Tuesday Man – C L Spillard

January mist glides in waves over the flat river. It drips from the blackened branches of the stately chestnut trees that line the long, straight path.

I can make out a figure a couple of hundred yards ahead. The elderly gent I see, every Tuesday, when I walk into town to do my weekly shift.

My route takes me first on a rough gravel turn through vegetable allotments, then out onto the flat Ings near the taut-drawn steel arc of the Millennium Bridge before bearing right, along the straight promenade – ‘New Walk’ – lain in Regency times for ladies of leisure and gentleman flâneurs to parade in their finery.

My shift starts at ten. If I’m late, I see him near the beginning of the path: if I make good time I see him further north, at its end by the little blue bridge below the flood barrier. Here two rivers meet in a letter ‘Y’: the barrier’s to prevent the main flow making a rearguard action – backing up the smaller tributary, into the city centre.

Today I make good time.

“Hello.”

“Hello.”

It took me three years to get that much. Heaven knows how long it might take before a handshake – ‘My name’s Louise, but most people call me Ziss’. I suppose it’s a Brit thing.

*      *      *

January gales sweep the bare branches in broad gusts. Spindrift rolls over the choppy grey river. A year has passed and my new year’s resolution to find paid work has foundered again.

Perhaps it’s because I like my Tuesdays at the charity shop too much.

A few hardy joggers and determined dog-walkers are braving the storm. Here’s the gent, in his usual long dark coat.

“Hello.”

“Hello.”

He always carries a cane, though I’m pretty sure he doesn’t need one: his back is straight and his gait easy.

I’m early: I’m practically at the blue bridge.

After that the path roughens before passing under the bone-like arches of Skeldergate, along the quayside and in front of the two old pubs – the King’s Arms and the Lowther – that are always on the national News when it floods.

*      *      *

The pale sun of the New Year casts a long, indistinct shadow that leans left on the path before me. I’m once again enjoying my first walk in of the year. The river is blue and smooth. An eight glides like a blade, the coxswain calling the strokes.

Last June my number came up for an allotment. I noticed as I passed just now that the broccoli leaves have wilted. But it’s only frost: they’ll recover.

“Hello.”

“Hello.”

Funny how, past a certain age, people don’t seem to get any older. It’s been six years now.

*      *      *

I can’t believe how mild it is this New Year: I’ve not even bothered with a coat. Several cyclists bowl by on the other side of the path’s white line. One of them has a breathless Staffy on a lead.

I wonder if this year will be as eventful as last: our eldest left home, someone burned down the shed on our

allotment, and I found a book about wine-making in the shop and took the plunge.

I must be walking faster: I’m at the blue bridge.

The sky and the river are dark steely grey, but snowdrops gleam like tiny shields on the grassy bank between the two rivers, at the ‘Y’ by the flood barrier.

His face is quite distinctive: chiselled and triangular.

“Hello.”

“Hello.”

*      *      *

January sleet drives like an onslaught. Just as well the Council reinforced the path last autumn. I wasn’t even going to walk this way: their site said Viking monitor was reading two metres above mean summer level. Water would have cut off my route. The river speeds, brown and whorled, but the earthworks have kept the walk clear, as promised.

When the path’s flooded I have to resort to the main road. I make the same time, but I never see him there.

Our youngest left home last year.

My wine won a prize at the local show.

“Happy New Year.”

I almost stop in my tracks.

“Oh… er, and you too!”

*      *      *

Rain lashes the bedroom window. It’s nearly 9:30, but dawn hasn’t gone past dark grey. My eyes are burning. I’m almost too weak to lean across and find the number.

“I’m sorry, Nick. I can’t come in today: I think I’ve got that ’flu.”

“Oh dear. Thanks for letting us know. Take care.”

It’s been the wettest year in a decade, the ground sodden since September. This storm’s so bad they’ve given it a name. It rages on for days. So does my fever.

I sit up in bed and scroll through the news.

The river’s breached its banks. Viking’s broken its record: nearly six metres up. Someone canoed through the top storey of the King’s Arms. The electrics of the barrier seized because water infiltrated the wheelhouse – bit of a design fault there – allowing the flood to overrun the city centre. The Army are on the streets, with sandbags and pontoons. The B.B.C. interviewed an historian from the University, who said the flooded roads used to be a fishpond in mediaeval times. Only human ingenuity defends them nowadays.

Days pass. The floods and my ’flu subside, as they must, and I’m back on my feet by the Tuesday.

Mild air greets me as I leave the house, almost as if in apology for the excesses of last week.

A tall well-built lad passes me near the Millennium Bridge: odd, his type are usually jogging, cycling, or on the

main road instead, riding a motorbike or driving a van. I smile at him.

I steel myself to pick my way over treacherous, slimy mud – the floods’ usual aftermath. But it’s not necessary: the Council have already been busy with the clean-up. The path is dry.

The usual cyclists breeze by: students, suits; shoppers. I overtake elderly couples, dog-walkers; young lasses with rucksacks.

I’ve reached the blue bridge.

No gent.

He’s not on the rough path to Skeldergate, or on the cobbled landing by the pubs, now both back in action after the floods.

I’ve never before not-seen him on my riverside walk in.

I’ve even given him a nickname: Tuesday Man.

He isn’t on the steep street up to the shops, past the Dungeons museum with its display of grizzled Viking fighters. Funny how we still invoke their old Gods in our weekdays’ names. And how Tew – God of war – is the one nobody remembers.

I don’t mention it at the shop.

*      *      *

When I walk home I face the low sun – piercing white.

The river glitters, silver and gold. Tiny translucent spears of grass poke up through new mud on the banks. I screw

my eyes: can just make out a silhouette crossing the Millennium Bridge.

As I get near, I recognise the lad from this morning.

I wonder why he’s carrying a cane.

“Hello.”

“Hello.”

 

C L SPILLARD was born just in time to endure the U.K.’s coldest-ever winter. A former physicist, she now writes science fiction, fantasy and crime. Her second novel ‘The Evening Lands’ – sequel to her debut novel ‘The Price of Time’ – will be published later this year. She lives in York, U.K. with her Russian husband, two almost-bilingual children, one allotment and nine solar panels.

Image via Pixabay

What You Don’t Know Can’t Hurt You – Helen Laycock

Mother’s face blanches as the lightning cracks.

Raindrops are hurled like handfuls of tiny stones, the plate glass stopping them short of assaulting her face. Her eyes are as dead as lizards’.

‘Rain,’ she says.

My back is to the window. I know the rain. How it turns a flimsy shirt to second skin, sagging and pinching, twisting and chafing. Clasping the cold.

I know the garden hedge, too – that hollow, where, hunched in the dark, eagles’ talons gripped my shoulders and bats became entangled in my hair. I know the dank smell of drenched earth, which wheedled its way into my nostrils like burrowing worms, and I know the clag of wet socks over crimped skin.

‘Yes, rain,’ I say, hearing the arrhythmic percussion, that familiar coded warning.

I insert the spoon into her gaping mouth and clamp it shut.

Her tongue kneads the potato which oozes like toothpaste from a damaged tube; it lands in an island on her dress.

She jumps at a bellow of thunder, and settles immediately like a billowed sheet.

I turn to open the French doors and watch her staring reflection flip away, replaced by dark space.

She takes the brunt of the lashing rain as I push her wheelchair out into the garden.

I run quickly into the warmth and shut the door, watching as her skull appears through strings of white hair, and her dress becomes dark.

‘That’s what happens to naughty girls who spill their food,’ I say.

 

HELEN LAYCOCK’s short stories, flash and poetry appear in a variety of anthologies and magazines. She has been a lead writer at Visual Verse, has featured in several editions of The Best of CafeLit and recent work has appeared in Popshot, The Caterpillar, Poems for Grenfell and Full Moon and Foxglove. She also writes children’s books.

Image via Pixabay

Wishing Well – Rickey Rivers Jr

Sabrina T. Age: 9

She wishes for school not to be so difficult, for her mommy, daddy and pug-pug to be happy. She wishes for her friends at school to be happy too. Pug-pug is her dog. She got him last year. He’s described as being cute.

*

Katrina V. Age 22

She wishes for an apartment. She’s been working at the same job since high school. She’s saving up her money. She also wishes for a boyfriend.

*

Barry Q. Age 26

He wishes for fewer hours on his job and a raise. He says “Who doesn’t want a raise?”

*

Patty J. Age 65

She wishes for her husband to be in a better place. He died two years ago. She wishes that she could gain the strength to carry on.

*

Victor G. Age 32

He wishes for a promotion. He says he needs it. Says Christmas is coming up and birthdays too. He whispers “promotion” and yells “come on!”

*

Bridget C. Age: 40

She wishes to meet a nice man, also for the quick recovery of Minxy, her cat, one of five. Minxy is described as being all black with white paws and a white stomach. Minxy was a stray like the others. She says Minxy ate something that didn’t agree with her and she’s been sick ever since.

*

Calvin E. Age 46

He wishes for a bite to eat. He says he’s been up and down the streets for way too long. Says that sometimes he can find food from restaurant dumpers because they throw out so much but recently they’ve begun to place locks on the dumpsters.

*

Vikki W. Age: 18

She wishes for a new car. Says she’s graduating soon and she hopes her parents get her one. She hopes the car will be either pink or light blue. Says either is fine but nothing brown or grey. She says her friend has a jeep but it’s all black. It’s cool looking but she doesn’t like jeeps. She says she’s definitely not jealous.

*

Quentin F. Age: 20

He wishes for a girlfriend. Says he thinks Veronica likes him but he really doesn’t know for sure. He wishes he wasn’t so awkward around girls. Says that would make life easier.

*

Lacey P. Age: 24

She wishes for a bigger chest. She laughs about this. Says she’s always hated how they’ve looked. She wonders why she was cursed with a flat chest. Says at least let her come into some money then she could save for an upgrade.

*

Brittany A. Age 12

She wishes to see a movie at the theater with her friends. She says her dad said he would take them but he might not. Says for some reason Jasmine’s mom doesn’t like her dad. She says her dad told her that. She says her dad said that Jasmine’s mom said something that bothered him. She wishes for them to get along. She asks if she could have two wishes.

*

Warren O. Age: 54

He wishes the pain in his side would leave. He says he thought it was cancer but read online that it may be less serious.

*

Sammy H. Age: 47

He wishes the stupid kids next door would stop playing loud music. He says these are the types of people he wishes didn’t move into the neighborhood. He wishes they would leave. He

says the kids aren’t really bad just annoying but all kids are annoying so whatever. He says his wife says he’s too harsh on them but she doesn’t like the noise either. He says she’s just nicer about it.

*

Kevin C. Age: 29

He wishes for his moms’ recovery. He says she smokes and has had a bad cough for a long time. It put her in the hospital. He says if his mom doesn’t make it he doesn’t know what he’d do. He pauses, and says please let her be okay.

*

Bianca E. Age: 24

She wishes she didn’t have to do what her boss wanted. Says she wants to make it. Says she’s a good worker. Says she hopes there’s another way.

*

Naomi S. Age: 16

She wishes she could forget. She says she feels numb around him now. She just wants to forget.

*

Eric V. Age: 11

She wishes her mom and dad would stop fighting. She says Dad broke a glass today. Mom screamed and left. She wishes they would just make up.

*

Patricia F. Age: 36

She wishes for her sons’ safety. Says please keep him out of the streets. Says there’s nothing there for him. Says please protect him. Says let my son come back safe and sound, says a prayer.

*

Christina R. Age: 17

She wishes for a healthy child. Says her parents don’t know yet but she hopes when she tells them they don’t freak out. She pauses. Even if they do, she says, I’m keeping it. She just doesn’t want them to hate her.

*

Devin J. Age: 27

He wishes his parents would accept him. He hasn’t told them yet.

*

Irene D. Age: 26

She wishes for a better tomorrow. She works at the club. She’s a dancer. She says its fine but not what she wants. She likes photography but it doesn’t pay the bills. She says she’s sick of the club. She wishes for a way out.

*

These coins float within me. They are my dreams.

 

RICKEY RIVERS JR was born and raised in Alabama. He is a writer and cancer survivor. His poetry has appeared in various publications and is forthcoming in a Twist in Time Magazine, Dodging the Rain, Elephants Never (among other publications). Twitter.com/storiesyoumight / https://storiesyoumightlike.wordpress.com/

Image via Pixabay

White Light – Christine Brooks

When I was younger
seven or eight, maybe
even
younger than
that,
the thunder came rolling
in
over our house that
had been
dropped
on the outskirts of
urban-ia
landing on a street mostly
forgotten.

28 Ionia rattled and
shivered, but
Never, not ever
crumbled from the
booms,
Or from the
bolts.

I hid from the loud claps
house shaking, knees
knockin’,
under the bed, hoping
for time to grow longer and
Longer
as I counted the
seconds
between the
Growls and
bright flashes of
white.

Come out, you say
the angels are just bowling, no
need to quiver,
no need to shake.

Look at the dark sky
streaked
with light, even in pitch
there is
—light.

Sometimes, it isn’t thunder
that rumbles and grumbles, or lightening
that flashes and
flickers our lights

No, not at all.

The angels are
bowling
I remind myself

and when I do
I am with you again
in your arms
starched white nurse’s cap
Bobby-pinned high atop
Your salt and pepper
Bouffant hairdo

Even in pitch there is
light.

Even in pitch there is
light.

Even in pitch
there is
light.

Image via Pixabay

Baby and Bucky – Michael Grant Smith

The town of Last Chance will substitute for Heaven until the day we walk or float or whatever through those Bedazzlered gates. Sure, our semi-utopian municipality endures the occasional heatwave or crime spree, but those two dilemmas are caused by outside actors beyond our control. No matter how tight you close your eyes, it seems solar rays and ramblers both find a way in.

“Why do they call it late afternoon?” Leonard “Bucky” Sawtooth asked his common-law wife, Doreen “Baby” Shaker. “It’s here at the same time every day, more or less.”

The self-storage units’ flat rooftops could grill spareribs to perfection if someone climbed up there to turn the meat. A curtain of fine blonde steel wool permanently screened Baby’s right eye.

“You’re the mighty oak that shades my babbling brook, King Dynamite,” she said with a yellowish smile. “I dream constantly of your stout trunk and overspreading limbs.”

“We’re the cream of the unwashable masses,” said Bucky. “The top of the food channel. Folks such as us, we eat what we want. Few if any creatures can eat us in return, what with our mastery of weapons and metaphors and all.”

“Your mind is a fine stainless steel colander, my Hunky Man-Tree. The big thoughts stay put.”

Bucky tugged the stringy, salt-and-pepper moss that adorned his weak chin. He ruminated on how life was a rich and bountiful banquet served buffet-style. Having reached a cul-de-sac in his career path, Bucky had accepted a position as the live-in manager of the Last Chance Stor-Yor-Stuf on Dixie Highway where the gas stations and burger joints end and the long gravel driveways begin.

“I’m a nomadic camel jockey of the faraway desert badlands,” Bucky said. “To roam is my destiny.”

“If you were a pack of Camels, Love Widget,” Baby cooed, “I’d smoke you down to the butt.”

The times Bucky had doubted her devotion was a number less than zero. He pulled his cap lower and squinted at Baby.

“Keep it up if you don’t believe I’m ready to party,” said Bucky, “or are perhaps unsure.”

“Unit 26, let’s go,” Baby hissed. “He stopped paying and I cut the padlock just this morning. You are carrying the kitchen match that must light my stove of ardor.”

They shut the gate and hung the “Closed” sign on the office hut’s window. The abandoned 7 x 10 was one row away. Bucky hushed up when they drew near.

“What’s on your large mind, you Gladiator of Pleasure?” said Baby, who spied Bucky’s sudden hesitation. “Is it the unseasonable heat? Has the mood flown away as if it were an un-lusty bird? I’ve got special plans for you and your Undercover Investigator.”

Bucky stood, feet planted wide, hands in back pockets, belly pointed toward the object of his woolgathering, which was Baby’s bolt cutters leaning against the rollup door. It was then that Baby smelled a plan afoot.

“I’m as determined as a stuck pickle jar lid to transport you to a carnival of delight,” said Bucky, “but another idea line-jumped itself into my brain bucket. Namely, if we’ve cut yon lock in order to sacrifice our flesh on altars of pleasure, why not use similar door-opening schemes to enrich ourselves fiscally alongside the opportunity to bump uglies?”

Baby’s teeth lined up like fire-roasted corn-on-the-cob.

“You’re suggesting maybe it’s time we cash out and move on to greenest pastures new?” she asked.

“Let it be so,” he replied. “One big score and we’re off to life’s next adventure.”

The next two hours passed as quickly as a dose of mineral oil. Baby and Bucky collected their belongings from the converted storage unit that had been their one-room domicile this past month. Bucky hitched his pickup to a flatbed trailer that did not belong to him, and idled it to the first row of doors. He and Baby, slick with sweat, took turns clipping padlocks until blisters dappled their fingers. Contraband soon overflowed the truck and trailer. The sun began to slide behind the office hut.

“Last one,” Bucky said as he hefted his now-dulled box cutter. “It’s time to go. To my way of thinking, we’ve scored today in ways what professional sports organizations cannot begin to ponder.

“To my way of thinking, my Burglar of Amour,” said Baby, “you’ve missed out on scoring in the most important championship of all. Your criminal tendencies have left me moist and breathless with mischievous contemplations.”

Baby’s bare feet were the same color as the concrete floor. Her toe ring gleamed in the fading sunlight. This tableau, and visions of their haul, made Bucky itchy with passion.

“I’m going to bone you like a chicken,” Bucky said, and paused. “Likewise, you understand I’m not a chicken boning you — you will be the chicken what’s boned. Except your actual bones will not be removed.”

He paused again. “I was using words to paint a colorful, erotic picture.”

“Honey Bottle, you go ahead and say or do anything to me your heart desires,” Baby murmured. “I’ll just lie here quietly until you’re finished or one of us falls asleep.”

“I love you so much.”

“I love you bunches.”

Bucky smelled of motor oil, Altoids, and microwave burritos. Nicotine and Orange Crush stained Baby’s fingers. Bucky lowered his life partner onto a bower of shipping blankets and boxed household goods.

“Your stretch marks are a road map what leads me to my carnal destination,” Bucky rasped into Baby’s navel. “I enjoy all of your points of interest.”

“Please hurry, and don’t stop to ask for directions,” Baby said. “You know every inch of my horny terrain, you Red Hot Sex Scavenger.”

“Follow me,” Bucky whispered to Baby. “Follow me.”

By the fourth incoming phone call the next morning, Constable Arlene knew she had no choice but to visit the unexpectedly-closed Stor-Yor-Stuf. Folks complained because that’s what folks did; yesterday she’d grown weary of replying she wasn’t authorized to “just shoot that damned sun.” But the last call came from puffy Councilman Everett, who was adamant his intent to retrieve unspecified private items from said facility was not to be jacked with.

Constable Arlene arrived with the mayor’s key ring, him being the business’s owner — an entanglement hidden behind a wall of blind trusts and denials. Last Chance’s sole and most heroic law enforcement officer unlocked the Stor-Yor-Stuf’s gate and found Bucky’s truck along with its precious cargo of evidence. Constable Arlene would have unholstered her firearm if she’d ever been issued one.

She approached an open unit in which she discovered two disrobed suspects intertwined in the drowsy aftereffects of physical congress. Look at this, people getting along for a change, Arlene said to herself, and she didn’t awaken the couple until well into filling out the crime scene report.

 

Image via Pixabay

Dogs – A Fairy Tale by John Holland

Although she had three beautiful daughters, Christine also desperately wanted a dog. But her husband resisted.

Because they lived near a field where owners walked their dogs, Christine began to leave out raw meat in her garden – to lure passing pooches. She did this when her husband was at work, even though she was afraid he might return without warning.

She watched from her bedroom as the dogs – and there were many – were attracted into her garden by the smell of the beef, pork or lamb. Christine would take the animals into her lounge, stand them on a glass-topped coffee table and brush their fur with a wooden-handled brush, sometimes so hard that eventually there was more hair on the brush than on the dog. Or she would cover them in talcum powder and paint their toe nails purple.

Sometimes she bathed them in her own pink bath with lilac petals floating on the water. Or dressed them in the children’s clothes – coloured waistcoats, silky empire-line dresses or yellow duffle coats. Often she taught them to perform tricks, some taking many hours of practice – sitting up to beg, sleight of hand card tricks, and cutting a lady in half.

Finally, before her husband returned, she sought out the dog’s fretful owner to return the dog. Sometimes they commented on the dog’s baldness, or fragrance, or ability to perform unusually complex tricks, but more often they were so relieved that they gave Christine a financial reward.

Despite this small income, Christine ran out of money to buy meat, and so, one morning before they woke, she strangled her three daughters. As she tightened her grip on their throats, they made no sound – except, she thought, a kind of muffled bark.

Having dismembered their bodies in the kitchen, she stored them in an old chest freezer at the back of the garage. When he arrived home, she told her husband that they were staying with their aunt. She knew that by the time he grew to disbelieve her he would be ripe for dog food too.

If anything, the human flesh was more attractive to passing dogs than the beef, pork and lamb. And she found that the larger the piece she put out, the larger the dog attracted.

The day she placed her elder daughter’s torso in the garden, she saw the biggest dog she had ever seen. But, as she ran across the lawn towards the beast – to smother it in her love – she was stopped in her tracks by its rapacious shining eyes, and realised it was a wolf. She turned on her heels and fled back into the house, locking the door behind her.

The creature pursued her, opened the front door as if it held a key, walked to the kitchen and took a knife from the drawer, and, at the top of the stairs, plunged the knife into her heart – an unusual form of wolf attack – with the words, “That’s for the children.”

 

JOHN HOLLAND’S short fiction is published all over the shop online, in magazines and anthologies. He is the organiser of the twice-yearly event Stroud Short Stories. John’s website is http://www.johnhollandwrites.com Twitter @JohnHol88897218

Image via Pixabay

The Bastle Barn – Neil Campbell

Jackie stands in the yard screaming. Dogs bark. Smoke pours from two chimneys at either end of the barn. Inside, the living room is lit by two fires and two table lamps. At the top of the two stairwells there are bedrooms. John finishes his tea and puts on his coat. He takes Jackie’s coat out with him and drapes it across her shaking shoulders before putting a woolly hat on her head. Her screaming subsides as he props open the back gates. He gets in his red car and reverses on to the old drovers’ road. She gets in her little blue car and slowly backs it out. John manoeuvres past her and parks his little red car back in the yard. He closes the gates as she continues to go backwards up the old drovers’ road.

Back inside, John makes another cup of tea and puts it on the table next to the couch. He puts his hands behind his head, flicks off his slippers and stretches his legs. There are starlings nesting in the bushes just beyond the door and he listens to their curious sounds.

After waking he pours the cold tea into the kitchen sink. The two fires are glowing with coals. He shovels more coal on each of them and smoke billows from both chimneys. Turning on the radio he listens to 70’s music and washes the wine glasses in the sink. A woman sings that she feels she’s made out of gingerbread.

Looking at his watch he turns off the radio and waits. Then he hears the car horn, one, two, three, four beeps. He goes out into the yard, opens the gates, reverses his little red car out and lets the little blue car back in.

‘Did you get them, Jackie?’ he says.

‘Yes, I got them.’

In the living room lit by lamps and fires she opens the Belgian biscuits and begins to eat them.

‘Why don’t you try something else, Jackie?’ he says.

‘I like these.’

‘I know, but don’t they have anything else in Aldi, Jackie?’

‘I like these.’

‘Alright, Jackie.’

Jackie sits on the couch with the empty box of biscuits. John looks up from his copy of the Hexham Courant. ‘Do you want your knitting, Jackie?’

‘Oh fuck. Okay.’

He goes to the drawer and takes out the long black and white scarf with the needles still attached and passes it to Jackie. She resumes the slow clicking and clacking and John goes back to his newspaper.

In the afternoon John looks at his watch and sees that it is time for Countdown. He puts on the TV and Jackie puts down the scarf when she hears the theme music. They watch in silence, relaxing to the considered requests for vowels and consonants. John puzzles over the conundrum, and the contestant, a seventeen-year-old boy, figures it out before him.

In the kitchen, Jackie cooks her speciality of chilli con carne as John attends to the fires. He folds out the tiny dining table and they sit at either end over their steaming plates just as The Simpsons starts. On the screen, Homer strangles his son Bart in a running visual gag. John watches as Homer goes to Moe’s and sits at the bar with Lenny and Carl.

When Jackie comes back downstairs in her dressing gown, John has a glass waiting. The yard is filled with empties and John thinks to go to the bottle bank sometime. At the end of Mrs Brown’s Boys, John turns smiling to Jackie and sees her sleeping on the couch. He finishes his glass of wine and lifts her into his arms before carrying her up the stairwell and putting her in to bed.

Back in the living room he puts more coal on both fires to keep the bastle barn warm through the night. He throws the empty box of biscuits in to the flames as the last westbound train passes. There are highlights of the England game on ITV. He has avoided hearing the score and is lifted by news of the 2-1 victory. Hodgson seems to know what he’s doing but neither side is like they used to be during the time of Bobby Moore.

After the football he looks more closely at the leaflets that came through the door while Jackie was out. Under a heading, ‘Quiet Revolution’ there’s details of a plan to put some wind turbines just across the river below Willimoteswick Castle. A meeting has been set up at the newly constructed village hall to organize a petition. The other leaflet details the upcoming production of As You Like It at Henshaw School.

The first eastbound train of the morning passes. As it fades away John hears the young starlings. After the starlings there’s the screaming. Dogs bark. John gets up and comes down his stairwell, sees the front door open and Jackie standing in the yard in her dressing gown, looking up at the blue sky. John starts the fires and then brings her inside. Later, as they go through the routine with the cars, John sees the police van by the side of the old drovers’ road.

 

Image via Pixabay

Swelter – T J McGowan

Swelter
The swelter of tight chasing shadows,
aflame in their hunger
and the eager rage
of wide ranging sparrows,
picking,
pecking,
up to their neck

in

the spectacle
of wrecked will
aging behind flesh
spilling over with fantasy
of happiness,

still

the walls fall dormant,
no ecstasy in escape from form,
mourning voids which remain unfilled,
a stain, we are,

born

to quick thrill, unstable,
unable to avoid the swift chill
and daunting shift
from oxygen
to something else,
a felt haunting

worn

like internal clothing
splitting stitches,
our riches are passed by,
roaming, we die,
striving for a warm fold
in the bustling chambers
of the heart,
before the cold edges
of nothing
completely tear us apart.

 

T J MCGOWAN is a Bronx based writer who has been published in Flash Fiction Mag, Collective Unrest, and 35MM, with a forthcoming publication in Mojave Heart. He spends his days as an Associate Producer for a Film & TV company, contributing to script and copy on most creative projects.

Image via Pixabay

Frozen Fish – Amanda Huggins

Passing by the lily pond in that deep December snow, you glimpse the goldfish, a prisoner below thin ice. I break the surface with the heel of my boot, plunge a hand into the water, then clench my fist for a moment, immobilised by an irrational fear of touching the glint and gleam of the fish.

I picture my childhood pet, Pepper, thrashing on the polished wood of the dining table. I’d forgotten to put the lid on the tank after feeding him, and he leapt to freedom. I screamed for my mother, tentatively holding my hand out towards the fish, already imagining the cold wriggle of him, the possibility that he would slither from my grasp and land on the parquet floor.

Pepper’s body gave a final jerk as my mother arrived in the room. She dropped him back into the tank, but he stayed on his side, floating amongst the flakes of fish food, his mouth open in surprise.

My mother took me into town, we bought new shoes and ate ice cream sundaes, but it didn’t help. Back home, we buried Pepper in the garden, and the following week I chose a new fish from the pet shop. He was silver, and I called him Salt. But he didn’t overwrite the memory of Pepper; instead he was a daily reminder that I’d allowed him to die.

And now, this opportunity to make amends. I reach for the fish, teeth gritted, feel him quivering as I scoop him up with a paper coffee cup. You carry the cup home, so carefully, in your tiny mittened hands, heating it with clouds of chocolatey breath.

The goldfish spends winter in a borrowed bowl, and we admire his shimmer as he circles the pirate ship, weaves through weed in a one-man glittering shoal, makes eyes at the mermaid with the yellow plait.

In April, we carry him back to the pond in a jar, squat down at the edge to watch him explore, but his tail flicks once, and he’s already gone, leaving only a ripple between the lily pads to say he was there: just as though he never knew us.

 

AMANDA HUGGINS is the author of the short story collection, Separated From the Sea, and the flash collection, Brightly Coloured Horses. She was a runner-up in the 2018 Costa Short Story Award, and shortlisted for Bridport and Fish. She is also a published poet and award-winning travel writer.

Image via Pixabay

Falling Snowflakes – Mark Tulin

The old woman loved the falling snowflakes. They were big and sparkly and kept fluttering around her, distracting her from the police who came into her home while she was laying on the floor. She had no idea how the officers got into the apartment, and why she couldn’t get up. She must have slipped while walking to the kitchen. She must have tripped over one of her son’s roller skates. He’s so careless.

The wet snowflakes on her wrinkled face triggered a memory of her son as a little boy, bundled in a snowsuit with black goulashes and mittens tied to his sleeves. She often pulled him on his Flexible Flyer along the snowy road with the other children. She watched him slide down the big hill on Penny Way as he laughed and played with his rosy-cheeked friends. She prayed that he didn’t hurt himself on the sled; that he would have the presence of mind to be careful. She worried about her husband coming home in such stormy weather. He was a good driver, but the roads were icy and slick.

The policewoman turned to the back of the patrol car. “Everything will be okay, Mrs. Dowling. You’re going to a wonderful nursing home.”

The old woman didn’t know why the policewoman called her Mrs. Dowling; that’s not her name. Maybe she made a mistake. Perhaps it was the elderly lady with the henna red hair that lived on the next block with the same house number.

Although the old woman was annoyed by the police, she smiled anyway, grinning without teeth, only her gums showing. Her false teeth were floating in a coffee cup on the bedroom dresser. She didn’t think of taking them when the police picked her up from the floor and carried her away. She put up a fight, but the officers were persistent. They kept saying that she couldn’t live by herself anymore; that it was too dangerous, and that she would fare much better with around-the-clock nursing care.

The old woman watched the snowflakes fall and thought that she should have left a note for her husband. She hoped that he would be home soon and that he doesn’t worry about where she is. She worried about her son dressing warm enough and remembering to wear the woolen sweater that she bought for Christmas.

“My son is off from school today, and we’re going sledding,” the old woman said. “My son loves being out in the snow with me.”

The female police officer smiled at Mrs. Dowling. “Your son must be thrilled to have a mother like you,” she said.

“He is,” replied Mrs. Dowling, “he’s with his father now.”

Mrs. Dowling looked out the patrol car window at the falling snowflakes, feeling comforted by the policewoman’s kind words, somehow knowing that her son was all right; that he would slide down the hill like the other kids and reach the bottom safely. She knew that his father, who was off from work, would make sure that their son was okay.

 

MARK TULIN is a former family therapist who lives in Santa Barbara, California. His poetry often finds richness in the lives of the neglected and disenfranchised. He has a poetry chapbook, Magical Yogis, published by Prolific Press (2017), and upcoming poetry book entitled, Awkward Grace. His work appears in Page and Spine, Fiction on the Web, Amethyst Magazine, Vita Brevis, The Drabble, smokebox, and others. His website is Crow On The Wire.

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Sybil’s Dress – Shauna Gilligan

“Real freedom is discipline,” she said as she slipped another pin into the linen.

I stared at my hands as they pleated another line in the evening dress. She was always saying things like that to us. I don’t mean to imply that she talked much, or that she was the chatty sort – she was, after all, a serious woman – but there was a gaiety about her when she paid us a visit. Somehow she felt that these visits must always involve imparting nuggets of knowledge that she had gleaned on her travels.

It was said in the newspapers and whispered amongst us that she was the best travelled and most international Irishwoman in the world. There was a strong hope that the First Lady Jackie Kennedy would wear one of the dresses our hands had pleated – and perhaps even pose for a portrait!

“I have to feel what’s being made,” she said later that same day.

I watched her fingers caress the material she said was inspired by the ground beneath our feet – the colour of peat – and saw the beginnings of a frown on her forehead.

“Is it that you don’t trust us?” My stomach plummeted at my speaking out.

In the silence a tremor crossed her face; her body seemed to deflate a little. I couldn’t take my eyes off her, suddenly desperately wishing she would raise her voice, shout at us, and exclaim that we were ungrateful country girls. Tell us that they – the naysayers – were right all along, that there was no reason to employ local girls as seamstresses, for they always betray you. I willed her to say it aloud. That our combined jealousy – for that was all we girls had in common – would be the ruin of her. The woman modelling the sample dress wobbled in shoes that were a size too big, hardly daring to breathe. The air itself seemed to pause.

“It is that I don’t trust myself,” she said calmly, “without having touched the fabric.”

She didn’t look at the model, or the dress, or even the material. She looked beyond us, beyond everything. And then she smiled. Her full lips, pink with lipstick, stretched over her straight white teeth and I thought then that she was the most beautiful woman I had ever seen. I felt an urge to embrace her.

“But of course you must know that we trust you,” I said, looking around. Though my lips were bare and cracked and my teeth crooked, I too smiled. “All of us girls trust you…” – I paused, my throat going dry – “and even love you.”

A sound of satisfaction escaped her lips. I watched her let the fabric slide from her hand and with a swing of her green skirt walk towards the bare wall at the back of the room. She slipped gracefully through the door that led into the yard where the rain was falling heavily.

 

SHAUNA GILLIGAN is a novelist and short story writer from Dublin. Shauna is interested in exploring the crossover of art and literature, the depiction of historical events in fiction, and creative processes. The Sunday Independent declared her novel Happiness Comes from Nowhere to be “thoroughly enjoyable and refreshingly challenging.”

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Posing For Photographs – D S Maolalai

the way I like it best
is this one they do
where I’m taken
straight on
like a picture
for a passport
but with a glass
propped up
to my mouth. it happens sometimes
naturally
and sometimes
unnaturally
but when it does
I tend to come out
looking good. what I like
the least
is taken in side profile – my chin
is sharper than most peoples –
it comes down
in a straight line
with my forehead
like a spider
dangling on a line.
and rocky. but it’s natural too,
usually. so I guess
that’s what I look like; my head
altogether
not something
to photograph. something instead
which breaks iron
and could be used
like an anvil

D S MAOLALAI is a poet from Ireland who has been writing and publishing poetry for almost 10 years. His first collection, Love is Breaking Plates in the Garden, was published in 2016 by the Encircle Press, and he has a second collection forthcoming from Turas Press in 2019. He has been nominated for Best of the Web and twice for the Pushcart Prize.

Image via Pixabay

Radio Silence – Juliette Sebock

There aren’t any notes that have meant so much
as a letter of you. Alone in my room;
hyperventilating when the radio flared.

How could you mess up Italian food?

I went to the city to escape the beat
and saw you in the shadows.
You danced next to Gandhi and Church
and crept into my bed when I tried to sleep.

The first lady slept one head over,
struggling to comprehend my static.
Still, I never hoped for much.
Why would Kate want to be my friend?

You followed me in store windows,
a reflection in tinted glass.
You whispered in the roar of the train tracks,
growing louder, white noise forcing me to sleep.

 

JULIETTE SEBOCK is the author of Mistakes Were Made and has poems forthcoming or appearing in a variety of publications. She is the founding editor of Nightingale & Sparrow and runs a lifestyle blog, For the Sake of Good Taste.

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Image via Pixabay 

We’re Going To Bury You In China, Harry – Lee D Thompson

I’ve been sitting here looking out of the window for a while now, waiting for something to change. But it never does. It feels colder in here than normal. Bloody heating on the blink again. Tears of condensation race each other down the pane. The one on the left is going to win. No, the one on the right. It’s a draw. The tears blend into each other and form a single trickle onto the frame. They join the other trickles, all racing each for a place in the tributary that will take them somewhere else. Somewhere new. Somewhere far from the cold and the dark. There’s a paradise waiting: anywhere but here.

The teapot needs topping up. Another brew. That would be nice, but my limbs feel stiff. The lads at work used to call me Thirsty Harry. There goes Thirsty Harry, they said.

Brewing up again. Your fiftieth cup, Harry? Cutting down, Harry? There he goes again, to the piss-pot. They joked and laughed: We’re going to bury you in China, Harry. Either that or put your ashes into a bloody teapot. No! An urn, I told them. It’s called an urn. Now the bloody bulb has started flickering. Thought I’d turned that off.

I’m going to have to make an effort to get up in a moment, there are things that I need to do. To get ready for a bit of food shopping. Empty fridges make empty bellies. The rumbling in mine stopped a few days ago. There’s a couple of grains of rice in the bottom of the pan that I couldn’t get out. Left the bloody thing on the hob too long and the water boiled away. Nice bit of Sweet and Sour that was. Got some decent scran those Chinese. I used to order one every time I did a Saturday night shift at the factory. What do you think the lads said? We’re going to bury you in China, Harry. I’ll have to get Bill to pop over and and look at the electrics. That flickering is making me feel a bit sick.

Cleaning. That’s one of the things on the to-do list. Bloody dusty in here now. It’s all settled on Phyllis’ nick-nacks. Should have got rid of them years ago. Should have buried them with her. You leave them alone, they’re my ‘ladies’, she’d say. Tall, slender women with umbrellas or poodles or what-not. The faces on them got all worn away. It’s all that looking at them she used to do. As each day passed she’d be looking and coo-ing over them, talking to them. Faceless bloody ladies. Used to give me the willies. I’d turn them round when she went out. Couldn’t stand them looking at me. Well, how could they look without any eyes, but you know what I mean. I tried to give them away to Bill’s missus.

She collected ‘ladies’ and you know what the cheeky bleeder said? Not really my thing, they’re a bit old. And the faces, they’ve all worn away. I don’t think I could stand that. And bedsides which, they’re just Chinese fakes. Not what you think. They’re a bit odd.

Bill was there. He smirked as I was leaving. I nearly dropped the box of the bloody things. Looks like you’re stuck with them, he said. We’re going to bury you with the China, Harry.

But brewing up, cleaning, sitting here thinking about the nick-nacks, it’s not going to get me very far, is it? And that light. That bulb. It’s getting brighter than the other ones I’m sure. Shouldn’t even be on in the day. It’ll cost me a fortune. I’ll have to nip out to the Post Office and top up the meter card. Pain in the arse.

Here we go, and up you get, Harry.

Come on, you can do it. Up out of the chair.

You silly old sod.

Shift your ‘arris, Harry, Phyllis used to say. Shift your ‘arris. Aris Stotle. Stotle -Glass- Arse. Get it?

Phyllis always knew how to get me going. She had what they call ‘get up and go’. Mine’s got up and left, Phyllis my dear.

Phyllis my dear. I haven’t said that in a long time. Ph-ill-is. Phyllis. Forever my sweetheart. Frozen solid I am, without you. Everything seized up the day you went.

Tighter, stiffer, achier. The days drifted apart. Like those chunks of ice the size of an English county that you see on the telly. Further, further. Until they melted, Phyllis my dear.

The light. What’s happened to the light? It’s stopped flickering. Now it’s burning. It’s bloody sucking the National Grid dry, I tell you. Dry as a bone.

Phyllis my dear.

It can’t be. When I say your name, it gets brighter in here. You always did light up a room, Phyllis.

You’re here? Phyllis? Phyllis? But-

Ridiculous. Get a grip. Who are you kidding? Phyllis, here with me? Phyl-

Phyllis! Let me turn off that bloody light, I can’t see your face properly.

You’re going to have to do it, my dear. I can’t get going today.

It’s burning the back of my eyes out! You’d think having the bastard child of the sun up there in the ceiling would make it feel warmer, but it’s bloody freezing.

Help me up, Phyllis. I need to sort the heating out. Give the boiler a good bashing. I’m sure I’ll be knocking penguins out of the way, though. God, it’s cold. God, it’s –

Your ‘ladies’. Lined up like the bloody Terracotta Army on the living room floor! My dear, how have you managed to do that? At least you’ve turned that bastard light out.

Cup of tea? Yes, of course. Thank you, my dear. A brew. That would be nice.

God, it’s cold. There’s those tears again, on the window pane. Racing down, down, down. Then, blending into each other. I love it how they do that. How two becomes one. Can you see it, my dear? Beautiful.

They join the other trickles, all racing each for a place in the tributary that will take them somewhere else. Somewhere new. Somewhere far from the cold and the dark. There’s a paradise waiting: anywhere but here.

 

LEE D THOMPSON is a short fiction author, poet and music writer who scribes furiously from an underground bunker in a secret location in the East Midlands. Published by Ad Hoc Fiction, Flash Fiction Magazine, Algebra of Owls, and The Cabinet of Heed. He is a contributor to Memoir Mixtapes and a correspondent for the Mass Observation Archive. Twitter: @TomLeeski Web: ldthompsonwrites.wordpress.com

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Sailing The Eighth Sea – Kelvin M Knight

I spy with my little eye, something beginning with S.

Ship? How did you guess. But what kind of ship?

You will never guess because this is a transcendental telescope, one my Nanna gave me.

The things I see with this telescope blow my mind. And yet I can’t stop looking. Even when this telescope feels as though it’s stuck in my mind. Everyone thinks I’m just sitting here, on my capstan, watching the world go round, when really I’m lost on the other side.

Over there, mermaids are angels, with eyes of pearls and wings like fish fins and harps made of oysters sprinkled with rainbows. Over there, wooden ships fly through the sea, their sails flapping like giant gulls’ wings. People fly too. And not just sailors. Ordinary folk. They also walk upside down and inside out. Couples dancing is best. Those ropes dangling from their wrists and ankles remind me of coral reefs. Anchors are dotted about, in the sky and underground. And sailors run between them without moving. Some of the things they do are so comical.

I daren’t laugh though otherwise the harbourmaster will get uppity and demand, ‘What’s so funny!’ When I don’t tell him he’ll snatch my telescope, look through it, see nothing, and confiscate it. Then I’ll no longer be able to see my Nanna, waving at me, smiling at me, talking to me. I have seen this. My telescope has foreseen this.

That’s the trouble with the spirit world. They know what’s going to happen, which is both a blessing and a curse.

Spying the harbourmaster heading my way, I curse. If I ignore him, he’ll go away. Whistling a simple sea shanty, I look towards that lighthouse. A living beacon of purples and golds crumbling into the greyest sandstone.

‘What do you think you’re doing, shipmate?’

My telescope is in the harbourmaster’s paws. My telescope is at his black eye. My telescope is bending over his wooden knee. Smirking, he throws the snapped halves at me then staggers away.

No sympathy, please. Sympathy sinks ships. Say that twenty times when you’ve had too many rums.

I could do with a rum right now to drown my sorrow, make my telescope appear whole again. I’ll have to wait until dusk, though, when Nanna visits. She’ll see me right with another telescope. Hopefully one with a harpoon attached to it this time.

 

KELVIN M KNIGHT’s first flash fiction anthology FAITH in a FLASH is out now on iBooks and Kindle. He also blogs regularly here.

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Image by Kelvin M Knight 

Historic Preservation – Kathryn Kulpa

Mornings, the steep stone stairs grow steeper every day. The musty smell of locked rooms. Burnt-on muck at the bottom of the coffee pot that nobody cleans. But mornings are calls, appointments, applications to review; your fingers fly. It’s the hours after lunch that make you think about cell death. There’s a word for it, you looked it up: apoptosis. All those neurons, fizzing and popping. Life out of balance. Your life as a resource that cannot be renewed. Late afternoons, when the smell of cigarette smoke seeps through the walls, thick and grey and granite, but not thick enough to keep out the press of poverty. The brown ceiling stain that grows day after dull damp day, as if anyone could fight the rain and win. Whoever said safe as houses never played, as a child, in an abandoned house, never felt their foot break through rotted wood; never held tight to splintered floorboards, not feeling until hours later the eighteen shards of wood dug from your fingers by a sewing needle in a mother’s patient hands; feeling only the dangling weight of your legs, searching in air; the two friends who ran for help, the one who stayed, counting with you, one Mississippi, two; never dreaming of a time when hanging on every day would scare you more than falling.

 

KATHRYN KULPA is four generations removed from Ireland, four generations removed from Scotland, and, as she lives in America, feels millions of generations removed from civilization. She is a librarian, editor, and writing teacher, and her work has appeared in Longleaf Review, Smokelong Quarterly, and Pidgeonholes.

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Image via Pixabay 

A Very Polite Town – B F Jones

Is it safe to run in the woods? I ask.

Oh yes, very safe around here. It’s a lovely town you’ll see, everyone is so friendly, so polite.

I therefore venture into the woods. I am worried at first. A young woman in the embrace of tall trees, all on her own. You hear stories, your mind races, followed by your panicked legs. Nothing like a bit of fear to make you sprint.

But I soon stop worrying. They were right, everyone is so friendly, so polite. And I learn to appreciate the cool shade, the musty smells, the speckled sunshine on the ground. I greet dog walkers and they greet me back. Little children wave and shout hellos. Other runners nod their heads at me. Elderly people let me through. Yes, everyone is so friendly, so polite.

While I’m out running one cold morning, feet landing rhythmically on crunchy leaves, puffing out a white little cloud every fourth step, I’m thinking how my brain is in complete tune with my body, how my body is in complete symbiosis with nature, how I have become running. I overtake other runners, effortlessly accelerating, still finding oxygen to greet them all, as polite as all of the polite people of this small town.

Then it happens.

I fall.

I slip on a small patch of ice and I sprawl onto the ground. A split second during which my brain can’t comprehend the event. One second you’re up and running, the next you’re flat on the ground, gasping for air.

It reminds me of that time I got swallowed whole and spat out by a large wave, my body rigged by the surf, then an ungracious entanglement of limbs on the hot sand.

I blink my confusion off. A small squirrel is climbing the large tree above, stopping for a moment to look down on me.

I need to gather myself up but I can’t. There is pain spreading from the middle of my back to the rest of my body. I order my toes to wriggle but they stay stubbornly still. I can’t move my head. I can blink. I can feel myself blink. I try to shout for help; my mouth opens but no sound comes out. Like a cat on the other side of a window.

I hear quick footsteps approaching. Thank god. A runner.

He looks at me and nods politely before going around me and carrying on. Another one goes by at full speed. “Morning!” he shouts over the loud music in his earphones, before rabbit-jumping over my immobile legs. A nice family walks by. The little girl waves and the toddler says “e-do”, reaping immediate praise from his parents. “You said ‘hello’ Alfie, there’s a good boy.” And they smile at me and walk by.

I close my eyes. Maybe if I look dead someone might help?

Something cold and moist rubs against my cheek. A large Labrador is giving me the once over, half excited, half concerned about his discovery. He whimpers a bit before starting to lick my face.

“Teddy!”

At the sound of his name he abandons me for his mistress, a delightful old lady, wearing an incongruous mix of Sunday best and wellingtons. She walks to me.

“I’m sorry dear, about the dog. He’s only being affectionate. Have a good day now!” And with that she’s off, Teddy by her side.

Yes, everyone is so friendly, so polite.

 

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Image via Pixabay 

In The Shadow of the Sound Tower – Paul Thompson 

The sound tower is silent, abandoned in the dunes, windswept and dated. Conditions are calm, nullifying its function. On still days like these, the tower finds itself a relic.

We find a spot in its shadow, down by the shoreline, surrounded by remnants of the ocean. Starfish cover the beach in dead constellations. The carcass of a rabbit, washed up and barren, bobs its head in the tide.

With the beach to ourselves, we waste no time in preparing our picnic. Far down the coast, crowds gather on a cliff top, the sky clear and perfect for the occasion. We eat salad and cold meats as we wait, our skin shrivelling in the presence of the sea. At midday it begins, muffled cheers in the distance, as red and blue trails paint shapes above the ocean.

An air display team, flying in unison, pixels on the horizon.

The sound of their engines reaches us, indicating it is time to begin. We fetch a tarpaulin and our shovels from the car. Our task is discreet, hidden by the distraction of the air show, the whole town focused on the planes. We work under the watch of the tower, now a silhouette against a smudge of colour, rainbows of smoke in the sky.

As we half-watch, one of the planes falls away from the others, a speck that disappears into the ocean. From our distance the scene is abstract, belonging to another world.

A breeze rearranges the sand. Slight but noticeable, enough to pause our efforts. Spots of rain follow as the sky darkens. All signs of the storm that has come out of nowhere, to the surprise of the pilots. More spots of rain, or possible drops of ocean from the impact, carried to us in the breeze.

The wind grows cold round our legs, salty and unforgiving. It flips the rabbit carcass over, blowing it into the shallows before breaking it in half.

This change in weather reaches the tower. Air flows through its apertures, its design now apparent. A familiar hum returns to the beach, a background noise. Sounds from down the coast feed into its song – crowd noise, an impact on water, the voice of the pilots. Indistinguishable, hidden within the tone, reaching us on delay

The storm escalates as our belongings shift and scatter, bouncing across the sand. The tarpaulin flaps open, fluttering like a ghost of the ocean. Starfish roll by, taken by the gale that is now reaching a peak. We make snap decisions between us, grabbing what we can before the wind decides for us.

The tower groans, the weather teasing new sounds from its vocabulary. An oily scent fills the air, a reminder of the pilots. We head back to our car, accompanied by their echoes, amplified by the sound tower that churns on the horizon.

 

PAUL THOMPSON lives and works in Sheffield. His stories have appeared in Spelk Fiction, Ellipsis Zine and The Cabinet of Heed. Find out more at @hombre_hompson

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Image via Pixabay 

Sgraffito Skies – M S Clements 

Passion sharpened nails tear the evening sky,
Scraping at the waxy black of dusk.
And across sgraffito skies,
Comes a bitter juice of yellow grapefruits
And sour Seville oranges,
Weeping from those citrus cuts.

Fill my bowl and fill it again.
With tart crepuscular fruit,
All laced with acidic poison,
To feed my sorrow laden night.

Impatience breaks the hold of darkness.
Chased away by dawn’s own bullwhip.
It cracks and snaps at sullen gloom,
With vicious flicks to summon reluctant fortitude.
New scars will lie beside the old,
Those scarlet welts conspiring.
A host of grievous sores
Concealed by diurnal calling

This battlefield life,
Where I am never the victor.
Yet I persist, never defeated.
And forward I advance
My limbs all trembling.
Weighed down by campaign medals,
Pinned upon a fragile psyche,
All jingle-jangling and chiming out,
‘Come to me, Sirius,
Find me once again.’

And that snarling cur returns my call.

With diamond tipped claws,
He slices with savage precision.
Opening the soft skin of night,
Licking at the freshly made wounds
That cross my sgraffito life.

 

M S CLEMENTS is a former teacher of Anglo-Spanish heritage. She recently completed her debut novel, The Third Magpie and hopes to see it published later this year. As well as editing the speculative love story, M has also had a short story published in Cabinet of Heed and another printed in an anthology of women’s writing, Carrying Fire.
She continues to live on a building site in rural Buckinghamshire with her family, assorted builders and a visiting peacock called Darren.

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Image via Pixabay 

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