thicker brush mixes the paint, creates tone. This is for the underpainting. The part that lies beneath what comes next. We move in together.

Calm. An image. The beach, water sky blue. My head is resting on the warmth of your belly, feeling it rise with your breath. The sun is like the hands of a healer over us. I am your life, you say. And your life is mine.

The painting evolves. I lay a wash of yellow’s harmony over the canvas but the rushed lines of us push through, jar against the soft glow, against my hand that directs the brush to fill in the lines and round out edges. I try to paint a memory of comfort in our world but elements unbidden emerge and interject into the scene I am creating. Darker hues insert themselves. Lines thicken and harden. Edges fall down cliffs.

Random script, a cacography that’s hard to read, appears in the corners of the canvas. Questions. Small things. What time did you come home from the office? Who did you eat lunch with? Where are you going? At first, bright – jokey, like your face.

You code your words but I’m learning.

I want us to be together more, you say.

Dove becomes cloud, and silver, slate. Your shape reveals in small distinct strokes of the brush while mine begins to dissolve.

You’re finally home. Slow bus?

I pretend it is jest though your eyes don’t laugh. Your words de-cipher.

Don’t dress like that. Don’t act like that. Don’t be you.

I protest and you storm out. I wait for hours in the dark for the door to open so I can apologize. No dress is worth fighting over. I become beige.

Graffiti scrawls across the painting. Lavender and lilac yield to the bruise of mahogany.

Who was that calling?

You don’t believe it was my friend, my mother, work. I try rearranging your colours, examining the painting through your eyes but find myself sinking into your pot of pigment.

Don’t you fucking look at me that way.

I adopt shadow, look away.

Coral and watermelon convert to garnet and brick, and my pot has a rim that prevents flight.

*      *      *

A postcard is something you send from a distance.

I push aside the pots of paint. Lift a broader brush. Swish its bristles in a cup of water, start at the centre of the canvas and work outwards in slow, swimming strokes unwinding the vortex that drew me in.

And flush away the harsh colour, the bully lines of you.

 

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Image by Patricia Sandberg

In The Attic of the Holiday Home by the Sea – B F Jones

The landlady had been clear, her stiff tone definite. No attic visit.

And ever since, she had wondered what was up there. She’d miss out on the delights of a week of crisp sea air and grilled fish, consumed by her assumptions – Gold? Ghosts? Unspeakable war paraphernalia? – and her childish curiosity.

She could hear noises during her sleepless nights, remote rhythmical clanking – the boiler? And a soft, occasional fife her husband attributed to wildlife. There was sometimes the ineffable feeling of another presence that she didn’t like thinking about.

On the sixth night she finally caved, and climbed up the wonky ladder, exhilaration and terror leaping in her throat.

The attic was warm and brightly lit. The old man didn’t see her. He exhaled two sharp blows of the wooden whistle, and the small green locomotive slowly started again its eternal 8-shaped journey.

 

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Image via Pixabay

Why I Pierced My Nose – Cinthia Ritchie

Because in junior high
a girl with banana-colored hair
stuck a pin through my ear,
yanked a thread, blood dripping,
it felt holy, Christ
on the cross, Moses wandering
the desert,
my ears crusted with pus
until I smelled infection
across my pillow
animal odors, comforting,
special.

Because few years later a boy
with dark hair and green eyes,
led me to his bed,
another type of piercing
but Jesus, how he moved,
cat eyes blurring,
I licked the blood from the sheet,
tasted myself.
When I walked I could feel
a hole between my legs
gasping and hungry for breath,

Because the years smeared
together and suddenly I had a son
with beautiful teeth,
a job at a newspaper,
poems published in magazines no one
read. Every Sunday I blew a copy editor
in the supply closet, printer cartridges praying
my knees as outside the door reporters’ keyboards
sang the news.
After he left, I paid a man to tattoo
a dolphin over my arm, blood mixing
with ink, I loved the pain, the permanence.
Some things should never stop hurting.

But they do and soon you forget,
which is why years later,
no longer young,
I had my nose pierced,
pain blaring hot-rock shout,
eyes watering, it was almost unbearable,
Mary searching the temple for Jesus,
Abraham ready to slit his own son’s throat,
and then, just as suddenly,
it was over, a small pink stone
embedded in my right nostril,
a gift, a song,
a reminder not so much of pain
but of the relief, the welcoming
stillness, that follows.

 

CINTHIA RITCHIE is an Alaska writer and ultra-runner who spends her time running mountain trails with a dog named Seriously. Find her work in New York Times Magazine, Evening Street Review, Sport Literate, Best American Sports Writing, Bosque Literary Journal, Clementine Unbound, Deaf Poets Society, Into the Void, Gyroscope Review and more.

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Image via Pixabay

Feverish – Kristin Garth

With scarlet fever, swans grow fangs. Two teeth
will spill, orange bills, overhang. While you
perspire beneath a portico, two beasts
conspire, crooked necks, approaching slow. Drool, blue,
that tinges feathered throats, you try to scream,
too raw to properly emote. Grey feet advance
too quick upon St. Augustine, wild gleams
in beady eyes — you deem them rabid. Chance
a feeble stand, retreat, screen door, if you
can. Land before them, lustrous grass, their mouths
upon your flesh so fast devouring. Shooed
away, saviors emerging from the house:
Veranda’s dangerous for you, it seems.
They will tell you it was a fever dream.

 

KRISTIN GARTH is a Pushcart, Best of the Net & Rhysling nominated sonnet stalker. Her poetry has stalked magazines like Glass, Yes, Five:2: One, Former Cactus, Occulum & many more. She has six chapbooks including Shakespeare for Sociopaths (Hedgehog Poetry Press), Pink Plastic House (Maverick Duck Press), Puritan U (Rhythm & Bones Press March 2019) and The Legend of the Were Mer (Thirty West Publishing House March 2019). Her full length, Candy Cigarette, is forthcoming April 2019 (The Hedgehog Poetry Press), and she has a fantasy collaborative full length A Victorian Dollhousing Ceremony forthcoming in June (Rhythm & Bones Lit). Follow her on Twitter: (@lolaandjolie), and her website kristingarth.com

Image by Hans Braxmeier from Pixabay

Issue-20-image

Her Other Passion – James Woolf

The first time she saw me, she jumped up and down so much the bedside light flickered and went out. I later discovered that the wiring in her apartment was in need of upgrading.

“You didn’t.” she cried. “You didn’t need to do that!”

They set to work immediately and soon had me wearing the chocolate brown leather jacket I had arrived with. Her face crinkled as she inspected me.

“I do love the feel of real paper. But, I think.…” She stopped.

He smiled. “For me, I sometimes make deeper connections with machines – or in my case, bicycles – than with other humans. Does that sound too crazy?”

Unexpectedly, I was tossed onto the duvet.

“Not this human, I hope,” she reprimanded, pushing her puckered lips hard onto his and forming a tight cordon around his neck with her arms. Then they collapsed, by degrees, like the flat corrugated cartons I had seen knocked over in the factory.

So this was it. I had arrived. But what happened next, immediately to my right, I was unprepared for. I understood it only in terms of him uncovering his USB cord in an effort to establish a connection with her power port. Yet, despite vigorous attempts, no stable connection could be made.

Instead of showing frustration, they lay back on the bed, screeching with laughter. I now know from my education in literature that the activity that had occurred falls within the category of “fornication”, a word I’d been aware of from my two dictionaries. What it entailed, I had never understood. They followed it up with something I later recognised in Fifty Shades of Gray, where it masquerades as “my inner goddess doing the merengue with some salsa moves.”

Afterwards, they concentrated on making me operational. During the registration process I discovered that her name was Judy. She decided that I was to be Algernon, after the character in The Importance of Being Earnest. I loved my new name – it was so me. And within minutes she was referring to me as Algie!

What a period of joy it was that followed! What edification. The delights of discovering with Judy the elegance of Jane Austen and the passion of Charlotte Bronte. The rapture of being held by her as she raced through Great Expectations. Her fingers pulsing nervously on my reverse as she lived and breathed The Tell Tale Heart. Judy carried me everywhere, pride of place in her emerald green Spanish leather handbag.

My early diet of Jane Austen had hardly suggested that people work for a living. But Judy was the diary secretary to a Chief Executive, and on her very first day back at the office I was passed amongst her colleagues and admired. How clever of Dieter to so finely judge his first present. What a catch he must be! I admit to experiencing some regret that my early moment of glory was shared with him. I now also know that their reaction was chiefly because I was a novelty, being an early incarnation (complete with tiny keyboard).

Quaint as it may sound, I was consumed by my sense of duty. I was now Judy’s. It was my job to store her books and facilitate her choices (displaying the text in her preferred font), define the trickier words and to respond to her natural reading rhythms.

Sometimes, as light and shadows from his lava lamp played on the sloping wall of his bedroom in the attic, she would read aloud to him the stories of Guy de Maupassant, her fingers squeezing me ever more tightly with each turn of the page. How well I understood from that pressure on my buttons, her desire for him to love all that she loved. But Dieter, whilst attentive and complimentary, never quite reached the requisite levels of enthusiasm. And so these occasions were always punctuated with questions from Judy as to what he really thought.

Over time (and this was preferable to me), reading once again became something that she did without him. The classics were now supplemented by a newspaper, The Independent, and also with Dieter’s letters which he sent direct to me (wirelessly) when he was away. I had been pleased to learn that he divided his time equally between the UK and his native Germany.

The letters were long and packed with details about his father’s bicycle company, their new superlight frames and plans to make headway in the American market. Having covered business matters, he would allow himself more informally to focus on Judy and their relationship.

Judy would approach the reading of these letters in a different way to the classics. She was as keen to go back and re-read passages as she was to progress forwards towards completion. Sometimes she would stop reading, a puzzled frown lingering upon her brow. What was she searching for beneath the words? Did they alone not provide her with nourishment enough? Having gleaned a thing or two about communication between lovers, I debated whether her love for Dieter was more like the foliage in the woods – something that would change with each winter – or closer resembled the eternal rocks beneath. Having finished a letter, Judy would usually make a hot drink and return to their living room. I should have mentioned that they had taken the – in my view – unfortunate decision to live together. She was occasionally tearful when alone in the evenings, but it was then that I was most full of hope. I would will her to pick me up so that we could share in the activity that was dearest to our hearts. Sometimes she would run a bath and, holding me carefully above her breasts, would read in steamy silence. I adored it when it was just Judy and me time!

The most dismal days for me were those when I was inexplicably left alone in the apartment. I preferred to believe that Judy had picked up the wrong bag, or had simply forgotten to take me to work. I could not have lived with myself if I had done anything to cause my abandonment; I summarily dismissed such thoughts from my mind. During those days, I hated the silence. I hated the afternoon presenting its passport and, with me still suffering alone, crossing the treacherous border into night. And most of all I hated being apart from Judy.

It was on just such an afternoon when I was alone that a bald man in a cream T-shirt entered the apartment. I had become aware of noises (I had hoped that Judy was back from work early). But then he slapped the bedroom light on, belched, and began carelessly dragging anything he liked the look of into a large hold-all bag. I was on the bedside table, where Judy had left me the previous evening. She had read for thirty five minutes after Dieter had fallen asleep. I had luxuriated in her attention, made all the more pleasurable by being in front of his sleeping frame. But now, in that very same spot, I was faced with an altogether different situation.

I had sufficient knowledge of petty crimes committed by the orphans and pick-pockets of London to know what was going on. I’ll admit that it was my own safety which initially concerned me. What if the man dropped me into that sack along with the designer clothes, jewellery and electronic goods? Worse still was the realisation that he was mad as well as bad. Raising his right leg in front of me and using the base of his foot, he smashed the full length mirror on the wardrobe and kicked the dresser stool, sending it clattering into the door of the en-suite. Then, approaching me, he made as if to grab me, but instead swiped at the bedside table with his bare arm, tipping it over and causing me to perform a neat forward roll on the floor. A torrent of CDs and framed photographs from the shelf above rained down on top of me. I could hear him above me, crunching on the piled up possessions, and I was in fear that he would step directly on me and crush me. But the noise subsided. I heard one or two thuds and he was gone. Oh, the agony of waiting for Judy’s return. The guilt that I hadn’t done more to stop him.

That day, Judy and Dieter came home together. Judy was utterly dismayed by the chaos she encountered; she ran from room to room, spraying expletives wherever she went. Dieter called for her to remain calm, stressing that she must not touch anything: “It is all evidence, Judy!”

But Judy was already in the bedroom, and, in the confusion of the moment did not hear him. She was on her hands and knees sifting the debris, wailing for her Algernon. And then, as she scooped me up and held me aloft, she planted a beautiful, lipsticky, kiss on my screen. I knew in that moment how much she loved me and how much I loved her.

Her delight was cut short. Dieter stormed in behind her, screaming about an open window that he’d discovered – that she, Judy, must have left open – and that would certainly scupper their chances of recovering on their insurance. I’d never seen him subject poor Judy to such a vicious verbal attack. But she was not standing for it. Thank goodness for her strength of character. “Since all you care for is the insurance money,” she told him, “you had better phone the frigging company immediately.”

And with that, she marched past him and out of the flat. In the nearest café, she re-read Salmon Fishing in the Yemen, drinking soya lattes and stroking my leather cover repeatedly.

She was my own heroine that evening and I reflected on our special relationship. We e-readers are created equal and innocent, and we mediate our understanding of the world through the personal choices of our owners. Our personalities are therefore truly shaped by (and become markedly similar to) theirs. The relationship between owner and e-reader might be said to be the very purest form of parenting.

I had plenty of opportunity to develop this thesis, as soon afterwards Judy began devouring a plethora of books on the subject. What to Expect when you’re Expecting and Bringing up Bébé were two of the many titles. It was a worrying development, providing a stark warning that my life would soon be changing forever.

My feelings of insecurity were not helped by a conversation on the subject of names that I overheard from a new fuchsia handbag.

“Dietz,” she began. “I know it’s slightly strange, but if it’s a boy – how about Algernon?”

“But – but, what about…?” I imagined him casting his arm in my general direction.

“I know, but I like that name. PLEASE. Algernon?”

How was I to feel then? How could I not wish that I’d been stolen after all and sold on to a new home where I might be truly appreciated?

Since the burglary the atmosphere in the flat had changed. Security had become a charged topic of conversation. There was less fornication and this led to a confrontation in which I was centre stage. One afternoon, Dieter, alone and restless, picked me up and looked through Judy’s varied collection. He began browsing in the online store. He downloaded a sample of Fifty Shades of Gray. And then purchased the whole thing. I did not enjoy the feel of him reading me. I noticed that he did not do so with sustained attention. He flicked from page to page, then settled on a passage which he read slowly and meticulously. I was then dropped (open and face down) on to the sofa as he hurriedly left the room.

I felt degraded. I knew that it was not a book that Judy would ever have chosen and this was confirmed when she said: “It contaminates Algie – just being on him!”

Dieter’s face darkened to scarlet.

“You clearly need to broaden your horizons, Judy.” And in a voice choked with anger, “Now that you’re pregnant, I would suggest our relationship might actually benefit from your reading it.”

I understood by now that I saw only a small part of Judy and Dieter’s relationship. But I had little doubt that this episode was linked to the thorny subject of fornication.

Perhaps it was no coincidence that when Judy forced herself to read this controversial book, my functions first started to fail me. I forgot where she’d reached in the story and soon afterwards opened up on a book about forgiveness that Judy had finished months earlier. She rolled her eyes and called me a “stupid thing”.

And then came the darkest period. Dieter was away. His letters had told of the family business struggling, so he was spending more time in Germany. That morning, Judy returned to the bedroom looking as grey as a battleship. She stayed there for the rest of the day. And then for several more days: sleeping a lot; hardly eating; frequently crying; and never reading. I was a helpless spectator on the bedside table. I had no idea what had happened. No inkling of what was wrong.

That is until a week later, when she received Dieter’s final letter. Delivered wirelessly as usual, he must have also texted her as she opened it immediately. It read as follows.

Dear Judy

From now on I have decided to make my life in Germany once again. My father cannot cope without me. I have realised in any case that I will be happiest with Heike. I may not have mentioned her before. She is our new marketing manager and we have been spending much time together. It is probably for the best that there will be no Algernon the Second. Like me, he would have struggled to find a place close to your heart bearing in mind your other passion.

Naturally I will arrange a collection of my belongings.

Yours

Dieter

It was then that Judy did a strange thing. She found my text to speech function and made me read the letter aloud. It was the first time I’d done this. Despite the discomfort of voicing those words, I was filled with hope that it would now just be the two of us – that I would remain Judy’s forever. Perhaps the letter was hinting that she’d always loved me more than Dieter?

As soon as I’d completed the letter, she made me read it again. And then again! And as I did so, her expression changed. No longer my beautiful Judy, she was now a wild woman whose face was filled with loathing and anger! I wanted to cry out loud that I was not responsible, that I wished only to make her happy. After the fourth reading she looked at me with piercing intensity and screamed a long wordless scream, her mouth hideous and contorted. And then she snapped me shut. Putting me to one side, she left the room. I did not see her for two months after that.

In fact, it may have been less. Or perhaps more. How could I tell, being without hope? I had certainly been abandoned. I could feel the dust gathering on top of me, as if I were a bad memory that needed burying. I lay alone in my sarcophagus of depression.

I was brought to by the voices of Dieter and Judy. I wondered if it had all been a fantasy. Maybe they were still together. And yes, here they both were, in the bedroom, talking about who would keep the clock radio. And a fancy speaker that tuned into mobile devices. Then Dieter picked me up.

“Our old friend Algernon,” he said with a tense smile.

“Yes, your very first present to me.”

“How could I have forgotten? It seems so long ago.”

“Have it. I never use it now. Besides, I’d rather not be reminded of you.”

There was a pause. Dieter put me down again.

“It’s an outdated model,” he said. “If I get one, it’ll be the whizz-bang latest.”

“It was on its last legs anyway,” she agreed. “Let’s recycle it.”

“Yes. Or they can be reconditioned. Better for the environment.”

It was a shock, let me tell you, to hear of myself referred to in this way; a mere object, well past its shelf-life, ripe for recycling or reconditioning. Both the dreaded R words sent shockwaves through my system. They meant me being slated – a whitewash of everything that made me, me. My preference, by a small margin, was for reconditioning. That at least promised a rebirth of sorts, with the possibility of a new owner who might show me loyalty and not cast me so brutally aside.

“I’m not bothered either way,” Judy said. “Leave it with me. I’ll sort it.”

They then moved into the kitchen where they argued heatedly about the silver cutlery set they’d been given as an engagement present. They both wanted that!

The flat went quiet again and another few hours went by before Judy returned to the bedroom, this time alone. She sat down on the stool in front of the dressing table, where I had so often seen her applying her make up before work. She reached across, picked me up and placed me carefully on the dressing table. And then she opened me. She began browsing in the online shop and quickly settled on Cold Comfort Farm. It was about Flora Poste, making a new life following the death of her parents in the Spanish plague. As she read, Judy started laughing – that high pitched cackle of a laugh I’d first heard those many long months ago. Judy suddenly looked at her watch, and, swearing quietly to herself, rose from her chair. She put on her gloves, dropped me into a new burgundy handbag and left the flat.

Image by Gerd Altmann from Pixabay

Round 107 Goes To The Monster – Traci Mullins

I used to fear her dying. Now I fear her living.

The paramedics find her on the kitchen floor this time, unresponsive and chilled like a popsicle.

“A couple more hours and she wouldn’t have made it,” they tell me.

I’m still the emergency contact, but no matter how powerful my love remains, I’ve never won a round with The Monster. For years, the denizen of addiction held us both captive. I’d had to save myself.

When I get to the hospital, the nurse glares at me suspiciously. Pulling back the warming blanket intended to unthaw Molly, the nurse points to multiple bruises on every extremity.

“What’s going on here?” she demands.

I’d seen this before, knew about the drunken falls and collisions with sharp-edged furniture. “This is the fourth time this year she’s been hospitalized. She does this to herself.”

Two days later Molly wakes up, the same haunted defeat in her eyes I’ve seen a hundred times before. I hold her hand as we silently mourn our lost dreams.

The Monster cackles as I look away. Molly lets go of my hand.

 

TRACI MULLINS writes short fiction and has been published in Flash Fiction Magazine, Dime Show Review, Spelk, Ellipsis Zine, Palm-Sized Press, Fantasia Divinity, CafeLit, CommuterLit, and others. She was named a Highly Recommended Writer in the London Independent Story Prize competition.

Image by StockSnap from Pixabay

Always Meet in a Public Space – F C Malby

Mark Jackson
47 years old
Electrician
Likes football and climbing
Seeks 30-40 year old female for adventure.

After three months of chatting online, this will be all you know about Mark. You will arrange to meet at Waterloo station on Saturday morning for coffee. It is half way between Stevenage and Horsham, and in a public place. Always meet in a public space, you never know, Stacey will tell you. Stacey will tell you lots of things, wade in on a lot of your internet dating with opinions and advice, some of it will be unwarranted. There will not be anything in particular that might give you cause for concern from your ‘chats’ with Mark, nothing that will ring any alarm bells. He will be polite and interested, will ask questions about your life.

But, you will know little about him, except that he will have a teenage daughter, Kate, who wants to be a nurse, and he will go climbing in Scotland and sleep out in the wild without a tent. He will tell you a story about putting up some tarpaulin between his motorbike and a friend’s bike on a recent trip to France, hoping neither of the bikes will collapse on either of them, crushing them in their sleep. He will be funny, charming and less invasive than Tom, a thirty year old chef, who will ask you about your underwear and ex boyfriends, or Henry, a thirty-six year old plumber who will ask for your number in the first message and ask to chat ‘offline.’ You will not be sure whether to decline or ignore, eventually choosing the latter.

Your mother will ask why you can’t meet people the ‘old fashioned’ way, you know, face to face. You will fob her off with the excuse that no one meets like that these days and that no one actually has time to meet face to face — long work hours and modern living. Your mother will roll her eyes and tell you about how she met your father at school, and how he was the only man for her. You will hear the story more times than you will ride your bike to the office, and listen to your mother complaining about plummeting marriage rates and sky rocketing divorces. She will always exaggerate. Face to face meetings will consist of blind dates with oily business men, organised by well meaning friends, and recouping with ex boyfriends at parties, or at the pub, after one too many.

The truth will be that you are afraid of men. All your friends will be married and you will not want to be alone, despite your fears, or childless, by the time you are forty. That is Mark’s dating cut-off point’ so there must be some truth in the matter. Internet dating will be easy. You will log on, late at night with a glass of Pinot Grigio, in your flannel pyjamas, and chat to men without leaving the house. The idea of meeting up will be less appealing, but you will want to see what Mark looks like in the flesh, find out if there is any chemistry between you. He looks warm and friendly in his profile picture. The light makes you think it is summer. He is crouched down in a garden with a brown and white collie — intense, brown eyes, tongue hanging loose.

Can’t wait to meet you, he will say in his last message. Looking forward to seeing that pretty face. It will be Wednesday and your stomach will flutter.

Saturday morning will bring with it a cool, fresh start. You will pull on a polo necked sweater and jeans — not wanting to look too smart — followed by your white Nike trainers. Waterloo will take an hour and nineteen minutes from Horsham via Clapham Junction. You will leave the flat at nine twenty, allowing for a ten minute walk to the station and time to buy a ticket. You will take a book for the journey, Girl on the Train, and understand the irony. It will be an intense read and there will be an absence of commuters. The carriage will be empty, apart from a man at the other end, reading a paper. You will remember to text Stacey to tell her where you are meeting, will have fed the cat and told your mother you are going for a job interview. Two of these things will be true.

An announcement will crackle across the tannoy: something about not leaving belongs on the train and Vauxhall being the end of the line. You will slide the book into your bag and glance across at the man at the other end of the carriage. He will already be waiting by the door. The cafe will be located in the atrium of the station and you will wonder whether Mark might already have arrived. As you reach the door, you will realise you arrived first and will take a place at a table near the door, just in case. He will arrive five minutes later, dressed in smart trousers and a pressed shirt. It might as well be starched at the collar. He will smell of cologne as he leans in to kiss you on the cheek. Your stomach will lurch as he touches your skin.

“Excuse me, could we have two coffees?” he will ask the waitress.

“Certainly, Sir. What would you both like?” She will look at you.

“I’ll have a cappuccino, thank you,” you will say with a smile, but it will be forced.

“And I’ll have an espresso.” The waitress will watch Mark intently. You imagine most women linger; he is good looking and toned, dark hair, blue eyes, long lashes. He will take your hand. “I’ve been wanting to meet you since we started messaging, but I didn’t want to seem too keen.”

“It’s good to take things slowly.” He will not respond.

“So how was your journey?” he will ask.

“Smooth, no problems. I’ve almost finished my book. How about you?” You will imagine that he might ask about the book.

“It was fine. I’ve been here for a while.” You will wonder what he did before he met you.

“Your job must keep you busy.”

“Yes, but it earns me good money.”

He will run his finger around the rim of the sugar pot. You will watch the waitress making the coffees, willing her to join you, but you will not be able to explain why the thought enters your mind. You won’t feel comfortable with him in person. There will be no real reason, but something won’t feel right. Trust your gut, one of your friends will tell you. Maybe there will be something in it. The coffees will arrive, but Mark won’t look up. You will want to grab the waitress’s arm, stop her leaving. Your reaction will make you question whether or not there is something wrong with you. Trust your gut.

“Tell me about Kate. How is she doing?”

“My daughter? She’s good, gone to see a friend today. She’s studying for her mock GCSEs. It’s a stressful time.”

“I can imagine.”

“What about you? How was your week?”

“We had a big project to deal with, lots of meetings.” You will not be able to remember any further details, and won’t feel comfortable elaborating.

He will raise his eyebrows and take another sip of coffee. He will be cooler in the flesh than the warm and interesting online version of himself. Always meet in a public space, Stacey will say. “Tell me about your relationships. Any bad stories?” he will ask.

“Nothing I can think of. Why?”

“It’s always interesting to find out who people have been out with in the past. What luck they’ve had.” He will smirk.

“It’s not something I feel comfortable talking about.”

You will get up to pay for the coffees and walk towards the counter at the back of the cafe. Always meet in a public space. The waitress will give you the bill as you will pull out a crisp ten pound note. It will have been newly printed. You’ll feel nauseous, won’t want to return to the table.

“Were the coffees okay?” the waitress will ask.

“Hmm? Yes. Lovely, thanks.”

“Are you all right, Madam? You look pale,” she will say.

“I think so. The man I’m with, what do you make of him? I know it’s an odd question, but it’s a blind date and I don’t feel comfortable.”

“I don’t think you need to worry.”

“Why?” you will ask, and you’ll lock eyes with her. The waitress will nod in the direction of the table by the door. You’ll turn to find it has been vacated. Mark will no longer be there. “Is he in the men’s toilets?” you will ask.

The waitress will shake her head. “No, he left through the front door just as you got to the counter. I did think it was a bit odd. If you don’t mind me asking, what made you get up? You’ve only just arrived.”

“I needed to get away. I feel a bit sick. Can I have a glass of water?”

“Yes, of course. Do you want me to call someone for you?”

“No, I’m fine. I’ll head home. Thank you.”

You will leave and catch the next train back. You will not be able to bring yourself to read the rest of the book. Your nerves will overtake your desire to discover the ending. The carriage will almost be empty again. You’ll watched the trees pull away into the fields as the train picks up pace, and wrestle with questions about the date, about him; and you’ll wonder. Always meet in a public space.

At Horsham, you’ll pick up a Gazette. You will walk the ten minutes to your flat, turn the key in the lock and climb the stairs. You will kick off your shoes and flick on the kettle, find a corner of the sofa and pull out the paper. Flipping through the first few pages, you’ll glance at the weather on the back page, then scan the crossword. It will be a tough one this weekend. You will hear the kettle switch flick up and you will get up to make a coffee, then settled back down and turn to the middle section. He will be there. Mark’s face will be in the paper.

Jeffrey Richards (56), wanted for the murder of Kaylee Williams (16). There will be a picture of the bloodied face of a teenage girl next to his. The words, ‘violent sexual assault,’ will begin to blur as you try to read the detail. You will want to vomit, want to scream. Always meet in a public space.

You will contemplate emailing the dating app, calling the police, calling Stacey or your mother, but you will be unable to move; instead, you will drop your coffee, watch it spill across the sofa and across your lap, watch the brown liquid bleed into the fabric. Always meet in a public space.

 

F C MALBY is a contributor to Unthology 8 and Hearing Voices: The Litro Anthology of New Fiction. Her debut short story collection, My Brother Was a Kangaroo includes award-winning stories, and her debut novel, Take Me to the Castle, won The People’s Book Awards. Her stories have been widely published both online.

Image by Primrose from Pixabay

Leaving Lucy – Faye Brinsmead

Lucy!

That textured patch in the gap between liquidambar leaves is the crown of her head. Coarse-weave brown, with silver wisps like glow-worms. They remind me how long we’ve been doing this. Our nightly performance has changed over time. She no longer bawls my name, she stage-whispers it. Soft, but intensely audible.

I don’t usually lower my voice. Bugger what the neighbours think. But tonight it’s a tiny sound carried on the breeze, fluttering past her ear like a dead leaf.

Don’t want any.

The glow-worms hesitate. Should she insist? She’s tried threats, cajoling. Bottom line is she can’t climb up here and get me. Or force spaghetti-bolognese-boiled-carrots-and-brussels-sprouts down my throat.

Molecules of night hang in suspension. Stars delay their rising. Gnats tread air.

Lucy, this has gone too far. I want you inside in twenty minutes. Your father and I …

I listen to her vinyl sandals scrumpf through wet grass, prepare to step down, land heavily on the concrete path. Like a conductor, I could wave in the skreek of the sliding door, waggle a finger for each heel-fall, welcome silence with a levelled baton.

Instead, I lie back in my nest, staring up at leaf-blotted stars and mouthing her name. Lucy, Lucy, Lucy.

Three years ago, when Emily, my only friend, moved interstate, I took to spending recess and lunch in the library. At the back of the main room, spiral stairs led to a loft where old magazines sprawled on dusty shelves. In the gum tree whose lemon-scented leaves pressed against the loft window, a magpie was raising her brood. As I watched them that first day, a National Geographic slid off its shelf, landed near my toe. Was Lucy a Tree-Climber, After All?

That’s how we met. I, crouching on green shagpile; she, staring at me through the polymer clay eyeballs of her reconstructed face. We were both eleven. We didn’t look alike, except for the brown eyes. But something made me feel I was gazing at my reflection in a brackish pool. After I found Lucy, I didn’t try to make any other friends.

Her skeleton, a broken necklace on black velvet cloth, didn’t have any feet, just a single ankle bone. By contrast, the toddler Australopithecus afarensis whose discovery had prompted the National Geographic article had a large, curving, wiggle-able big toe. So she could shinny up the home-tree if a leopard slunk by, crawl into her family’s nest at sunset.

Nest? Yes. After dark, our ancestors became wingless birds who folded up their bipedal bravado in the hair of trees.

That afternoon, a hail of Bunnykins cups, bowls and plates dispersed Sal, Prue and Mattie. Psycho! Sal shouted over her shoulder as they fled inside to tell on me. The tree-house was mine. I swept the rest of the girly rubbish over the edge. With my brother’s help, I moved the pine platform about 10 feet higher, covered it with earth and dead leaves. The scents of growth and rot creep down to meet me as I scale the trunk after school every day.

My nest – our nest – contains nothing but an Arnott’s biscuit tin of clippings about Lucy culled from magazines and newspapers. I’ve grown quite a bit since the day I evicted my sisters. When I’m up here now I have to crouch in a way that pulls me back three years, and three million. Side by side, we gather fruits, dig for plants, suckle our babies. Our people live in a range of habitats, but I’ve always known that our home-tree grows beside a lake, its roots slipping among strange shapes of ancient fish.

I’m not allowed to sleep up here. Come down by dinner-time is the rule. Recently, I’ve been bending it more and more, testing the give of its fibres. Tonight I don’t care if it breaks. I’m not coming down. Lucy’s fall hurts less up here, even though, squinting through the swirl of autumn leaves, I can plot every micro-second of her trajectory.

I saw it at breakfast time, on the front page of the newspaper fortress Dad hides behind.

Lucy fell from tree, new CT scan suggests

The skeleton of Lucy, the 3.2-million-year-old hominid, shows injuries best explained by a fall from a tree, a team of scientists claim. Full story page 10.

Braving Dad’s outrage, I snatched the paper, ran out of the house, scrambled up here. It wasn’t easy in my school dress, which I tore on a forked twig. Through a smear of tears I read the article over and over. Bits of it have lodged in my head like shivers of glass.

We wanted to piece together the story of her life. We had no idea we’d find the clues to her death … She landed feet-first, probably at the edge of a lake … Almost certainly, death came quickly … quickly …

Twenty minutes must have passed. Another coat of dark blue has deepened the sky. I’m ready to face them. Heels tensed, hands gripping branches, eyes trained on the outside light. If Dad brings out the ladder –.

These are the fractures we see when a modern human falls from a great height.

 

FAYE BRINSMEAD lives in Canberra, Australia. A lawyer by day, she writes short fictions in all the snippets of time she can find. Her work appears in Reflex Fiction, MoonPark Review, Twist in Time Literary Magazine, formercactus and Vamp Cat Magazine, among others. Say hello on Twitter @theslithytoves.

Image by Michael Gaida from Pixabay

Mare Serenitatis – Jennifer Wilson

no matter that I am no beauty,
the mirrored sea will not break
beneath me. instead I tread
as though suspended, barely
wet, the soles of my feet
silvered by the tide.

and I move against the moon
who would gravitate to storms
should I slip, make a
miscalculation of my steps
as I seek you, stoop
to pick your pale white
eyes up from their bed –
little closed cowries pressed
tight against the grit and darkness
of the ocean floor.

O the sea, my love, is nothing
to fear though it is no
friend of mine. black bands
of hagfish make no meal
of bone. do not cry,
there is salt enough
in our wounds already.

 

JENNIFER WILSON lives in Somerset, England, with her newborn baby and fully-grown husband. Her work has appeared in Memoir Mixtapes, Molotov Cocktail and Mojave Heart among others. ( A full list can be found at jenniferwilsonlit.wordpress.com, while she may be found on twitter @_dead_swans )

Image by Stefan Schweihofer from Pixabay

Lockcharmer – James Burt

1

I’d been having a bad time of it when I locked myself out of the flat. I couldn’t afford a locksmith, and the friend who had my spare key was away. All I could do was phone my friend Rory and ask if I could stay a few nights.

-Actually, I’ve got a friend who can help, he said.

-What, he’s a locksmith?

-She’s a she. And sort of. I’ll give her a call and see if she can come round.

Rory arrived with Elaine about an hour later. She stood behind him, not looking me in the eye. Elaine was quiet, hair tied back from a serious face. She seemed too delicate to be a locksmith and carried no tools. I decided she probably had some special gadget – perhaps all the tools and gubbins locksmiths normally carried were for show. She’d not even called ahead to ask what type of lock I had, which made me think she knew some special trick.

We stood awkward on the stairs and chatted about the weather. I wanted to get inside and get some sleep, but it seemed rude to hurry things. Finally, Rory turned to Elaine and asked:

– Can my friend stay and watch?

Elaine glared at him.

– I’ve known him for fifteen years, Rory explained. You can trust him.

– Fine, she sighed. Just don’t get in the way, OK? And don’t tell anyone what you see.

– I won’t, I said.

– Seriously. You promise?

– I promise.

I was still expecting some special gadget. Instead the woman knelt down in front of the lock. She just put her face close to the keyhole, too close for her to see it properly, lips just short of kissing it. Rory and I didn’t speak and could hear Elaine whispering. Within twenty seconds there was a click and my door creaked open an inch.

– That’s an easy one, said Elaine

 

2

One night, lying in bed, Elaine told me how she learned about locks.

Her brother had dreamed of being an escapologist. He was fifteen months older than her and infuriated their parents. He’d get into trouble at school, or clumsily break ornaments. Elaine did her best to prevent arguments, but there was nothing she could do when Adam started playing at escapology.

Adam refused to keep the keys for his locks – he threw them away, so he’d have more incentive to get free. After the first couple of times his parents would regularly search his room, but he still managed to hide locks and chains. After he was found cuffed to a radiator for the third time in a week, Elaine decided to do something.

Of course, she had no idea where to start. She bought three padlocks with some leftover Christmas money and sat in the dark, playing with them, trying to figure how they worked, talking to them.

Elaine wasn’t quite sure how it happened – she’d never managed to explain it to anyone – but she had a knack. Elaine could persuade locks to open. But she was adamant it must be a secret.

– If too many people find out, she said, it won’t work.

– How do you know that?

– I just do. Same as I know how to open the locks.

 

3

Her bedroom was full of old padlocks she’d collected. They dangled open from loops of string attached to the ceiling. On her dresser was a massive lock, three hundred years old, she told me.

Elaine said that sometimes the locks talked back. Occasionally they complained, about the scrapes felt from an incorrect key, or the jabs of a badly cut one.

– Locks don’t use words, she said. But they give off vibrations, sort-of-feelings. Some are clenched tight; others are all serious and workmanlike. And padlocks are happiest when they’re open: you can just tell. They don’t mind protecting something – it’s what they’re made for – but they hate being left locked around nothing.

When she spoke about them, you could tell – Elaine loved locks.

 

4

I woke up in the night and saw Elaine wasn’t beside me, the duvet flat where she should have been. Probably gone for a glass of water, or to use the toilet; but what, I thought, if she was speaking to my doors? She could be researching the tiny details of my life, asking the locks who had visited, what times I’d come and gone.

I crept out of bed and into the hall. At the far end I could see light beneath the bathroom door. I went back to bed, slipped under the covers and pretended to sleep. The door creaked open and the bathroom light clicked off, then Elaine’s bare feet padded back to bed. She was soon asleep, breath puttering quietly, as I lay staring at the ceiling. I had no intention of cheating on Elaine – I loved her, I honestly believe I did. But I didn’t like the idea of not being able to keep secrets if I ever needed to, even if I couldn’t think of what those secrets might be.

I could hardly ask her never to talk to my doors, could I? It had to end. As much as I loved her, I couldn’t spend my life with someone I could never have secrets from.

 

Image by StockSnap from Pixabay

The Tutor – Bayveen O’Connell

After mid-terms it was decided that I needed a biology tutor. Dad made a call or two and then dropped me off at the house at the end of the terrace on Lincoln.

“You’ll love her. We dated senior year,” he grinned as I got out of the car.

Climbing the steps, I heard the door click open.

“Maggie, right? I’m Angie,” a woman in a whoosh of loose kimono robe welcomed me in.

The hallway led to the kitchen, which was illuminated by windows running the length of the whole room, overlooking the yard. She sat and motioned for me to join her. Angie’s hair was long, black and silky, and she looked out at me through her bangs, pulling a pack of Lucky Strikes and a lighter from the pockets of her kimono.

“John said you’re struggling in Bio.”

I flinched. It sounded worse coming from a stranger. Raising her eyebrows, she put up her hand. “Struggling. I hate that word. Forget it.”

I exhaled, letting a nervous giggle escape. Smiling as she lit up, she said: “So what’s up?”

“What’s up?” I wasn’t sure where to begin.

“What’s the deal with Bio?” Angie took a drag.

I glanced along the infinite window sill where things were growing in pots higgledy-piggledy, green and dangling in every available space. “Humans are ok, even frogs and parasites but plants are just too bland. I mean…pea chromosomes and bladder wrack seaweed?”

Angie exhaled and issued a whoop of laughter. “Your father’s grown wise with his years, sent you to the right place.”

I looked back at the sill again, full of strange colours and scents, high sweetness and sour rot.

“You’ve seen my babies, eh? Here, let’s make a bet. If you don’t have green fingers by the end of the month, I’ll give you 40 bucks.” Angie stood up, coaxed me from the chair and pointed towards a pot with spiky-headed things. I shrugged, eying the gross little petals that looked like mouths.

“We can bet your father’s money.” Angie said, watching me watching her plants.

Above us, a bluebottle fly hummed, bumbling down the window. It made a long, lazy loop around us and stopped near one of the spiky mouths.

“What you think?”

I didn’t reply. I was too busy looking at the fly rubbing its front legs in anticipation of some delicious juice, then crawling up and into the red tongue of the plant. Just like that- snap! The jaws closed around it, the spikes inter-twined, yet I could see the shape of the fly still wriggling inside.

I turned to Angie, my eyes nearly bulging out of my head: “This can’t be real, this is some sort of…”

Angie threw her head back and chuckled, the light glossing through her hair.

“You’re not a teacher, are you?” I said.

She rolled her eyes, “No, I’m a witch. And I have more weird stuff out in the greenhouse, if you’re interested.”

 

Bayveen O’Connell lives in Dublin and loves travelling, photography and Bowie. Her flash, CNF and poems have appeared in Three Drops from a Cauldron, Former Cactus, Molotov Cocktail, Retreat West, The Bohemyth, Boyne Berries, Underground Writers, Scum Lit mag and others.

Image by Mylene2401 from Pixabay

Corsican Visits, Summer 1988 – B F Jones

The sun beats down on the orange Mehari that sways down the tortuous road, its engine screaming with each bend.

The Pernod was refilled during the visit to the Antoniottis, the retired teachers who they occasionally go fishing with. So they’re now on a tight schedule, with two more dominical visits to squeeze in before calling in to great aunty Virginia, who has early lunch on a Sunday, in order to treat herself to an additional half hour of siesta.

The small car rattles through the town, startling churchgoers as they flock out of the service, dozy with prayers and incense, squinting in the midday sun.

The children sit at the back, sticking their arms out of the flapping plastic windows, nauseated by the car fumes and curly roads. They long to be at Father Constantino’s house already. Out of all the visits, this one is the best, it also only happens every other Sunday as Father officiates at the Greek Orthodox church bi-monthly, making it even more special. The cordial hasn’t got white flakes in or a dark crust around the bottle’s rim and sometimes there’s ice lollies he presses into their hands before mum and dad can say it will spoil their appetite. He then sends them into the garden where his cats are willing to be chased and held tight, bottom legs dangling, and where juicy figs hang low and are allowed to be picked.

But this Sunday is different. A stern Father awaits them outside his front door. There has been an incident he says. Forgetting to greet the children, he addresses the parents solely, his voice as quiet as his baritone nature can muster, his accent stronger in his rushed explanation. They catch fragments of it. “…a traffic jam in Ajaccio…delay.”

“So it’s here? Inside the house?”

“Yes. In the lounge. Do come in, we can sit in the office.” And his voice grows strong again, his words final: “Children, today we’ll be staying in the office.”

So they sit in the stuffy room, trying to wash away discomfort with more Pernod and cordial and a small ball of very dry pistachios, mum telling Father about yesterday’s trip to the beach, and how big the waves were.

Louis fidgets, uncomfortable on the edge of the small couch, his brother’s leg hot and sweaty stuck to his. He was hoping to see Brunu, his favourite cat, but they can’t go to the lounge and the lounge leads to the garden. He crosses his arms, refusing to touch the pink cordial as a sign of protest. But the grownups don’t pay attention, they are deep in conversation, talking about the wildfires and the drought and the mayor.

Louis wonders what’s in the lounge. Maybe a pirate treasure? Father Constantino always tells him about the pirates that once roamed off the coast. He says there are pirate ships resting on the seabed and that he should look for them when he goes snorkeling.

The grownups are still talking, Sofia is sitting on the floor, playing solitaire, hard at work trying to shuffle the yellowing deck of cards, and Jacques has lowered his head on the nearby cushion and tucked his thumb in his mouth. Louis gets off the couch and walks out quietly, his heart thumping hard at the thought of a pirate’s chest sitting in the lounge. And if there’s no treasure, he can always go to the garden to see Brunu.

The lounge is dark but he can make a large, rectangular shape.

A treasure chest!

It is longer than expected, lacquered white and not wooden, but the handles are golden, as expected. The pirate lying in it is having a siesta.

 

Image by Nadine Doerlé from Pixabay

Joan of Arc – Dan A Cardoza

I am in Paris, for one year, my high school student exchange program. I enroll in the obligatory French language classes. To my surprise, I love both courses, and my teachers, especially, Fleur. I have her in my advanced French class. I admit she is my favorite, a master linguist, and philosopher of everything Amour.

First I giggle, and then I ask her “how?”

Fleur’s short answer, “Slightly lift your tongue like a pen, and then sketch tiny alphabets in your closed mouth. This works especially when painting nouns and verbs.”

“You are making me blush Fleur.”

“No Ms. Melissa, your limitless imagination is making you blush.”

I cry when I say goodbye to Fleur. She asks that I be careful. She says, “there are so many decisions in life, and so few involve choices. Love is the most important decision in life, choose wisely.”

By the end of summer, before my senior year, I commanded the poetics of the French and believe true love will eventually find me, and haunt me pleasantly forever, like a ghost circling the tip of an endless Dreidel.

*      *      *

Years press forward, depressed, I drop out of college, with only one quarter remaining.

*      *      *

We are taking one of our long drives, into the foothills, where witchweed, and lavender thistles bouquet the rolling green landscape, wafting a potion of jasmine blossom, and the delicate scent of wild mustard. But as I look closer, past all the beauty, I can also see the alabaster rib cage of a winter deer, under the rotting oak shade branches. I see spring creeks, running dark and muddy, and moody. I see all this through my passenger window, and then as I slowly turn, I notice you thinking too hard.

You fancy me invisible and then you mouth, “I still can’t believe she’s gone.”

*       *      *

We take too many of these trips, but at least I can mull to myself out the window, rearrange the scenery, even the weather, which seems darker with each new trip.

When we return in the early evening, you ask me, Please stay for a glass of Merlo you would rather not waste.”

I say, “No thank you, Mr. Conrad.” I think cadavers.

*      *      *

Over Bombay and Safire, at a fancy hotel bar full of enough men for a turkey shoot, you flirt me around like it’s a whore convention. I think shame on you, but I understand because in your mind I am bought and paid for, like your wrinkled laundry waiting for its folding in a basket at home.

As I cry and race home, I throw out party napkins full of telephone numbers. The fresh air pounds me like a sound tunnel, cigarettes, ash and filth lift then whisk in a swirl, like Dorothy’s Kansas tornado.

‘Where are those god damned ruby red shoes when you really need them,’ I say out loud?

*      *      *

I’m not worth much, that’s what my lazy boyfriend says. He fancies himself a ninja wordsmith, and he’s good at the hateful ones. He’s a Jedi Knight, with a sword for math. For example, he knows exactly how many empty Budweiser cans it takes to recycle our dreams, typically $10.00 at the recycled center.

During sex, I am high above him on a cloud hooked to a string. I can predict when he cums, because that’s when I am paying late bills or eating apples in my mind. Then I crush, “Right there, right there baby!” That’s when I cut the string and untether, and float to the stars, far from the white noise in my head. Then somehow, I awake from my sleep not quiet dead.

*      *      *

I’ve been told that it is ok to live with the memory of love. That it’s ok to live with a vivid image, or .gif of stormy neon kisses that flowed over and down, staining my white blouse. Just live with the memory of weather and the wetness you caused, all this just by saying “I love you,” and meaning it. I’ve been told by my therapist, it’s also ok to remember the broken dishes on the floor, to make room on the table when food was not what we hungered for. If only I didn’t recall the two solemn marines at the front door.

*      *      *

On our way home from yet another Sunday and dusk, you say, “No! Like an ice cream cone, slow and easy, like she used too.”

I listen, but I can’t hear you. It’s a terribly windy day that insists on flapping against my ears like mad seagull wings. I have to lean into the wind just to hang on. As I stand at a childhood bridge in Seattle, mist rises from the water toward a cloudless sky. I see heaven, magnifique, it is so all alone, orphaned of name. On such a day, emptiness can only be quenched in fathoms. ‘I say to myself slow and easy, slow and easy. It’s almost over.’

*      *      *

Le temps a des ailes. ‘Time has wings.’

All stories must end. This one does not.

We find ourselves at Smith College in Northampton Massachusetts. Melissa is teaching a class about the French Renaissance. Outside, on a bench, a young woman finds herself pleasantly fatigued from the challenge of learning. She looks out across the vacant green courtyard at the tall stand of fall Sycamore, which seems to climb into the afternoon sky like a burning teal castle. Just in time, a damsel needs rescuing.

In her silence, she traces the letters of Joan of Arc with her tongue, blending each letter into words into a carousel of thought. It’s The One Hundred Year War, a revolution. She knows to take her time.

‘il y a pire que d’être seul, as Fluer might have said––there are worse things in life than being alone, like having no choices perhaps.

It’s then, Erica, with only the tip of her tongue, slowly spells, M-e-l…

La Fin

 

DAN A CARDOZA has a MS Degree in Education from UC, Sacramento, Calif. He is the author of four poetry Chapbooks, and a new book of fiction, Second Stories. Recent Credits: 101 Words, Adelaide, California Quarterly, Chaleur, Cleaver, Confluence, UK, Dissections, Door=Jar, Drabble, Entropy, Esthetic Apostle, Fiction Pool, Foxglove, Frogmore, UK, High Shelf Press, New Flash Fiction Review, Rue Scribe, Runcible Spoon, Skylight 47, Spelk, Spillwords, Riggwelter, Stray Branch, Urban Arts, Zen Space, Tulpa and Zeroflash.

Image by bonoflex from Pixabay

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