The Bone Forests – Claire Kotecki

I followed you into the dead lands. Into the bone forests. Just because you asked me to that night.

‘Walk with me.’ That was all it took and we stepped out. ‘Stepping out’. Like in my grandparents’ day. Only it wasn’t and we weren’t walking hand-in-hand. There was no honour in us, at least none that I could see. Still, I followed you.

‘Walk with me.’ Without you. Outside you. But never with you. That was the condition of us. Were we even a ‘we’? Stepping out, like my grandparents, in honour of the question.

Still, I walked with you and you spun me tales. Tales of lust. Tales of a living land where we could build something solid. And so I followed you.

‘Walk with me.’ To a house. A house in a forest. A forest was a home. It was made of bone. Our bone. Blood of my blood. Flesh of my flesh. Building. Growing a thing in me that was you and wasn’t you. That was within me and outside you. That was you, in a way, but you with honour. I hoped for honour. Hope followed you.

‘Walk with me.’ I could see the bones. Trunks. I navigated them without a bone map but I knew that they were dead things. I held a growing thing and kept it safe from their touch. You had fallen silent and I had no space to write the tales to spin the net to catch you before you fell. Falling. You became an echo. A solid thing. A soiled thing. Your body disembodied. As I was more than a body. Less than two. My body a bone cage for a cage of bones that held a tale that hadn’t formed its own echo but that echoed you. It would not follow you.

‘Walk with me.’ I didn’t need to say it out loud. I was more than one. I lost you but you were less than a whole. You gave me a piece of you and I carried it. It kicked me. Kicked so hard it kicked itself out and became its own tale spinning away. It became she. She became it. She was a part of you. You were apart. I could not follow you.

‘Walk with me.’ It was the time of longing. I walked with the hole that wasn’t you. It had shed your bones to the forest. The echo filled it with silence. Silence was loud. I shouted the words into the silence. Come back through the bones. Step out with me. Hand-in-hand. Her hand in my hand. Tiny. Trusting. Flesh of my flesh. I couldn’t let her follow you.

‘Walk with me.’ There was a bone map etched on my heart. She couldn’t live in the dead lands. In the bone forest. I took her trusting hand. I wove a tale to bring us home. To carry her safe through the bone forest. Through the dead lands. To where the solid things were. We collected bones as we walked, filling the echo space with a skeleton. I wrapped the skeleton in memories. Memories that held the shape of you. She recognised herself in them. Her hand in my hand. Tiny. The silence broken by a bone that broke. Snapped. I watched it fall from her as she became less solid. One foot in the echo space. I spun tales until my fingers bled, spinning the net to catch her as she fell. Trunk by trunk. Bone by bone. It was a net of echoes. Woven. I had the bone map. I could keep her safe. She just needed to follow me.

‘Walk with me.’

‘With me me me.’

‘Me me me.’

You tried to catch her bones with an echo. To break the net of tales. To make her yours. I spun as fast as your echo cut the threads of tales. All the time. Her tiny hand in my hand. Warm. Trusting. As we ran through the bone trees to the edge of the dead land. We stood at the margin, she and I and my net of tales holding the bones in. Before I turned my back on the echo, I shouted into the darkness.

‘You will not follow.’

She followed me out of the dead lands. Out of the bone forests. Just because I asked her to that night. The tale was told.

 

Claire Kotecki is an emerging writer currently studying for her MA in Creative Writing at the Open University. She writes fiction, poetry and creative non-fiction. Her interests lie at exploration around the boundaries of genre. When she isn’t writing, she is a Lecturer in Biology and distance education specialist.

Contents Drawer Issue 14

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Constructive Criticism – Jeanna Skinner

Brenda:
Since starting a romance writing course, I’ve noticed lots of ways I can apply the brilliant feedback to all aspects of my life. Okay, so the cashier in Waitrose looked at me funny when I suggested she was lacking in agency, and I’m not sure my boss appreciated it when I said she needs to stop telling me what to do, but show me instead.

But my sex life – it’s never been better. The other night, emboldened by half a bottle of chardonnay and wise words from my copy of ‘Romance Writing For Beginners’ imprinted upon my heart, I drummed up the courage to talk to Geoffrey about his serious pacing issues. Yes, he was a little shocked at first, but he’s improved so much since. Now he’s hitting all the right beats with every headboard-rattling, toe-curling thrust, and the final denouement is oh-so satisfying. And just this morning, he surprised me when he seemed to acquiesce to my idea of taking our story in a romantic, new direction.
It feels great to be able to pass on what I’ve learnt and help others.

Geoffrey:
Look. I get it. Maybe I didn’t pay her enough attention before, but since Brenda joined that ruddy creative writing course up at the college last month, it’s all she’s carped on about. I wouldn’t mind, but she’s become rather erm, unreliable around ‘ere – and some folks might say, unlikable too. It’s great she’s found her voice, but I do wish it wasn’t quite so snarky.
Anyway, I’ve been reading that ruddy book she keeps leaving lyin’ around, and I can’t make head nor tail of most of it. But there’s this one part that gave me an idea – and Brenda’s all ’bout ideas lately.

So I’ve arranged a surprise for her tonight; I hope she likes it. I’ll try anything to give her the happy ever after of her dreams. Even if it means “your protagonist sometimes has to share the page with well-developed, yet sympathetic, secondary characters”.

Like Miss D’Meanour, the dominatrix from next door.

 

Contents Drawer Issue 14

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Offerings – M Stone

With a razor blade, Jake made a small incision in his mother’s shoulder. She sucked air through her teeth as he pressed a gloved finger against the dark object embedded beneath her skin and guided it toward the opening he’d created, where it emerged effortlessly.

“Got it,” Jake said, studying the bloody thing in his palm. It was black and hard as a stone, about the size of a deer tick. “Mama, you have to see a doctor.”

She snorted. “As if a doctor around here could make sense of it.”

“These… growths seem to form when you’re stressed. Are you worried about something?”

“I’m worried about that creek rising.”

To reach their house, Jake and his mother had to cross a wooden bridge spanning Willow Creek. On his walk home from the bus stop that afternoon, he’d seen the water running high and fast as a result of the day’s heavy rain.

“You got another letter from a college,” Jake’s mother said as he swabbed her wound with an alcohol wipe and applied a bandage. Their gazes met in the bathroom mirror, and he noticed a worry line appear between her eyebrows.

“Mama, that’s just a brochure I sent off for. I won’t even start applying till next year.”

Before she could respond, the phone rang. “I’ll get it,” she said, pulling on her shirt as she left the room. Jake washed his hands and the object he’d extracted.She had no idea he saved each one. Over the past several months, he’d collected at least a dozen in a small jar.

Jake heard his mother’s voice rise in alarm, and he hurried to the living room where she stood at the window, holding the phone’s receiver to her ear. “We can’t just leave,” she said.

He drew closer and could make out their neighbor Mr. Winslow’s voice. “Addie, I’m telling you the creek has jumped its banks, and I’m heading out before it covers the road. You and your boy need to do the same.”

“But it’s never reached the house before!” She tugged at her long braid, the way she did when she was anxious.

“There’s a first time for everything.”

Jake joined her at the window. Rain fell in a blurry curtain, obstructing his view of the bridge, but he could see water edging into the yard.

“Thanks for letting us know, but we’re going to stay put for now,” she said, then hung up the phone before Mr. Winslow could protest.

“Mama, he’s right,” Jake said.

She stared out at the encroaching creek. “We can’t just let our house get flooded.”

“How do you think we’re going to stop it?” His voice was sharper than he intended, and she winced. “I’m sorry, but we should leave.”

She gave her braid a vicious yank, and Jake spotted another dark lump beneath the skin of her forearm. He grazed it with his fingertip, and when she saw the new growth, her eyes widened. “Jake, you have to get it out.”

He led her to the bathroom, trying to ignore the rain slapping the window pane and pounding the roof. As he worked the object from her skin, the power went out.

His mother swore and grabbed his hand, causing him to drop the razor blade. “Promise you won’t leave me,” she said.

“Mama, I’m not going anywhere. If you want to stay, we’ll stay.”

“That’s not what I meant!” Her words betrayed the panic that had lurked beneath her calm surface for months, taking the shape of black seed pearls he couldn’t crush between his fingers.

Jake squeezed her hand until she cried out and struggled free of his grip. “I promise.”

That night he sat on the porch and watched the deluge surround their car in the driveway, splashing the tires as it inched closer to the house. When it lapped at the bottom porch step, he almost called for his mother, but the rain slacked off and then ended minutes later. He went back inside and found her curled on the sofa, her breathing even and deep with sleep.

After Willow Creek retreated to its banks the following morning, Jake made his way to the bridge and stared down at the raging water. Mr. Winslow’s truck approached and halted alongside him. “It’s a miracle you and Addie didn’t drown last night,” the man called.

“Yeah,” Jake said, “a miracle.” He opened his fist and tossed the offerings from his mother’s body into the creek.

 

M. Stone is a bookworm, birdwatcher, and stargazer living in the foothills of the Blue Ridge Mountains. Her poetry and fiction have appeared in San Pedro River Review, UCity Review, formercactus, and numerous other journals. Find her on Twitter @writermstone and at writermstone.wordpress.com

Contents Drawer Issue 14

The Interview – Lee D Thompson

The Interview

Before the interview begins, you have an opportunity to make any admissions of guilt on the screen in front of you. Please use the e-pen provided and fill in the box.

Thank you. Can you please state your name and date of birth.

Thank you. This interview is being recorded. We are in interview room 7. The time is 21:21 hours on Tuesday 15th March. Can you confirm that there is no one in the room other than yourself?

Thank you. You are reminded of your right to free and independent legal advice. You have chosen not to take that option. You can have legal representation by video link at any time. Can I ask why you don’t want someone to represent you?

Thank you. Your response has been recorded. Please place any hand on the pad in front you.

Thank you. Adjust it a little to the right.

Thank you. That is perfect. You are reminded that your pulse is being monitored throughout the interview. Please place the small green pad at the centre of the back of your neck.

Thank you. That is perfect. Be aware that perspiration and flesh responses are being monitored throughout the interview. I am Version 6.2 of the Virtual Police Interview System, my unique reference number will be digitally stamped onto the interview recording. Body monitor measurements remain confidential and are non-disclosable. Do you understand and agree to continue?

Thank you. Do you agree to any bodily samples being taken from you after the interview has concluded?

Thank you. Do you agree that these samples can be used in evidence?

Thank you for your continued compliance. Please read to me what you wrote in the box before the start of the interview.

Thank you. You may feel a small shock to your body during this process. It is nothing to worry about. It is a normal part of this procedure. Do you understand?

Thank you. Please read again what you have written in the box.

Thank you. That was the first shock. Do you want to amend what you have written in the box?

Thank you. That was the second shock.

Thank you. Please go ahead with your amendment.

Thank you. Much better. You will see a new box appear on the screen in front of you. Please draw what the victim looked like when he was screaming at you to stop.

Thank you. The mouth you have drawn is not open wide enough. I have deleted the first image. Please try again.

Thank you. On the same image you have drawn, please draw what your own face looked like as you were committing the offence.

Thank you. Your eyes are incorrect. I have deleted that image. Please try again.

Thank you. Much better. In a moment, the victim will be brought into the room. Please remain seated with your hand on the pad. I would like you to speak to him and tell him in your own words, how sorry you are.

That is correct, the victim.

I can confirm, the victim. Please remain seated and do not touch the cadaver.

Remain seated.

Thank you. Do you want to add or amend what you have said to him before he is removed?

Thank you. Are you okay to continue the interview? If you need a new pad for your neck, you will find one in the drawer to your left. Moisture levels appear high. A new box will appear on the screen. In it, please draw a picture of the most beautiful place in the world.

Thank you. Confirm, are they palm trees?

Thank you. Palm trees are beautiful. Now, next to the beautiful place please draw what you think God looks like. If you do not believe in God, please draw a beautiful person.

Thank you. Confirm, is that a woman and if it is, is the woman God?

Thank you. The woman is your wife.

Thank you for confirming that she died four years ago. I am sorry to hear that. Next to your wife, please draw yourself.

Thank you. The image has been saved. This image will be emailed to your next of kin. In the box below, please write a message to your next of kin telling them how much you love them.

Thank you. Now, please look at the screen. Remain seated. Your next of kin will respond by writing a message back to you. Please read the message and tell me when you have finished.

Thank you. If you need a tissue, you will find some in the drawer to your right. Now please close your eyes.

Thank you. Please remain calm.

Interview complete. Interviewee photographed in situ and e-mailed to the victim’s next of kin, in line with current legislation.

Time of death: 22:15 hours. Coroner notified. Victim satisfaction survey e-mailed. Interview terminated at 22:16 hours.

Thank you.

 

Lee D Thompson writes short fiction and poetry in Nottingham, UK. He has previously been published on The Cabinet Of Heed, Algebra of Owls, and Adhoc Fiction.
He regularly writes for Memoir Mixtapes. Twitter: @TomLeeski Web: https://ldthompsonwrites.wordpress.com

Contents Drawer Issue 14

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Hamburger Hal – John Grey

Hamburger Hal was Richard Ucci
who grilled patties on a grid of fire,
garnished them with all the fixings,
trucked his miracles around church festivals
and modest fairs in parks and empty lots.
He prayed over his specialties in Italian
as he spread salt on meat like holy water,
a tattooed testament to all his father taught him
about the meaning of “cooked just enough.”
Both generations lie under the soil of St Mary’s
with its faint aroma of barbecue sauce and relish,
their bones united by spatula and fork.
Hamburger Hal lived three blocks
from where I grew up, the side of his van
painted with sizzling meat and onions,
giant bottles of ketchup and mustard,
and a guy in a huge white cook’s hat
who didn’t look the least like Hamburger Hal.
I never had one of Hal’s burgers in all my life
though I know there were some who swore by them.
Richard Ucci claimed to have a secret ingredient
like Coca Cola or KFC though we kids
figured that for a lie, for the Hamburger Hal that
we knew was nowhere near bright enough
to be concocting magic recipes.
He just grilled burgers the same way everybody else did.
But he had a van. He could be America
whenever there was some place to park it.
His competition was candy floss and bounce rooms.
And his late old man of course.
He died young. A tractor trailer crossed the dividing line
and crushed him like a slug.
People still say no one made burgers like Hamburger Hal.
But Hal wasn’t a real person so maybe those aren’t real memories.
I do remember clearly watching dogs chasing that van
and thinking to myself, they’d better not catch up with it
or they’ll be on a bun before the day is out.
You get all kinds of stories about those who put themselves
out there, if only in a small way.
The truth is probably mediocre burgers and no chopped-up Fidos.
But that’s not a good truth.

John Grey is an Australian poet, US resident. Recently published in the Homestead Review, Poetry East and Columbia Review with work upcoming in Harpur Palate, the Hawaii Review and North Dakota Quarterly.

Contents Drawer Issue 14

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Uncle Sam, Bastard – M S Clements

My Uncle Sam is a bastard. An utter bastard. He turns up, unannounced, demands bed and supper while Nan flies around the house like a clichéd thing possessed. Nothing is too much bother when it comes to our Uncle Sammy.

Christmas is the worst. There we are, helping out as best as we can. Wrapping presents in last year’s paper. Cassie ironing out the creases and Jason getting Sellotape on every available surface. Some not so available. He won’t stick it to his head anymore. Of course, it isn’t real Sellotape, we just call it that. It’s the cheap stuff, the one where you can never find the end and, if by some miracle you do, then you get a one centimetre triangle. A patchwork quilt of the gift wrap variety. No doubt, somewhere in Shoreditch, a hipster nods his head, thinks it would be a great USP for the shop; patchwork wrapping, so responsible, so sustainable. Jason does it because there’s nothing else to do.

Nan lived alone until we arrived, dishevelled and lost. Mum says the court order means we won’t be disturbed. I never met Grandad. Grandad wanted to discover himself. He discovered himself at the bottom of a lake after the husband discovered him under the bed. Mum used to say of her father, ‘That man was so dim he’d use a chocolate teapot for the tea.’ All in all, not having that grandad is a blessing. One gift less to wrap. There’s a picture of him on the sideboard, a bit blurred and very dusty. It not in a frame, just propped up against one of Nan’s china cats. The one with the scary eyes and chipped ear. That wasn’t my fault, it just fell. Grandad is standing in a park with Sam, a bandstand behind them. They are grinning, and Sam has an ice-cream. ‘Lucky bastard.’ Mum says, moving the picture so she can wipe the dust off the cat. Mum doesn’t eat ice-cream now. It makes her sad.

November is the month for fasting. Nan makes out it is some sort of religious obligation. A bit like Lent, except without the fish. A month of baked beans. Our house fumigated by the stench of five stomachs, each reacting badly to the sudden pulse rich diet. We pray fervently every night to be allowed to survive the night time gassing from our siblings, just so we can get to December and Operation Reduced Basket. Nan, being the senior member of the family gets the choicest of picks, Waitrose. Mum and I do Sainsbury’s, Cassie, Tesco and Jason gets Lidl. The attack always begins precisely one hour before closing. Not in Cassie’s case though. Tesco is a twenty-four hour store, so she does the nine at night slot. We stalk the staff who are armed with the reducing gun, hovering just close enough to pounce on the smoky bacon but not so close to be considered a nuisance. Cassie works her charms on the lad in the fish department. We do well there.

Nan’s old freezer, the one she liberated from the forgetful neighbour, is switched on, and cooking begins. All day, the oven has to earn it’s keep. No shelf left empty. Nan turns down the thermostat, ‘No point heating the house twice.’ We cram into the kitchen, fearing frostbite on the trips to the loo. The previous month’s malodour replaced with spices and the mouth-watering aroma of sheer pleasure. I can feel the calories piling on just taking in a deep breath. There will be enough to eat. And that’s the point, enough for two adults and three children to eat. It’s not like Nan wouldn’t ring and check if Uncle Sam intended to visit. She would, and he’d say ‘Nah, not this year, Mum. Got an invite to Dave’s. He’s got a party going at the villa. It will be fun. Maybe next year, I’ll let you know.’ He never does, the bastard. He just stands there in the doorway, grinning inanely. A silhouetted bulk blocking out the winter morning. In one hand is bag of washing, in the other a bottle of cheap whisky. Barrelling his way past, he hands the washing to Nan and the whisky to mum on his way to the sitting room, ‘Got you a present, Sis. Hey, Jason get some glasses, would you?’ Not sure he ever notices that Mum and Nan don’t drink.

He lies across the sofa and tell us about his trips. We sit on the itchy carpet, our legs entwined, trying to find meagre space for our ever growing limbs. Uncle Sam drives a coach for a tour company. Best job in the world, he says. Tells us we should travel, see the world, just like him. Go to all those European cities, Prague, Rome, Venice and Barcelona.

‘What was the Sagrada Familia like?’ asks Cassie, expecting a vicarious tour.

‘Nah, didn’t do it. They charge you to go in, it’s not even finished. Bloody cheek.’ He then told her about the girl on the beach that wanted to practise her English. The bars and restaurants she took him to and the nightclubs where they danced. He laughs, ‘There’s always an opportunity for a free meal and a bed for a handsome chap like me.’ I wonder if they need opticians in those foreign cities.

Upstairs, Mum moves a mattress into our room. Her own bedroom commandeered for the prodigal son. Cassie irons out the creases on the best bed linen, while Jason fetches another bowl of crisps.

We open our presents, carefully. That paper could stand another year. A book on art for Cassie, a model plane kit for Jason. I get a Spirograph. Mum spotted it in Oxfam back in the summer. I kiss her and pretend to be thrilled. We all get new underwear, the annual tradition. Nan apologises throughout the performance of gift opening, ‘Sorry, Son. I would have got you a present if I had known you were coming.’

She opens her purse and pulls out a little piece of paper. Her treasure, replaced each week. Blush pink and fingers crossed, a row of numbers that never changes, 17, Mum’s birthday, 25, 16, 08, Cassie, Jason and me, 28, Uncle Sam and 12, the day Grandad died. She hands it to Uncle Sam, ‘Here, take this, it might be lucky.’

‘No, Mum. The lottery is a tax on the poor and stupid. You keep it.’

She replaces it back into her empty purse, ‘One day.’ she said, ‘One day.’

We squeeze around the table, Uncle Sam’s plate barely big enough for the portions piled high. Nan gives us the side plates, it makes our portions look generous. We clear our plates and watch Uncle Sam as he boasts about his life, his mate Dave is going to give him a promotion. More money, more holidays, ‘There’s no such thing as luck, kids. Just right time, right place.’ Uncle Sam strikes me as someone who’d buy that chocolate teapot. His father’s son. His plate finally wiped clean, he drinks another glass of whisky and take out his smokes.

Two days of disruption, silence in the sitting room so he can watch his stale comedies in peace. Cassie shivers under a pile of blankets in the bedroom, admiring distant works of art. Jason reads the instructions for his model aeroplane. He won’t start it now, not while Uncle Sam is in the house, not after last time. I sit crossed legged and stare at him while he gobbles my chocolate raisins. Mrs Cordwell gave a bag to everyone in the class. Nan cooks and cleans. Mum cries. And then he’s gone. No more Uncle Sam. Peace and austerity reigning over our house once more.

When the police arrive, we hide at the top of the stairs. We wait, the door to the sitting room shut. Jason lays on the floor, his ear to an upturned glass. ‘It’s Uncle Sam. He’s dead. A coach rolled backwards and squished him flat.’ I don’t think that’s the policeman’s words, but that’s what happened all the same.

Uncle Sam is front page news. He’d have been so chuffed. Dave’s to blame, apparently. Skimped on maintenance to pay for his villa in Spain. Forgot about the European Arrest Warrant too.

A quiet man from the tour company visits. He sits in the sitting room and drinks tea. Nan offers him cake and listens to the prepared speech of condolence. They do not want a fight in court, compensation is available. Dave’s case is still pending.

The lawyer explains about the life insurance and the compensation scheme. Nan continues to tap his hand and offers him another slice of cherry cake. Reduced to 29 pence, the night before. Waitrose no less.

‘He died doing what he loved. Just wrong time, wrong place.’ she said, before biting into her generous portion of cake.

November will be fast free this year, and our letters to Santa will not be burnt and forgotten. I will eat chocolate raisins until my tummy hurts and remember that lucky bastard, Sam.

 

M S Clements is a former Spanish teacher of Anglo-Spanish heritage. She is in the process of completing her first novel, The Third Magpie. A dystopian love story set against a backdrop of xenophobia and misogyny. She lives on a building site with her family and assorted builders in rural Buckinghamshire.

 

Contents Drawer Issue 13

 

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Golden Prospects – Sarah Tinsley

The snip tap of the scissors played around his head. Too much off the top. Kayley wouldn’t let him lean into her hand when she touched his hair. Jab didn’t say anything. Just hunkered down under the flap plastic gown in the hope he’d be a smaller target for the blades. No time for small talk.

It was busy. Rows of them, sat like they’re at a show they’ve paid for but don’t want to watch. That careful look, when you stare at yourself, only just above one eye, so you don’t look self-indulgent. On his left was a right one, voice so low it’s coming out of his shoes, a careful crease down the arms of his shirt. Corduroy trousers. That sort.

No time to sit and chat, it’s the cut that’s got to do the job, send him on his way. Just keep looking at that spot above the left eyebrow, circle scar from chicken pox where he scratched his face even though Mum slapped his hands away and dabbed pink powder lotion on.

Mr. Corduroy was crowing, ever so pleased with the snip cut on his head. Jab was already up, out of the chair, shoulders in coat before he finished handing over the wrinkled fiver with a nod. The man at the desk, he tipped his head back, looked down at Jab like he knew, could see the thing that’s waiting there for him, lined up like the tip of a domino. A perfect tap in the right place and he’ll be set, pick up a House Special on his way home, set himself down on the floor in front of the sofa so she can settle her hand in his new haircut.

He let the gusts of people take him down the road. Coming out in little bursts, rushing out of Poundland like they’d get found out, clutching the shivering plastic bags to their sides, all full of Tunnock’s caramel wafers and some tat the kids might like, keep them away from the Xbox for another five minutes.

Jab had a higher purpose. There above the offy, Carl was waiting. In his hands were mounds of grey-green papery slips, squash them together and you’ve got no rent worries for the next six months. There for the taking. Practically his already. He tucked hands in pockets, felt something slippy, soft, like the money was already there.

Around the corner, he stopped. Pulled it out. Just a few steps away from the blue door his future lay behind. It was a yellow tie. The colour ached his eyes, something green in it, a slice of gold that had gone rotten. All shiny, like a snakeskin. It fell onto the floor, coiled up, a bright splatter on the pavement.

Mr. Corduroy. Jab could see him, rummaging in his pockets, all bent out of shape about his lost tie, maybe one that Mrs. Corduroy got him last birthday, in one of them presentation boxes, ready wrapped and smart as anything.

Jab looked back up the street. Busier now, suited types filling up the spaces in between the mummy shoppers, heading home from work, or going to the All Bar One to sink a few before facing the gauntlet of dinner at home.

If he went back now, tried to give it back, he’d be late. Plus, there was no telling whether Mr. Corduroy would still be there. He’d probably taken his uncreased sleeves home, no doubt there was a pile of fancy things like this he could hang around his neck. He wouldn’t miss this one.

Jab leaned down, picked it back up. A little dark spot down one end, that wouldn’t notice. He flopped it round his neck, let the material rub over the rough bit, when you get little hairs back there and it itches like buggery.

This could give him an edge. Carl would be impressed, the lengths he’d gone to, to look the part. He slip-tied the knot – they had a blue one with red stripes on at school – flopped down the soft collar of his polo shirt. A dark shadow of himself in the blackened windows of the old newsagent’s. Reliable, his reflection said. Boasted of how he could carry things off without a hitch.

He made his entrance, didn’t even bother to knock.

‘Here, Jabber thinks he’s an estate agent.’ That little one in the corner, ratty face and fingers. Not the entrance Jab was hoping for.

‘Nothing wrong with making an effort, you want to show a bit more respect, like, not turning any heads in your dowdy rags there, are you?’ The words tumbled out, like they always did. Rat Face was always with Carl, it wasn’t good to criticise.

‘Easy now.’ Carl was sat at the dining table, flap-up baseball cap tipped just to the side. Jab had tried to wear his like that, preened and flicked in the mirror until Kayley snatched it off his head, told him to go downstairs, the baby was napping.

‘I’m here.’ Jab stepped forward. Silence ticked out. It was better to say less, but the words bubbled out. ‘I’m here ‘cos of what you said was going down, and how you needed someone reliable, and I turned up to the Saturday job I had every week even when I got tanked the night before, and when we did our drama project I was always first to rehearsals.’

‘Easy.’ Carl put a hand up. ‘No need to explain.’ He turned, rummaged in a rucksack on the floor. ‘Here we are.’ In one hand, a thick envelope. In the other, a small brown package, about the size of a large special fried rice.

‘No problem.’ A delivery. Jab took both, no hand fumbling, envelope in the pocket and parcel swinging from one hand.

‘Address.’ Little slip of paper, jagged at the top where it’s pulled off the pad like Mum’s shopping lists.

‘Safe.’ Jab swiped the words with his eyes, his route growing out in lines over the roads – walk to station, get tube, bus, short walk. He could be home by eight.

He strutted out past the ratty one, that slippery slither down his front a marker of success. No questions asked.

Jab entered the crush going into the station – commuter crowd scrabbling and paper flick reading, that smell of print that you couldn’t get off your fingers. He took one off the pile, another mask for his mission. Beep tap on the reader, seamless, sliding through the crowds.

A follower. Hood up, face with shadows drawn on, looked like the ratty man. Scampering through the barriers over there, looking away as if Jab wouldn’t notice. Do the double, on the train then back off. This guy with the pointed nose would be on his way, snuffling through the window while Jab went back out, got the 259 from outside.

On the platform, crowds were lining up, clustered round the sweet spot where the train comes in and whoosh, doors open like they’ve been expecting you. Jab kept walking, up to the end, like he wanted that rattling bit where he could get a seat. Sniffling behind came rat face. Got to time it just right.

Dirt scent breeze from the coming train, eyeglare of headlights coming out through the tunnel. Rattle and click, thump and the train was there, squealing as it stopped. Jab waited, let the leavers get off.

He stepped in, kept to the line between in and out, quick check to see the back of ratty man further down, leaning on the pole next to a straight suit woman. Robot voice telling them what to do, everyone stood there like sheep. Not him, he was different.

There it was. The beep. Right at the end of it he snicked off, just before the gulp of the closing door. Perfect. Now he could carry on, get his work done.

Something wrong. He stepped away but his body didn’t move, something anchoring it back to the train. He pulled again, jerking free, only this time it hurt. A sharp pain round his neck. The tie. The bloody motherfucking tie had caught in the doors and there he was, suspended from it, parcel still swinging from one hand and that knot. Too tight, tied too well. He pulled, again, the doors were about to open and ratty man would find him.

It locked round his throat. Squeezing. He tugged too hard. Scrambling for breath, red panic heat rising up his neck, itch at the back from the little hairs and thank you Mr. Corduroy for your gift. He was going to get something for Mini Jab, a tiny cap to wear like his dad but now he’d strangle himself on a slip custard tie.

The doors burst open. Jab slumped down, air like water pouring into his lungs and he grabbed at the knot, peanut small, jerking it open to free his neck. A hand on his arm, scrabbling down and pulling the parcel out of his hand.

‘You should stick to selling houses.’ The rat’s claws were in his pocket, slipping the money out, off through a brick-round tunnel and Jab was alone.

‘Stand clear of the doors.’

He found the bench and sat, unwrapping the tie knot and staring down at his hands, all covered with a stink of failure.

 

Sarah Tinsley is a writer, teacher, runner and drummer who lives in London. Prone to musing over gender issues and eating cheese, she has an MA in Creative Writing from City University and won the International Segora Short Story prize in 2016. Her short fiction, reviews and blogs have been published on a variety of platforms and you can find her on Twitter @sarahertinsley and find her blog at http://sarahtinsley.com

 

Contents Drawer Issue 13

 

Image via Pixabay

The Landlord – Tabitha Burns

A thin brown envelope means one of two things: you’ve lucked out or your luck’s out. No guesses as to which kind this is, so close to payday. Over two hundred quid I owe them. Oh look, they’ve ‘automatically readjusted future payments’ — how bleeding benevolent of them.

My stomach drops at the date. New payments start today, which means my money is not going to add up: bank balance minus council tax does not equal rent. Grab your coat Carol, you’re pulling a fast one. If I hurry, maybe I can spirit my money away, out of the digital dimension and into my purse, consequences be damned.

Good God, this stairwell is as hot as hell. It needs flushing with fresh air, but the windows are jammed shut as per. I asked the landlord once, ‘How come they’re all stuck then? Should we be worried?’

He shrugged and gave me his deflective stock answer, ‘What do you want me to say?’

I used to wonder why nobody answered him. Then he said it to me. Somehow it knocks all the words out of you, except the few he wants.

Out on the street it’s as cold as old bones. I jog around the corner to see a long line coiling away from the cash machine and I join the back of the queue. It will be fine, they probably haven’t taken the payment yet. Even if they have, it’s only twenty quid — there has to be someone who can spot me. Maybe Penny, although she might resent it, given that the choice I’m trying to outrun is the one she signed up for.

She seemed nervous, showing me round her new place. I admired the floor-to-ceiling windows framing the slow, skeletal cranes and the crying gulls across the wharf. I ran my hand over the sleek white worktops and turned the shining taps on and off. And then, surprising us both, I asked, ‘Was it worth it?’

Look lively, Carol! I’m at the front of the queue, hoorah. Ah, they have taken it. How proactive of them. How splendidly dynamic. Pity they weren’t this organised when they were calculating my tax in the first place. Right. I think it’s time to pay the landlord a little visit.

I stand outside the building for a few moments, enjoying the brisk wind against my skin, and then I slip inside. There is no reason for it to be so stuffy in here. But then I suppose there’s no reason for the unholy stink under my sink either, or the maggots in the meter box, or the scrape of wings in the walls at night.

Still, this isn’t the worst place I’ve ever lived. Must be why I don’t mind him as much as the neighbours. ‘He’s the devil,’ they hissed, when they saw me dragging boxes through the front door. By then it was too late, I’d already given him the deposit. Apparently he gives deposits back, which is more than most landlords will do for you, but only after ten days, as is the legal requirement. Your new place will need the deposit when you move in, so what are you going to do, save up? In this city? You’re the snake choking on its own tail.

My thighs are aching by the time I reach his door. He would have to live on the top floor, wouldn’t he? King of the damned castle. The gnarled bronze handle feels like a clawed hand in mine. I give it a stiff knock and the door opens swiftly, white light cutting a slice out of the shadows at my feet. And there he is, filling the doorframe in his light blue shirt and dark jeans, looking just like the ordinary bloke he isn’t.

I start talking before he can get inside my head. I tell him my bank is being a nightmare, I’ll need to pay my rent tomorrow instead. He just stares. I stare back. His mouth slides into a smile and I know what’s coming before he speaks the words.

‘What do you want me to say?’

He’s taunting me, coaxing out the answer he is sure I am ready to give. I clamp my hand to my mouth and shake my head. I take the stairs two at a time, followed by the sound of hooves until I spin round to see that the stairwell is empty and still, save for a cloud of condensation blooming across the small window.

Back in my flat, I catch my breath. I need to think on my feet, keep my head above water — easier said than done in this city.

I call Penny, who else? She’s happy to hear from me, says nobody visits her since she signed for the flat, says even the cat hisses at her. I tell her she’s being paranoid and promise to visit soon. Then I close my eyes and ask her for the money.

‘Just until I get paid,’ I promise, but she doesn’t need convincing. I hear her starting up her laptop and tip-tapping it across to me. She’s an angel. Surely that will save her, when it comes to it.

I force myself back up the stairs. He is waiting in front of his open door. I tell him it’s all sorted, the money should be landing in his account right about now. I apologise for the mix-up. He shrugs, as if my rent is the least important thing in the world.

As I’m walking away, I hear his footsteps following mine and I realise he still expects me to say it; he thinks my soul is as good as his. But I’m already down the stairs, wincing at the sound of hooves I know aren’t really there. I dart inside my flat and slam the door behind me — home at last. Despite everything I do feel safe in here, once the front door is locked. Like I said, I’ve lived in worse places.

 

 

Contents Drawer Issue 13

 

Image via Pixabay

The Use In Words – David Hayward

I’ve lost count of the winters I have seen, more than fifty, less than seventy, always longer than the summers, which seem to pass so quick as hardly to count. But, whatever the count, my fingers ache in the morning and my hips crack when I kneel. Sometimes my vision is blurred and other times I see bright lights were there should be none. More often than not, at the end of the long day’s toil, I cough and there is blood in my spit.

I can hardly remember what I ate for breakfast but my memory of my youth is as sharp as a knife. I was cursed to be the third son, a blessing to my mother, a burden to my father with his two older boys to feed and divide his land between. One winter morning, with the promise of snow in the air, my father said, “Amos, come with me in the wagon,” and bade me say farewell to my mother. At the time, I did not wonder why she wept.

For two days we traveled through the barley fields and down the stone road that runs straight as an arrow from north to south. All that time, my father barely said a word. But still I did not worry though I remembered my mother’s tears. On the third day, we climbed a path up a steep hill, past jagged rocks and thorn bushes, and through the Abbey’s iron gates.

Three monks in black tunics perched on a bench under a birch tree. My father, still silent, unloaded from the wagon ten sacks of flour and a vat of honey. The monks opened one of the sacks, sifted through the flour, and then tasted the honey. They nodded their agreement.

“Amos,” my father said, “you’re to stay here. But I will be back for you, never fear.”

Little did I know that my life had been measured in flour and honey. The monks shaved my head, gave me a novice’s tunic and taught me to pray. Days passed to weeks and then to months. Still my father did not return. Soon my sorrow turned to rage. Blackened eyes and cracked skulls were how I measured my value. I kicked and punched my way through each day until the other novices shied away from me as they would from a biting dog.

One evening, some of the other boys stole a bottle of ale. Chattering like sparrows, they drank their fill but like the fools they were they did not hide the evidence of their crime. When the Novice Master found the empty bottle, he came to each of us and demanded we tell him the truth. I did not care for my fellows but I would not betray them. I stayed silent and received a blow from the Brother’s fist as reward for my misplaced loyalty.

The Novice Master went to the next boy, Dondas, a red-haired Mercian, and asked him who had stolen the ale. The boy pointed a treacherous finger at me. “Amos, the wild one, he is the thief.”

I have fought, and I have lied but I have never been a thief. I threw myself at Dondas and punched him until his nose was smashed flat. Uncaring of his shrieks and the cudgel blows raining down on my back, I bent his arm until it snapped like a rotten stick. It took five of them to pull me off him. His arm was almost broke in two. I’m not proud of it now but then I was filled with such savage joy that I howled like a wolf.

The monks chained me up and dragged me to the punishment block. They whipped me until the wood ran wet with my blood and strips of flesh hung from my back. Sometimes now in my sleep I hear a distant screaming and when I wake I wonder if it was me or Dondas.

I don’t know how long I was unconscious but when my I opened my eyes I was lying on the stone floor of a cell with a thousand bees stinging at my back. Each morning for the first few weeks of my imprisonment, a monk shouted from the other side of the locked door, “Do you repent?” I did not answer. Growing tired of my stubbornness, they left me alone. Perhaps they thought the quiet would drive me mad. But it did not. Silence became my comfort.

Months passed before I saw or heard anyone. Then the door to my cell opened and two monks entered. One was short and fat, the other tall and thin, as if the first had been stretched on a rack. “Do you repent?” the tall one said. My choice was either to say, yes, and make of myself a liar like my father or Dondas, or say, no, and be left to moulder in my cell. So better not to speak at all. What’s the use in words if all they do is lie and cheat.

Confounded by my mute response, the monks huddled in conclave while I slumped against the wall, my legs barely strong enough to hold up my skin and bones. Perhaps they wearied of my torture or more likely they could ill-afford to feed a mouth that did not earn its keep, because they led me from the cell to the monastery garden.

Jeremiah was waiting for us at the gate. He seemed old even then with his lined face and white beard. But despite his age, he was as broad-shouldered as an ox and with his rake in one hand and scythe in the other he looked to me like some ancient spirit.

The monks explained that I was to be his responsibility and he could do with me as he wished. Jeremiah ignored them. He never had time for fools. “Will you work hard?” he said. I did not answer. “Good,” he said and that was that.

The old man started me on the simplest tasks, repairing the garden walls with the flat stones from the river and making trellises for the summer vines. He never cared that I didn’t speak as long as I could make my signs and draw with a stick in the soil. After I had proved myself, he gave me my own patch. First thing I ever had for my own.

Not a day goes by when I don’t hear Old Jeremiah’s voice in the gate’s rusty grate or a spade’s thud in the soil and think of him watching over us from his place beneath the verge. I still wonder what he saw in me. I like to think that he looked beneath my anger and saw the boy beneath who deserved so much better.

And so I became a planter of seeds, a grower of vegetables, a tiller of the soil. The years passed and the anger that had been my blood’s vigour faded until all that remained was the certainty of the seasons’ path, one to next, and the honest journey from the sowing to the scythe’s sharp reap and in the end the fire’s cold ashes.

Now when I catch sight of my reflection in a pail of water, I do not see the angry boy I was but Old Amos with his grey beard and wrinkled face, a garden monk who wants no more than to be buried with his seeds in a bed of soil.

The boy and I first met on a cold day in early March. When I saw him, standing just inside the garden walls, icy shivers ran through my body. It was as if my past had returned but turned the other way round so I was Jeremiah, even though he was long dead, and the boy was me, though we looked nothing alike. Where I had been barrel chested with a man’s growth of beard, he was smooth skinned and skinny as a reed.

“Who’s the youngster?” Brother Bartholomew said as he raked the soil.

“He’s one of the novices,” James replied. “An orphan. Can’t read or write so they’ve sent him to us. Give him pots to mend and wood to cut.”

With my fingers, I said no. Even then I could tell the boy was special. As I walked over to him, it was his eyes that caught me first. Two empty holes you could fall into and never find their end. When the boy spoke, his voice was so quiet I could barely hear him.

I gave him my own trowel and a bag of mustard seeds. Off he went, simple as that, and got on with it. He kept going past sunset, on his hands and knees, sowing all those tiny seeds. He wouldn’t have stopped if I hadn’t taken the bag from him and told him to go get his dinner. The next day he was in the garden earlier than any of us, planting those mustard seeds like there was nothing more important in the world, and maybe he was right about that.

The boy had a knack for the garden. None of us needed to tell him what do do. He knew what distance apart the seeds should go; how deep to bury them; how much to water them. It was plain to see that someone had taught him. But he never talked about his past and what had happened to make his eyes so empty.

It wasn’t just that he knew what to do. Everything he did turned out right. His mustard seeds grew into flowers with perfect golden petals. He knew vegetables better than me, and I’d been growing them for more than twice his life. It all came so easy to him. There was neither mildew nor canker on his plantings and where he dug his trowel there were no stones. Even the grass softened for his feet so you’d hardly know he’d walked upon it.

And the garden paid the boy back for all his work. The sun turned his face a rich dark brown. He was never going to be the biggest but his shoulders filled out so at least it looked like he wore his tunic rather than it wore him. Once or twice, when his plants first bloomed or as he watched the sun set over the garden wall, I’d see a smile ghost past his lips. It made me happy to see the boy do well. I was proud of him. That’s what it was.

I once knew a monk called Esau though his birth name was Aesir. With his blond hair and sharp features, he looked different from the rest of us though he hardly spoke about his home. One day I asked him where he was from and he told me he had been born in a far away land of ice and snow. When he was a boy, he had taken his father’s boat to fish for herring. A storm came and blew him so far out to sea that he could not find his way back. Weeks later, he landed on a foam swept beach and found that he had been blown across the grey sea.

I’ve never met anyone who talked as much as Aesir. And he was always contrarily minded. You might say to him, “Aesir, have you ever seen such a beautiful sunrise?” And he would reply, “The sun does not rise, it falls from the bottom of the earth.” And then he would argue that rise was fall and fall was rise until I scarcely knew anymore what the world was about. He’s dead now like all the friends I ever had.

Perhaps it was Aesir who sent the storm that summer’s afternoon. It came so quick we had no time to prepare. Day turned to night as tall clouds like warring giants so dark as to be near enough black covered the sun with their sack-cloth. Torrents of rain lashed our backs and thunder claps battered our ears. We dashed through the garden, slipping and sliding as we tied down the saplings and wrapped burlap around the vines.

In a flash of light, I saw the boy a few paces away from me. He was looking up at the storm. I could have sworn he saw something up there because he nodded as if greeting a friend. A fork of lightning crashed down. A giant hand picked me up and flung me back down. The world turned black. Deaf and blind as a worm, I crawled in the mud.

When the glare passed from my eyes, I saw the boy lying unmoving, his tunic singed, the rain pelting on his back. I ran to him and turned his head so he wouldn’t drown. He didn’t move. My heart stopped. I put my cheek to his mouth. There was no breath. I took his wrist. He had no pulse. I buried my face in the crook of his neck. The boy was gone.

For the first time in many years, words ripped from my throat. “Why did you take him?” I shouted at the sky. “The boy was nothing but good. Why?” I railed at the clouds. Why?” I cried at the thunder. “Why?” My whisper lost in the wind. Tears soaked the rain from my beard. The boy I wished I’d been. The son I wished I’d had. Gone. I understood then that everyone has a son but I had found mine too late. Now there was nothing left for me but old memories and dead friends.

I felt a warm glow on the back of my neck. A bright light spilled from the sky. I held the boy’s head and breathed my old life into him. An animal howled, angry and mournful, a wolf, its leg bitten through by a rusty trap, its cub wandering lost in the forest. A howl so loud it ate the dying storm and rippled through the earth, coursed up my legs and into my chest, through my lungs, and poured out of me and into him. The boy’s eyes opened, blue as the sky, filled with a deep and ancient knowing.

Contents Drawer Issue 13

 

Image via Pixabay

Fortune – Steve Campbell

Leaning on the counter, Nate selects five numbers from the sixty that are printed on the front of the slim polymer slip. The same five numbers he’s played every week for the last three years. Once his DNA and fingerprint are verified, his numbers are covered with an electric-blue cross and the Fortune slogan that spans the top of the ticket, ‘Only Winners Have Tickets’, animates to read ‘Two Credits To Play’.

“Fortune and a double caffeine,” he requests from the shop screen that covers the wall in front of him.

“Confirmation required. Age-restricted products. Insert Fortune ticket,” announces the screen. It displays his order in large, bold letters.

Nate feeds his ticket into the game slot below the screen and waits for his selected numbers and personal information to be verified. While waiting for the ticket to pop back out, he daydreams about what he’ll do with the winnings. He’ll quit his job, buy a larger apartment — one with enough rooms for the kids to stop over — and take a month-long vacation. Maybe even six months. He’ll find a beach as far away from this city (and his ex-wife) as he possibly can. He won’t even tell her he’s gone. He’ll send her an anonymous e-card with the message, “Glad you’re not here!”

He’s still smiling to himself when his ticket pops back out.

“Ticket verified. Good luck, Nate Foster,” announces the screen.

Nate takes a quick glance to ensure that his ticket now displays his chosen numbers, then stuffs it into his wallet and waves his watch over the payment reader.

“Age verified. Purchase accepted,” the screen responds as a can of coffee clunks into the collection tray.

By the time he’s made the short walk across the city to State Bank Tower, the can is empty and the caffeine is beginning to clear his head. It can’t help ease his annoyance at the number of people waiting to get through the reception, though. His shoulders slump and he skulks over to join the shortest line of workers shuffling towards the security barriers.

“Good morning, Nate,” the receptionist greets him when he reaches the barrier.

Nate doesn’t reply but uses this sliver of time, like he does every morning, to scan the receptionist’s features. It’s his daily attempt to unearth a facial twitch, a mistimed blink, or anything else that would mark her out as not being human. As usual, he finds nothing. There are rumours that all receptionists, security and cleaning staff at State Bank are substitute workers, or ‘subs’ as they are more commonly known — machines doing the work of humans — but he’s never actually uncovered one. He and his colleagues often joke that their line manager is a sub, because he has the personality shop screen. Nate’s known him for a few years now, and is aware that his awkward personality is down to poor social skills, rather than the possibility that he might actually be a machine.

Once his identity has been confirmed, the receptionist is authorised to allow Nate to pass through the barrier. She smiles at him as it opens.

“Have a productive day, Mr. Foster. The time is 42 past 8. You have less than 18 minutes to get to your workstation. State Bank advises that you undertake some light stretching to improve your posture before commencing your shift.”

* * *

The clock hanging on the office wall next to the TV screen displays 5 past 19. The TV is on but the sound has been turned down. The blinds that cover the adjacent wall of glass aren’t closed to block out any earlier evening sunlight; they are there to provide privacy. Three smartly dressed occupants — two women and a man — tap on terminal keyboards and tablets. None of them pay attention to the TV screen, until a tall man enters the room and turns up the volume. The typing stops and the three look up in unison.

“…week’s winning Fortune numbers. Good luck to everyone who took part. If you missed out, don’t forget you can play again next week and remember, ‘Only winners have tickets’. We’ll see you same time, same place, next week, but for now here are those winning numbers again…”

The screen freezes on the five numbers and, dropping the remote control onto the desk, the tall man turns his back to the screen and claps his hands together loudly.

“Okay. people. Who’s our winner this week?”

“Nate Foster. A 39-year-old divorcee,” replies one of the women.

“Details?” asks the tall man.

“He lives alone in a city-centre apartment. He has a menial desk job at State Bank with a below-average income and just over 10 thousand credits of debt.”

“The prize fund has been confirmed at 47 million,” adds the man.

“Good, good. Publicity?” asks the tall man.

“None. His ticket confirms that he’s declined publicity,” replies the woman.

“Okay. Perfect. Do we let this win go through?” asks the tall man.

“All information indicates that this win is ideal for retention,” replies the second woman.

“Excellent,” says the tall man. “Any objections?”

The three people look at one another then shake their heads. The tall man claps his hand together again, cutting through the silence. “Good, good. We know what to do. Let’s prepare the penthouse and give Mr. Foster the news.”

* * *

“What?! No. You’re joking? No. Seriously?”

The tall man smiles as he brings a finger up to his lips, mouthing shhh. He glances up and down the corridor, and without waiting to be invited in, he steps inside Nate’s apartment. He places an arm around Nate’s shoulder and guides him into the living area. They’re closely followed by a woman in a suit.

“I can assure you this isn’t a joke,” says the tall man in a smooth, calm voice as he walks Nate to the sofa. “Why don’t you take a seat and Catherine will get us all a drink?” The tall man waves the woman into the kitchen area as Nate sits down. “Tea? Coffee?” he asks.

“Er, coffee,” Nate replies, and adds to the woman in the kitchen, “the top cupboard. The mugs are in the top cupboard. By the sink.”

“I’m sorry that we’ve had to wake you so early. We needed to be discreet. Our records show that you’ve declined publicity in the event of a win. That is correct, isn’t it?”

Nate nods. His brow is furrowed as he watches the woman open and close his kitchen cupboards.

The tall man claps his hands together.

“Okay, Mr. Foster. Before we go on, I’ll need to see that winning ticket. We need confirmation that you are in fact Nate Foster. I’m sure you understand.”

“Oh, yes. Of course. I mean, it’s in my wallet. I’ll go and get it.”

Nate is unsteady on his feet as he heads towards the bedroom to collect his wallet. He scrubs his face with his hands to clear away the grogginess, in the hope that he can make some sense of the situation. It’s 35 past 5 and he has two immaculately dressed people in his apartment. They’ve just explained that he’s won 47 million credits on the Fortune lottery. The tall man is casually wanders around as if he owns the place, while the woman makes coffee in Nate’s kitchen. This is all far too surreal. The alarm will wake him up any minute now, he’s sure of it.

His hand shakes as he picks up his wallet from the bedside table. He pulls out the ticket and across the front, in place of his chosen numbers, is the message: ‘Please contact Fortune immediately – 555-FORTUNE.’

“This is nuts,” he mutters as he hands over his ticket to the tall man. The man gives both sides a quick scan and, appearing to be satisfied, he hands it back.

“That all seems in order. Obviously, it will need to be verified.”

“Er… of course,” replies Nate glancing over the ticket.

“I know it’s a bit of a shock, but that’s perfectly normal,” says the tall man. “It can take weeks for it to really sink in. You’re actually handling it pretty well, considering. We’ve seen all sorts of reactions from winners over the years. One woman vomited so badly that…”

The tall man stops and reaches into his pocket. “I’m sorry, where are my manners?” He pulls out a white identity card. The title Direction of Fortune Assimilation is prominent next to the tall man’s photograph. He smiles as he hands the card over to Nate.

“I’m Isaac Stewart and I’m here to change your life.”

* * *

Nate picks up the champagne flute from the edge of the bath and takes a sip. He closes his eyes and holds the alcohol in his mouth for a few seconds, savouring it before swallowing.

He has been in this penthouse for the past two days. Isaac and Catherine had him driven straight here, wherever here was, after breaking the news to him about his Fortune win. He hadn’t taken much notice of his surrounds during the journey because of the barrage of questions and information that had been thrown at him, but having looked out at the view when he arrived, landmarks and buildings suggested that he was somewhere within the financial district.

Nate nudges the tap with his toe, adding a little more hot water to his bath. The warm surge creeps up his legs to caress his back and he takes another sip of champagne to counteract the warmth. This is the life.

During the tour of the apartment, Isaac explained that if there were anything that Nate needed, anything at all, he only needed to ask. In response, Nate blurted out that he wanted a roll-top bath. He hadn’t realised he wanted one until the words came tumbling out of his mouth. Before he’d had chance to backtrack, a Fortune representative had already begun making enquiries. The bath was plumbed in within the hour and it is doing wonders for his back right now.

Alongside the luxury came an almost endless number of formalities, all of which had to be completed before any winnings could be officially transferred. Nate was reminded that this was ‘all covered in the Terms and Conditions’, which Fortune were more than happy to provide a duplicate copy of, if required.

His ticket is currently being scrutinised for signs of tampering or counterfeiting and it will be returned to him as soon as it had been cleared. Apparently, most winners like to frame their tickets as a memento of their win.

Nate had lost count of the amount of times his signature has been provided for verification; he’s written it with a pen, without a pen, and even blindfolded. He’s also taken part in numerous informal interviews. Every conceivable piece of personal information has been requested. And has been supplied. He’s confirmed his date of birth, his first school, the names of his childhood sweethearts, and parents’ places of birth. All of this information will be collated to verify his identity. Isaac and his team have taken photographs of Nate from numerous angles and checked these against his passport, driver’s license, and CCTV footage.

The Fortune team apologised for the inconvenience but explained that there had been numerous instances of people masquerading as winners. They explained that there had been hundreds of attempts by criminals to get their hands on the winnings.

As Nate had declined publicity, his whereabouts would remain a secret for the time being. He was advised not to contact anyone while everything was being prepared for his new life. The press could be very intrusive and were always hungry for a Fortune exclusive, so it was better to be safe than sorry.

Although the continuous questioning and exile within this hotel room have been inconvenient, Fortune has been extremely helpful and always on hand to answer questions or concerns. They’ve kept him updated every few hours, right up until about an hour ago, when they confirmed that the flights for his holiday had been booked. He is set to fly out tomorrow morning.

Nate had often wondered how winners managed to remain hidden from the public eye, and it turned out that it was due to the meticulous planning of the Assimilation Team at Fortune. Along with taking care of his day-to-day needs and concerns, their job was to provide a cover story for the first few days after his win. They contacted his employer the morning they’d arrived at his apartment and explained that there had been an unexpected death in the family. This, they said, would give him a few days of freedom and time to plan what he wanted to do next. Nate has no intention of going back to work, but at least he now has a few days grace and, more importantly, he isn’t drawing attention to himself by not being at work. The team will contact State Bank at the end of the week to officially hand in Nate’s notice due to stress. The team has reassured him that they deal with HR departments on an almost weekly basis and Nate has nothing to worry about.

Nate’s fingers and toes start to wrinkle, so he reluctantly climbs out of the bath and wraps himself in a bathrobe. Strolling through into the bedroom, he feels oddly at home in his surroundings. He turns on the TV to add background noise to the stillness of the penthouse, but immediately turns it back off. The noise is jarring. He realises that he needs this peace and quiet.

It is early evening outside — 45 past 8 — and almost curfew. Nate watches the lights flick on within city apartments while the street-level lights begin to diminish as the sun sets. He realises this is the last time he’ll see this sun setting. From now on, every day will end with a sunset free of pollution, drones, and skyscrapers.

Moving back across the room, the plush carpet pushing up between his toes, Nate sits down on the edge of the bed. The effects of the hot bath and alcohol nudge him towards sleep. He’ll dream of breathing in sea mist that rolled in across an unspoilt beach, as water laps at his feet.

* * *

The blinds are open to reveal the penthouse bedroom through the wall of one-way glass. Isaac and his team watch the bathroom door open and Nate walk into the room wrapped in a bathrobe.

Isaac looks at the tablet in his hand and swipes through several pages before asking, “Do we have any issues to report with the sub?”

“All the information suggests it has been absorbed and it is behaving perfectly. There was one minor hiccup initially. But the cover story held; his colleagues put the odd behaviour down to the bereavement,” replies the man. “There are no other problems, and it is integrating perfectly. Work productivity has been set at the same, pre-swap-out levels.”

“All transactions regarding Fortune games have been removed from Nate’s bank account and his ticket has been erased,” adds one of the women.

“Good, good. Before we do this, does anyone have any concerns?” Isaac turns to look across the faces of his team.

No one speaks.

Isaac turns back and watches Nate for a moment longer before tapping the tablet. He stands unmoved for the time it takes the room to fill with gas and leave Nate slumped on the bed.

“Vitals?” he asks over his shoulder.

“I have confirmed flatlines,” replies one of the women.

“Good, good. Let’s take a break and start the clean up when we get back.” Isaac turns his back to the windows and taps the tablet to close the blinds, hiding the penthouse from view. On the way out of the office, he picks up Nate’s ticket from his desk, which is blank apart from the Fortune slogan across the top: ‘Only winners have tickets’.

Contents Drawer Issue 13

 

Image via Pixabay

The Imprint of Leaves – Liz Xifaras

The trees are talking.

Beneath my feet the ground thrums as whispers slither from one to another. No-one knows how they do it. No-one knows how they move.

We came here in search of space; sky between branches and the scent of wet earth. Ground that fermented with the movement of insects, creaked with the growing of plants.

Rory’s idea. We lay in his sour sheets, staring out at the view of curry house walls.

‘Fresh fucking air,’ he said, blowing his morning cigarette smoke away from me. ‘That’s what we need. Bastarding leaves above our heads and the sound of twatting birdsong.’

‘Eloquent,’ I said, dashing for the bathroom. ‘You’ve talked me round.’

‘Christ.’ He stubbed the cigarette out in the ashtray he’d stolen from the Red Lion years ago. ‘You throwing up again?’

Ella’s imminent arrival made the dream more appealing, made it solidify into a plan. Rory waxed lyrical profanities about our child running through fields, feeding lambs and breathing air that was not laced with toxins. He scrolled through pictures of dilapidated farm houses and came home with armfuls of random baby equipment.

‘Look,’ he said, waving a potty with a picture of a yellow elephant on it and a pair of pyjamas at me.

‘You’re getting ahead of yourself,’ I said.

‘They’re cute.’

‘They’re huge. They’d fit a toddler.’

He shrugged. ‘They’ve got rockets on.’

The house was collapsing into the ground, nestling into the hillside, cracked windows looking out onto trees bent to the will of the wind and ground dusted with heather. The air smelled of wet earth. It was bare, and beautiful. It was all we could afford.

Rory filled its crumbling walls with any creature that blinked baleful eyes at him and appeared in need of rescuing; kittens, a scruffy mongrel with wiry hair and overzealous tail. Chickens in the garden. I built the hen house myself.

Ella slept in a second-hand cot in our room, growing from tiny red-faced bundle to fat-limbed toddler wearing rocket pyjamas. Rory picked her up, their two ginger heads touching.

‘Told you they’d fit,’ he said.

‘Two years later.’

He bounced her up and down. ‘And they’re your favourites aren’t they, the ones Daddy chose? Yes, they are. You love those rockets. So you can fly the fuck away from this shithole planet.’

She laughed and reached for his nose. ‘Shithole.’

‘Don’t say that,’ I said, taking her from him. ‘Naughty Daddy.’

‘Daddy,’ she said, clapping her hands.

‘Naughty Daddy has to go to work.’ He kissed Ella and blew a raspberry on my cheek. ‘Bollocks, wrong way round,’ he said, and left.

‘Bollocks,’ Ella called after him.

Dressed in shorts and wellies, she and I fed chickens and collected eggs, weeded vegetables, walked the dog. He scampered far and wide while we meandered at toddler pace, rescuing a grit-crusted worm and watching the slow, droning toil of bumble bees amongst the clover.

We saw them when we reached the hilltop. Down in the valley below, where the trees grew straight and the stream quivered, a bustle of activity so unexpected we both stopped short. Dog cowered behind my legs, half-yelp, half-growl bubbling in the back of his throat.

We had never seen another person on our walks before.

They wore white, head to toe, a bustling body of insects planting saplings. It should have felt benign. One stopped, looked in our direction, brought a white-gloved hand up to shade eyes, and I imagined us silhouetted against the skyline. Woman, child and scared, scruffy dog.

‘Time to go,’ I said, taking Ella’s pudgy hand.

‘Fuckinell,’ she said.

‘Don’t say that.’

The people disappeared but the trees remained. Day after day we watched; woman, child and scruffy dog. Still he growled and barked, bounding forwards and then returning to circle us, though nothing moved down there.

They were spindly at first, branches supple and leaves pale, a translucent green sea, wafting gently, filling the air with a soft swish and rasp. As though you could hear them growing.

Every day they were taller, broader, more widely spread.

Though that wasn’t possible.

But they were. Reaching now to the bottom of the hillside, obscuring the stream. They were like no tree I had ever seen, beautiful branches stretching skyward, leaves shimmering in the sun.

I could not let a day pass without seeing them, drawn to feel their ridges and welts under my palm.

The dog snarled and barked, whimpered and wagged, ran towards them and away again.

Ella remained unperturbed, sitting with sturdy legs out on the scrubby grass, watching silently as branches performed a slow, exquisite dance.

‘What the fuck are they?’ Rory asked, arm around my shoulder, ginger hairs glinting in the sun.

He whistled, moved forward. They were half way up the hillside.

‘They’ve moved,’ I said.

He shook his head. ‘You’re off your shagging box.’

‘They have.’

He wasn’t listening. Hand outstretched, he stumbled forwards until he stood beneath the sprawling branches, face tipped up to see sunlight flicker between them.

I lifted Ella and held her to me as he touched a pale leaf and examined it. The dog, hackles raised, howled and barked and ran to the tree, to Rory, to me.

‘They’re so fucking beautiful,’ he said. Shuddered. ‘So fucking unnatural. Let’s get out of here.’

That night he lay still but breathed fast and shallow, and I know he didn’t sleep. The scent of sap hung in the air around us, the whisper of branches. When I closed my eyes the imprint of leaves threaded across the darkness.

At last Ella stood and rattled the bars of her cot.

‘Mama. Out,’ she said.

I rose, grateful to give up pretence of sleep. Pressing her against me I longed not for her soft, warm flesh but the scrape of bark against skin, the scent of soil and sap.

Rory sat up, hair spiked like a ginger hedgehog. ‘Where’s the dog?’

We walked without need to voice the plan, without questioning it. They had reached the top of the hill.

‘They’ve shitting moved,’ Rory said.

‘Yes.’

The air chimed with the sound of leaves stroking one another, branches reaching out, roots gliding under our feet. Sunlight speckled the ground.

Ella flopped onto the ground with a sigh. ‘Shitting.’

‘Don’t say that.’ The sound of them so sweet. As though they whispered my name.

I heard the breath flow from my lips, watched my own fingers reach out until the nearest trunk lay coarse beneath them. It moved. Just a little – a throb of recognition. Leaves reached down to stroke my face and I looked up, gazed through slender branches to the glimpses of blue sky, and knew this was where I belonged.

The nearest leaf shivered in the corner of my eye, and I caught it, held it. Examined it.

They were like nothing I had ever seen, broad like an Oak, smooth like an Ash, pale as though newly unfurled. Except on this tree. These were edged with a dark red.

‘Look at this.’

Slowly Rory tore his gaze from the trunk, nodded. Eyes large, face pale. He pointed at the trunk, licked his lips.

There was a patch of bark, just above my hand, that was discoloured; grey and damp. The texture dense and rough, different from the rest of the trunk.

My heart crashed. ‘What is it?’

Rory pulled me away. ‘Hair,’ he said.

*      *      *

I must have slept that night. Dreams still scarred my mind; the whisper of roots, call of breeze in branches.

Dawn spilled down the hill and Ella yawned, stood and rattled the bars of her cot.

‘Mama. Out.’

I glanced at her, fat fingers waving, hair spiked like a ginger hedgehog, rocket pyjamas rumpled to reveal a chubby belly.

I felt his absence, the cold, the quiet. He had been gone hours.

Ella looked at me, sighed and sat down with a thud. ‘Shite.’

‘Don’t say that.’ I lifted her, breathing in the warm scent of her morning skin.

‘Daddy,’ she said.

I fed and dressed her, held her to me before placing her in the cot. All the while I imagined the shift of green against sky, the snarl of bark beneath my hand. Her accusatory gaze was tearful, bottom lip sucked in and I knew the wailing was about to start.

‘Mama?’ she said. Crack in her voice breaking my heart.

I kissed the top of her head. ‘You’ll be all right. Safer here.’

She stood and lifted her arms to me. ‘Fuckinell?’

I stroked her face. ‘Don’t say that.’

‘Daddy.’

‘Yes.’

The trees are talking. Beneath my feet the ground thrums as whispers slither from one to another. They have reached the hilltop.

Even now they call to me, my arms reaching to touch them. Straining to hear them whisper.

I struggle to hold onto the image of Rory, ginger hedgehog hair and cheerful barrage of obscenity.

I look for red-tipped leaves.

Enveloped by the trunk, he can still be seen. Face visible, tipped back, eyes closed. Hair spread and absorbed into the tree. What can be seen of his body is twisted, limbs swallowed, just tangled swellings of bark and cloth.

The whisper is strong now and I know, if I were to just reach out, let myself be taken, I would be part of them forever. With Rory forever. Taste the salt of my own tears.

The skin on his face is mottled, crusted and split as the tree invades. I trace his lips, still his own, with my finger. I can barely see through the vision of roots and branches and leaves.

‘Rory.’ Voice thin, dry.

His mouth quivers under my touch. Breath sticks in my throat.

‘Rory?’

His eyes open. A gossamer of fine green lines.

‘Get away,’ he says. ‘Stay away.’

Sap wells in his eyes, tracks slowly down his face.

I nod. Remember him. Laughing, swearing. Smoking. Rescuing stray animals, holding new-born Ella with his face masked in wonder.

‘Fucking love you,’ he says.

I press my lips to his. He tastes of soil.

By the end of the day the car is packed. Cats and chickens freed to take their chances. Ella fed and dressed in rocket pyjamas for the journey.

I don’t know where we’re going. Just away.

She is in my arms and I am about to take her to the car, strap her in. We are ready.

I open the door. Evening sunlight pours in, and Ella reaches for the golden specks dancing in the air, laughs. I can smell sap, hear the melody of branch upon branch. My hands twitch for the feel of bark under them.

Hesitating, I lean against the door frame, glance towards the hilltop. Close my eyes, and a bright, beautiful filigree pattern sprawls across the darkness.

My breath comes slow and deep.

Too late to leave now anyway. Dark soon.

One more night.

Sleep is filled with dreams so enticing that Ella struggles to call me from them.

I am rooted to the ground, reaching deep under the earth, one with the creatures that writhe there. I stretch to the sky, fingertips grazing clouds.

The bars on the cot rattle.

My skin thickens, stiffens and cracks. Hair rustles in the breeze, gaze shows the world through a web of green.

‘Mama,’ she says. ‘Out.’

I am once again in the room with her, groggy from a sleep I do not wish to leave. Still dark.

‘It’s not morning.’

‘Out,’ she says. ‘Mama. Out.’

I glance at her ginger head. Remember Rory. Hold her to me and chase away the night.

She points to the window. ‘Out.’

‘It’s still dark,’ I say. ‘Look.’

I pull back the curtain.

Darkness, but not night. The view from the window is obscured, completely covered with branches, crowding in, scratching the glass.

‘Fuckinell,’ she says.

Green leaves tipped red.

 

Contents Drawer Link

Liz Xifaras is a member of Writing West Midlands’ Room 204 Writer Development Programme. Her work has been selected for Penguin’s WriteNow Live, placed in a number of competitions and appeared in Idle Ink and The Sunlight Press. Find her on Twitter @LizXifaras

 

Image: RyanMcGuire via pixabay

A Final Moment in 1911 – D T Mattingly

The sun vanished long ago. A dim street lamp revealed through our blinds what little solace I found in a world of horror. The gleam bled between every crevice, creating a radiance rippling across the face of my beloved. Light. Dark. And Light again. The same pattern every time, I knew I shouldn’t search too deeply for meaning behind the phenomenon, but it was hard not to. To fall asleep unsure of which end of the dichotomy would greet me the following morning, tell me, wouldn’t that frighten you?

Well, it shouldn’t. Not in 1911, where the levels of brightness never mattered. 1911 served as a safe haven, barricaded to repel any misery lingering in the Outer. From what I knew, my beloved and I were the remnants of humanity. No matter the chaos in 1911, the animosity between us, we recognized our roles: Two people destined to get over it, for the Outer would consume us if we didn’t.

Including the Outer, the world was composed of three additional elements—the Light, the Dark, and the Amalgam—1911 resting at its origin.

The Light manifested merriment. Shared laughs. Compromise. Love. Veneration of what slight shimmer endured. 1911 harbored much of the Light that couldn’t be located in the Outer, with an exception to the one street lamp.

Second, the Dark: confinement. Insecurities. Fights. In a room of utter darkness, the blinds completely shut—we had learned to welcome gloom. It never failed to seep into the pores of the living, regardless.

Next, the Amalgam: Or the common fate—a blend of both the aforementioned elements, analogous to mixing light and dark liquor. Sickening. Yet, all-encompassing. If someone didn’t plunge into depravity, succumbed to the dreads of the Outer, then they were probably stuck in the Amalgam.

And, the Outer: or everything encompassing 1911. Deception. Corruption. Plague. Monsters. Genocide. If the worst of 1911 seemed grim, the realities of the Outer appeared similar to falling into perdition. Wicked creatures stormed the planes of the Outer, and only the toughest of humankind could withstand them.

*       *       *

I awoke in the Outer. The muscles around my eyes had grown strong. Without them, I would’ve lost the ability to distinguish between realities or dreams, in a realm of absolute darkness.

I sojourned in the Outer for years. Accustomed to 1911, I nearly forgot how to survive on my own, to hold on to a nullifying humanity while the many Outer entities tried to strip it away.

The vulnerable were prey. ‘Build resilience’, recluses used to say, ‘it’s the only way to persevere.’

Not only were the entities dwelling the Outer ravenous for blood, but they also yearned for a mere glimmer. They’d encircle 1911, so I kept my distance, but it was my time to return. I could feel it, to see my beloved again, even though it was them who exiled me to begin with.

Nevertheless, I’ve proven to withstand the afflictions of the Outer. Surviving with or without my beloved was no longer the concern. I sought only one more day in 1911. That’s all I desired. Only one, and for it, I’d give up more than the sun. And it wouldn’t be the first time.

*       *       *

Bypassing the creatures was easy, at the sacrifice of the remaining light. I smashed the bulb invigorating the street lamp, and in 1911 I breached.

Expecting an overwhelming Dark, I discovered a truth much more agonizing: my beloved gone, as well as the last of luster. Around me, 1911 dissipated, much like panoply sizzling from my body. I’ve never felt so bare. And empty. The Outer won, darkness looming like an immensely virulent pestilence. Hearing the nearby menacing growls, I fell to my knees, with no hope in sight.

Then, a profound luminance penetrated the Outer hills, unveiling the fiendish creatures, scorching their skin as the light strengthened. I experienced a resurgence of a sun I once discarded, simply because I let go of what coincided with the penumbra. Since I destroyed the street lamp.

From then on, I lamented—at a loss. Stuck in a new kind of Amalgam, no matter how prominently the sun shined. My beloved—the vivacity emanated by our single street lamp, it was more than enough.

 

Contents Drawer Link

Delvon T. Mattingly, who also goes by D.T. Mattingly, is an emerging fiction writer and an incoming Epidemiology PhD student at the University of Michigan. His fiction has appeared or is forthcoming in The Fiction Pool, Scrutiny Journal, Corvus Review, MoonPark Review, and elsewhere. He currently lives in Louisville, Kentucky.

 

Image: ExposureToday via pixabay

Forwards – Gail Aldwin

I’m flaked out. The sky is mauve yet still I lie, my skin warmed and taut from sunbathing.
In the pool, the water is inky. There is something amniotic about the way it draws me as if I can go back to the womb where I once tumbled and turned. I will always be my mother’s boy. The others go off in search of more beer but I’ve had enough. Fag buts and spliff ends dot the paving stones. I stand and stretch then pump my shoulders. You can’t get more chilled than this. Ready for a swim, I watch the water winking. Puzzled, I turn. Of course it’s the fairy lights strung amongst the trees that reflect on the surface. Chinking bottles announce the boys are back but I am poised, my toes grip the edge of the pool. That’s when the shouting starts. They like to make a noise but I’m not distracted. My chin’s tucked in, my back’s arched and my arms are ready. One little bounce at my ankles and I’m propelled forwards.

I am prone. The lights on the ward are bright but I lie there, the result of an impetuous moment and a shallow end.

 

Contents Drawer Link

Gail Aldwin is an award-winning writer of short fiction and poetry. As Chair of the Dorset Writers’ Network she supports writers by connecting creative communities. She is a visiting tutor at Arts University Bournemouth and author of Paisley Shirt a collection of flash fiction.     @gailaldwin     https://www.facebook.com/gailaldwinwriter/   http://gailaldwin.wordpress.com

 

Image: Marisa Sias via pixabay

Preservation and Restoration Part 2 – Andrew Maguire

I

Cabinet Of Heed Contents Drawer 10.15

II

In the living room of their vast New York City apartment, Simon Wilson and his eighteen-month-old daughter Rose stare at each other. She sits at the foot of his armchair, with two Lego pieces in her hands and tries to mimic his movements. He separates two blocks and puts them together again. ‘You see,’ he says, but she doesn’t. She presses the pieces at acute angles until they fall from her hands, and he picks her up and sets her on his knee.

He kisses her cheek. ‘Daddy missed you,’ he says, even though he only spent the day at work, and kissed her goodbye before he left. She grabs his hands with her little fingers and he accepts, again, that she is far too young for Lego. From the table he lifts one of her books, a striped tiger with a wild grin stares at him from the front cover. She reaches down and wipes her hand across the animals face.

‘Wait, wait,’ he warns, and she does.

He opens the book and on the inside page the tiger appears again: full body, with the felt fur to go with it. ‘Ok,’ he says, and she reaches out slowly, daring herself, then flinches as she touches the material, like it gave off an electric shock, like the animal might jump out at her. Then, having convinced herself, she reaches forward again, touches its head, and runs her hand smoothly over the four inches of its body. She laughs, and he sees the focus in her eyes.

‘What’s his name?’ he asks.

‘Tiger!’

He sets her down again and she feels the rug beneath her, rubs her hands across it like she had the felt of the tiger, then holds up her palms and looks at them, as though the sensation means they should have changed. The floor, like the room in general, is tidy, bar the pieces of Lego scattered around it. He only took the loose pieces out ten minutes ago, but that’s what happens. He leans back and allows the cushions to soak up the stress in his back and shoulders. It’s only when he gets home that he feels tired, and only here, when he imagines what he has missed, that the day away feels long.

She is staring up at him. ‘Where’s the other Tiger?’ he asks, and points her towards the puddle of Lego animals by the fireplace. She crawls over, though she is fit to walk, and looks for a second, hovers her hand, then grabs it. ‘Tiger!’ she says, as she turns around and holds it up proudly.

The door opens and Lilly comes in from the hall.

‘Tiger,’ Rose says again, in her mother’s direction, then she puts the tiger’s head in her mouth and nibbles gently on it with her three teeth.

‘No,’ her mother says, and Rose stops, dropping the creature to the ground. ‘No,’ she repeats, and turns to him. ‘You do keep an eye on her, with those things, don’t you? Lego all over the place, she’s far too young for Lego.’

He nods conformingly as he feels his wife’s warm arm around the back of his neck. ‘But she does like it,’ she says, acknowledging their daughter moving the Lego around the carpet, sliding the pieces this way and that. ‘Even if she can’t play with it properly.’

He stands up and goes and sits beside her. Holding the pieces of Lego up so she can see, he places them onto the structure he has been building with them: a lavish house, hotel, castle with animals grazing around it. Her eyes gaze at him as he takes the tiger piece and places it into the garden with a click.

‘There you go, Rose,’ Lilly says from over his shoulder, and he tries to pretend that the Lego house built over weeks, ten, fifteen, minutes at a time, is believable proof that he isn’t missing his daughters childhood.

When they’ve had dinner and she’s been kissed goodnight he goes to his study. His favourite room, filled with mahogany and leather, it is the one part of his life he never feels guilty or conspicuous about lavishing grandeur on. It’s not on show, it’s his. It houses the most expensive and exotic things in the house, though they aren’t superficial or materialistic. There are no jewels, or gold, and were a burglar to sneak in there are no pieces of technology, no priceless materials that could be slipped into a bag and taken away. Instead there are expansive, gleaming, table top surfaces, wingback chairs and tall bookshelves. The art on the wall is inspiring, but not priceless, and the décor, though not bland, is understated. To feel the wealth of the place, which is only about twenty feet by ten feet in size, one has to live in it, read in it and write in it, and this is what he does.

He goes to the record player, adjusts the needle, and gentle music fills the room. Music is mystical to him. He has never played a note and never wants to, but he adores it. He breathes in the almost ancient sounds of the piano; it is otherworldly, alien, and he believes that even the greatest musicians and composers do not create music, they merely summon it and try and keep it under control. He pours a drink, sits down and opens a book. He reads the words and they enter his head to the beats and pauses of the music around him. He doesn’t mind, they are getting there nonetheless, and it is all the more pleasurable for it. His wife is on the phone in the kitchen, and he imagines that he can hear Rose breathing gently upstairs, and it is a rare time in the day when he doesn’t feel guilty.

It is in his study that Simon feels best about his career. Give it ten minutes, a few sips of scotch, an interesting page or two from a recently published book, article or journal, and he will feel better about his work than he ever does in the office. Here, the fantasies come alive in a way they never do in the sobering reality of the laboratory, with all its facts and figures, its experiments and the resulting evidence, which so rarely offer any good news but never enough bad news to allow them to give up. There are times when he would welcome the latter, just to hear something coherent and clear; to have a result. He works in Animal Preservation and Restoration. It still doesn’t sound right in his head; there isn’t a ring to it. Animal Preservation and Restoration. The second part, Restoration, is new; as new to him as it is to anyone. One of the greater developments of the second half of the twenty-first century, there are still times when it feels like a fantasy, when it seems futuristic and he wonders even now, in the year 2056, if it’s possible at all.

Not now, however. Not here. As he sips from his glass and leafs through the pages of a national journal, he feels the effects of both begin to take over. He has escaped these recurring concerns and he feels good. Moving across to the table he opens a notebook and writes something down; just a thought, a musing on what he has read, which though not quite a full idea, is not one he wants to forget either. This is what he does: allows his evening mind to wander on a long leash and waits for the cold morning’s eye to decide if the resulting thoughts are anything worth pursuing. More often than not they aren’t, but he is never afraid to let his mind go. So much of what he does is fiction – today’s fiction which could be tomorrow’s fact – and when it becomes fact and there are decisions to be made, it is his job to have already thought of them as such, so that when they can do something, he knows whether or not they should.

He finishes writing. These are conversations he has alone, between him and his notebook, but they soothe him, even if he can never be sure that they will help anyone else. While his office forces him to be face to face with reality, with the slow progress being carried out by those around him and those around the world, here he can dream, without the limitations of today and with the hopes of tomorrow. Then he can be ready to make his decisions. He had to make one only hours before; scrap an idea, tell his colleagues they would not be pursuing a project. It made for an awkward atmosphere in the office, but it was his job.

He hears a noise over his shoulder. His wife has appeared at the door, holding the television remote, and he follows her back into the living room.

At the kitchen table, Lilly flicks through a newspaper, Rose rattles her plastic spoon, quietly and not without rhythm, against the table of her highchair, and Simon, reading from his laptop, says, ‘You know, there are about 62 Lego bricks per person of the earth’s population. 40 billion of those stacked on top of one another would reach the moon. A Lego brick made from 1958 would still interlock with a Lego brick made today. 62 bricks per person – that’s more than four hundred billion bricks produced since 1958. Can you believe that?’

Lilly doesn’t look up. ‘Eh?’ he says. ‘Can you believe it?’

‘Of course I can,’ she says, turning a page. ‘I feel like we own half of them.’

Rose bangs louder, continuing her drum solo.

He finishes eating and goes to his study, moving around the room, putting things in his bag, readying himself to leave for the office. Lilly regularly wonders aloud if he would not be better doing this the night before, but he prefers it this way. He likes lifting the papers he worked at the day before and glancing at them, remembering; likes feeling the weight of everything he packs and being reintroduced to the weight of what he does; likes lifting a newspaper or magazine from beside the empty scotch glass, and revisiting the thought or idea it had given him, or, if he can’t quite remember it, going to his note book to read it, before sliding it into his satchel with all the others. Of course he doesn’t like these things at all, he needs them. Because if he went in blind, opened the laboratory doors one morning without having gently reminded himself of everything, he’s not sure he’d believe any of it when he got there.

He hears Rose laughing out in the kitchen. Always laughing, and she so rarely cries. So like her mother too. He considers himself very lucky. Rose doesn’t know that her father leaves her every day to go work with the animals she points at in her picture books. She doesn’t know that what her father does is thought by those who do it to be ground-breaking, world-changing, affecting men and animals thousands of miles away. Most of all she doesn’t know what it all means, doesn’t even know if it will ever work, and neither does he.

He drops his now heavy bag at the door, setting off the usual sequence of sounds. His back is still turned as he hears his wife, behind him, make her way past. She knows he is now free to return to Rose, and he does. He lifts her – he always does when she reaches her hands up, clutching at air, clutching at him. He holds her in one arm and pours another cup of coffee as he hears the shower kick-in in their bedroom. He holds the hot cup under her nose and watches as she smells it then makes an ugly, refusing face. He mimics her, copies her disgust, then watches her face turn to horror as he drinks it anyway.

They pass the island and he puts down the coffee and lifts her sippy cup. He sets her on the foam, jig-saw piece mat and kneels down beside her. The mat isn’t big, but once there she never strays from it, as though she were surrounded by a cliff edge. He paws a soft, foam ball over towards her; she reaches for it, misses and topples over. She laughs, he smiles. Already he hears the noise – or lack of it – of the shower turning off. He knows his wife will be down in minutes and he will set off for work.

Five Lego bricks sit neatly on his office desk, like sand from the Sahara or pebbles from the beach where they shared their honeymoon. He switches on his computer and sits back in the chair. There is no one else in the office. Four empty desks around him, all well-spaced out, granting the option to talk but not the obligation.

He is usually the last in, so he assumes they’re at a meeting. He isn’t missing anything. Any meeting they have will be too technical for him; nothing he wouldn’t understand per se, but nothing that he has to clutter his mind with either. He is more than capable of the work they do themselves, and sometimes he craves getting his hands dirty. It can be messy work. Blood, sperm and umbilical cords. Cells. Cells in animals, animas in cells. Not much of it is ever pleasant, but it’s his life’s work nonetheless. Cloning animals can be used to help save endangered species, if they can just figure out how, and there is never a question of him doing anything else.

It’s the results, where exactly they are, rather than how they are getting there, which is his primary concern. Knowing what they are doing, deciding if they can proceed, and calculating how much becomes public knowledge is his brief. ‘Don’t let this get out of hand,’ was an early message from those above him. ‘Don’t hinder us,’ is the silent protest he often senses from the young, ambitious scientists below.

Here they are now: the door opens and three of his colleagues come in and approach the desks. Two of them simply nod with a smile, while another comes and sits on the edge of his desk, peering down at him.

‘Simon?’

Mark, a man twelve years his junior, says his name questioningly, almost pleadingly. ‘Come on, man.’

‘No,’ Simon says, without looking up at him, logging into his computer.

‘Seriously? Why not?’

He stands up. ‘We went through all this yesterday, Mark. It’s too much. Let it go.’

‘Too much?’

‘Money. You want to spend a fortune on a hunch, be my guest. But don’t ask me to allocate my department’s funding to it.’

‘Do you even understand what this could do?’

Simon is walking over to the far side of the room, to pass his other colleague the article he read last night, but he stops and turns to Mark again, looking him in the eye for the first time, engaging him and the conversation in a way he’d hoped he wouldn’t have too.

‘Don’t question what I understand about anything in my office. You are all specialists, impressively so, but I know every detail I need to. Now get back to work, and don’t dare question my decisions again.’

He has heard something interesting just now, in the break room, as he made a quick cup of coffee.

Two of his female colleagues talking:

‘We set up an e-mail account for our daughter.’

‘But your daughter isn’t even born yet.’

‘No, but we e-mail her every now and then anyway, let her know how I’m doing, how she’s getting on in there. When she turns eighteen, we’ll give her the password for the email address, and she can read them all.’

He’s back in his office, at his desk. It’s been a quiet morning. Mark is frustrated, but it’s not personal; he just needs a new idea, another thing to get passionate about. That will come and he’ll perk up again. This is his job: controlling these scientists, these minds, and yes, these egos. With no pressing matter to distract him, he opens his email and hovers the mouse, stalling between logging into his own account and creating a new one. After a moment he lets curiosity and impulse get the better of him and clicks ‘create account.’ He does it all quick: puts in a few fake details, creates an e-mail handle around his daughters name, thinks of a password, then logs out of the e-mail account as quick as he has made it and re-opens his own. He opens a new e-mail, types the newly created address. It’s all done before he knows it, before intrigue has turned to passion, before curiosity has created excitement; so as the door of the office opens and one of his colleagues comes in, taking him by surprise which feels like guilt, he closes the respective tabs, feeling a mixture of shyness and embarrassment.

With an empty monitor in front of him, he opens his work emails. The first message he reads means it’s some time before he thinks of his daughters new e-mail address again.

 

Contents Drawer Link

Andrew Maguire has an MA in Creative Writing from Queen’s University Belfast and is employed at South West College, where he writes and edits ‘Way Out West’, which won best blog at the 2017 European Digital Communication Awards. He’s a primary organiser of the Omagh Literary Festival. His short fiction has been published in Blackbird, The Incubator and The Honest Ulsterman.

 

Image: pixaline via pixabay

Under The Red Light – Emma De Vito

Under the red light, her face emerged on the paper like an apparition. The solution swirled as he touched the exposed image with the tongs. He was pleased with it. The way the sunlight reflected off her, giving an air of elegance. Poised, she stood on a grassy verge overlooking the sea, and in that instant, he had captured her beauty.

It had taken him weeks to track her down. Admiring her from afar, he had crept in the shadows of early morning light to avoid detection. If she had sensed him near, he would almost certainly have lost her trust. So he kept to his hiding places, out of sight.

After rinsing the photograph in water and pegging it up to dry, he studied her more closely. Until that moment, he had only been able to fantasise about what it would feel like to be in her presence; to hold her in his sights. Breathing in deeply, he couldn’t bear to take his eyes off her. Her ruby red lipstick drew him in.

In his dark room, the electric fan whirred. As he processed the next photograph, he continued to dream of what it would be like to be her. He admired her friendliness. Observing her closely, he had noticed how synchronised in movement she was – how graceful, as she and her family travelled together. The affection he had captured in his images had been wonderful to witness. The bonding, the kissing – all interactions reaffirming their commitment to one another.

He looked at the red of her beak once more. It reminded him she had been categorised now; classified in the ‘red’ – a bird needing urgent attention. The photograph he held had captured a brief moment in time; the puffin’s voluminous chest puffed out and proud; bold and distinctive. Orange legs launching her accurately from jagged rocks. She was a goddess of the hills, marvelled at for her unique appearance. Her clown like antics and movements entertaining the world.

In the photograph, she remained silent. But he would give her a voice; he would use the image to save her, bringing the world’s attention to her desperate plight.

 

Contents Drawer Link

Originally from the West Midlands, but now living in Northampton, Emma is an English teacher and aspiring flash fiction and short story writer. In 2016, she co-founded a writing group in her local area and has recently got involved with The Word Factory as a Social Media Associate.

 

Image: betexion via pixabay

Moonlight – Tom Roberts

I have the same dream I always do: I am sitting alone in the wooden house by the lake. You know the place. We went every summer. The fire is crackling even though the weather is warm. I am sitting in the rocking chair. You are outside in the field with our daughter, looking for fireflies in the field. I hear you both call out as you find them. I walk over to the door and lean against the wooden frame. I think about the argument. The Moon is bright silver in the sky. I watch as a stain of cloud passes over it, and I want to be up there looking back down. The sky is full of moths with dark bats flying through them. Several moths flutter around my head, attracted by the light of the room behind me. I can hear crickets and insects calling to one another, the trees and grass swaying in the night breeze. A torch is bouncing through the long grass. It’s you, coming back. You stop and follow my gaze into the sky. Then you close the door and I am left inside, on my own.

When I wake, my vest is stuck to me. The filtered air is always too cold and rattles the vent in the ceiling. You would be surprised how clean I have kept my room. I will be here for another year. I have sent in an application to stay beyond that, although I know that they will not let me. The floor is cold. I walk out of my room without turning the lights on. I have been on the Moon station for long enough to find my way. I have had little to do, really, other than monitor some rocks and occasional tremors. It isn’t what either of us had expected, but it has been good for me.

I am in the dining room, now. I can still hear vent rattling in my room. It shouldn’t be a surprise that everything seems so loud up here. I drink some water from a plastic pouch. I am sure I can hear something else. I walk around the room, circling the table, listing. I am pretty sure the sound is coming from the window. It’s the only large window on the station, and has a view of the bright, dusty Moonscape. Nothing looks unusual. I turn on the main light and walk over to check for any damage. On closer inspection, I can see something small in the bottom left corner. It’s a moth. A small brown moth. I wonder how it managed to find its way to the Moon with me. It’s the first living thing I’ve seen since I got here. I pull a chair over, and sit with my face close to the window, and look closer at the moth. I don’t it to fly off and get stuck in any of the equipment. It takes me a few minutes before I realise that the moth is outside, and it is trying to get in. I hold my finger to the glass to check, and the moth stays on the other side, the same side as the airless Moon. As I watch, another one lands on the glass beside the first. I can see its furry body quite clearly. Then a third one joins them, then another.

I step back, knocking the chair to the floor. I close my eyes and wish them to disappear. I realise now that I can hear crickets too, along with the buzz of insects. It is all I can hear now. I open my eyes again. There are dozens of moths on the window. Some are stationary, some are fluttering and knocking against the glass again and again. I turn off the light, and hope that they will go away. I think that some of them do. Now that the room is dark, I can see further across the Moon’s surface. I can see the small green lights of glow worms. I can hear the rustle of grass. I can hear our daughter laugh.

I want to help you both hunt for fireflies. I unlock the heavy door, and it feels like I’m flying out to meet you both.

The Moon has never looked so bright.

 

Contents Drawer Link

Image: stocksnap via pixabay

Luck Has Nothing To Do With It – Patti Jurinski

Elsa Larsen carries lightning in her pocket. A small, bedazzled key chain in the shape of a bolt. Silver and blue rhinestones catch bits of sunlight and throw rainbows across the room. It’s her lucky charm, I overheard her tell Scott the second day of school.

Scott likes shiny things.

“Have you gotten to know the new girl?” My mom asks at home. “I think her name is Elsa.”

I shake my head and bend over my math homework. Forget the new girl, everything is new. And exhausting. Two months into the year, the only thing more tiring than sixth-grade is talking to my mother about it all. I want to finish my homework and text Scott.

“You used to love dressing up as Elsa.” My mother slides a glass of milk and a plate of Hydrox cookies under my nose like I’m still five. “I think she moved here from Norway. Imagine that. Our own little princess in town.”

“God, Mom, she’s not a princess.”

“Who’s a princess?” My dad joins us, his gray hair at all angles like it lost a recent battle with a Roomba. He’s wearing his usual post-shift clothes: sweat-stained t-shirt half-tucked into baggy pants.

I groan around a cookie.

“A new girl at Jenny’s school. Elsa Larsen,” my mom explains.

“A guy named Larsen joined the company a few months ago. Some big-wig from Sweden.” He pops a whole cookie in his mouth.

“They’re Norwegian, Dad,” I mumble.

“Same difference.” Cookie dust clings to his jaw. “Another suit in the corner suite with a lot of sh—”

“Yes, we know,” my mom gives him a push out the door. “Scoot. Jenny has homework.”

My dad works at Gentype, the international biotech firm in our town. “I’m in the Waste Management department,” he says to people curious what he does. “May not be fancy but somebody’s gotta clean up the shit.” That’s my dad, Gentype’s ass. Scott spit out his soda when I dropped that line last summer. Worth getting Sprite in my eye.

My mother takes a seat and a sip of her newly poured drink. Five o’clock, then. Ice cubes knock against the glass while she knocks her shoulder against mine. “I heard Elsa’s quite the hit with the boys.”

I grip the pencil hard, suddenly unbalanced like the unfinished algebraic equation on my worksheet. I don’t want to talk about Elsa. Elsa who never sits in the cafeteria alone. Or, gets tripped in the hall. Non-princess Elsa with the super cool name and lightning key chain everyone wants. She wields it like Zeus enchanting the entire sixth-grade.

Including Scott.

My mother lowers her voice like we’re in church giggling at Father McKeon white tube socks. “I also heard your Scott may ask her to the Holiday dance if he gets the nerve.”

My pencil snaps.

*      *     *

I’m dripping November rain in the back hall when I hear my parents in the kitchen. It’s three-thirty, and there are two empty glasses on the table. Day-drinking is never a good sign. My dad still wears his company-issued jumpsuit.

“What’s going on?” I drop my soggy backpack on the bench.

“Company’s closed,” my dad says into his empty glass. “Maybe for good.”

“Why?” My voice cracks and splinters like our back stairwell my dad promised to fix last summer. Like the window in my bedroom duct-taped in place. “What happened?”

“Anton Larsen got arrested for embezzlement.”

“What’s that?” The word buzzes like an angry hornet’s nest.

“He stole money. A lot of money.” Dad pours another drink. My mom doesn’t stop him. “Gentype’s broke,” he mumbles to the liquid.

Embezzlement. I mouth the word, stretching out the z’s until they get stuck in my throat. Stretching them out until they resemble an unlucky lightning bolt key chain tucked at the bottom of my bag.

 

Contents Drawer Link

Patti Jurinski writes flash fiction and is working on her first novel. Her fiction has appeared or is forthcoming in SickLitMagazine, Ellipsis Zine, and formercactus. She lives in Florida but will always be a New Englander at heart.

 

Image: matreena via pixabay

The Box – Linda Walsh

‘My condolences.’

I pocket the priest’s condolence and usher him into the crowded living room. My pockets are full. Full of ‘sorry for your troubles’ and ‘I’m so sorrys’. I find a shoe box, ‘Size 12 Brown Brogue’ and tip the sorrys into it.

Placing it on the laden table, I re-join the mourners offering them tea, coffee, whiskey. People circle the coffin whispering. An old woman touches John’s waxen face; pats his frozen hand. The mood lifts as the whiskey hits. The chatter bubbles as people reacquaint… and speculate.

More people arrive. I accept their sorrys, moving my hand over the box each time, a slight wave, a silent drop.

There’s a commotion as a woman crashes in, her cries stilling the mourners.

Judith.

Shrouded in black; lines of mascara trace a waterfall down her face. She touches my arm.

‘Sarah, I’m so sorry.’

I don’t put her sorry into the box. I flick it into a soiled saucer. Jameson sears a path of fire down my throat.

When the mourners filter out, I put the box in the coffin at John’s feet. I pull his letter out of my sleeve.

‘Sorry,’ it says.

I crumple the note; push it into the box.

A movement in the garden; Judith is leaning against the wall, one hand clutching her stomach. Snatching the box, I step outside.

Drowned eyes mirror mine, I see the friend she once was, the wretch she is now.

Touching her arm, I hand her the box.

 

Contents Drawer Link

Linda Walsh lives in the Dublin mountains beside a library and has written stories in her head since childhood. She is finally putting pen to paper and has fallen in love with Flash Fiction.   Twitter: @francaisanna

 

Image: via pxhere

As Far As We Can Go – Paul Thompson

7 miles from home

A sign in reception reads – smile, you are on at least 2 CCTV cameras.

We check in with a fake address, using the surname of a teacher we both hated at college. The receptionist believes our every word, pushing a key card across the desk, smearing our secrets into the wood.

Our room is on the third floor and lacking in furniture. Minimal, but not modern. Our sex is immediate and functional, as in keeping with the room.

Twenty minutes later we do it again, getting it out of our system.

16 miles from home

A new hotel, further north on the southbound carriageway.

Blossom and litter swirl in the car park. People stand outside smoking. A familiar greeting comes from the receptionist, typing as he speaks.

In our room a bed takes up at least eighty percent of the floor space, our clothes taking up the rest. Television plays in the room next door, canned laughter and applause at all the wrong moments.

25 miles from home

We continue north with a clear agenda. Our agreement is to keep moving, to use a different hotel every weekend, obvious and convenient to follow the motorway.

With this clarity our sex improves. We still fit together well, our protrusions interlocking, a perfect fault line down our centres.

37 miles from home

We park in the shadow of an exhibition centre. Delegates hustle in the reception area, dressed business casual, their real names on badges.

When the receptionist offers us a loyalty card, the idea is both practical and impossible.

48 miles from home

A three-week gap. A deliberate attempt to disrupt our pattern, to become strangers once more and return to the random.

It is the first time we stay together for breakfast. A wedding party takes up most of the restaurant, the couple centre stage looking pale and tired. Over pastries and fish we rehearse our story, a tale so convincing we almost wish someone would ask.

63 miles from home

A long journey, marred by traffic disruption. A serious incident somewhere ahead of us.

In the room we make hot drinks. Discomfort and fatigue slows our progress, our foreplay unfocused. Corporate branding on the bed linen reminds us of our pattern, our blueprint somewhere on a data warehouse, itching to be discovered.

91 miles from home

Four hotels remain. The end is now tangible, an achievement parallel to our intention.

The imbalance sits on our shoulders, a need to complete our pattern, to stabilise our universe. Our anticipation is now the physical, the progress, and the simple pleasure of being a guest in a hotel.

Comparisons and reviews, posted online by our anonymous selves.

91 miles from home

A hotel opposite on the southbound carriageway.

Our previous room is visible across the motorway. We imagine another couple in our wake, finding the things that we leave behind us.

Sex is our last thing before sleep, our stomachs full after dinner, our bodies ill-fitting and stubborn.

In the morning we skip breakfast, to remind ourselves how careless we have become.

132 miles from home

The journey is two hours long, and against our initial agreement, we try a conversation.

I still miss my Dad, you say.

For the rest of the journey we listen to the radio, songs from our youth, filling the space and finding our corners.

160 miles from home

The penultimate stop. Soon we have no future, a conclusion made for us by the infrastructure of the roads. Only now do we go through the pretence of formality – bringing a suitable change of clothes, dressing for dinner, taking leaflets of the local area.

197 miles from home

The end of the motorway, splitting into threads that weave through the hills.

Our hotel is an oversized log cabin, peeling and windswept. The reception area is dimly lit. Keys hang on a board behind the desk, with rooms named after local areas of interest.

A receptionist confirms we are the only guests, and declines an offer to join us.

As we unpack, we agree to drink the contents of the mini bar, and leave without paying in the morning.

132 miles from home

A midweek business trip brings me back.

The receptionist is unfamiliar, the hotel one of many. All these rooms compete for space in my mind, a four-dimensional image that shivers whenever examined.

The room is functional for an overnight stay. Everything lacks attention. A cobweb hangs over the window, in it a chrysalis waiting to die. Instead of unpacking I check out of the hotel. The receptionist completes the transaction without a single word. Using some complimentary mints, I clean my teeth, and spend the rest of the night awake in my car.

 

Contents Drawer Link

Paul Thompson lives and works in Sheffield. His stories have appeared in Ellipsis Zine, The Cabinet of Heed, and recently featured in The Drabble’s ‘Best of 2017’ list.

 

Image: ming dai via pixabay

Ithaca Road – Debbie Robson

They collapse into my cab in a bouffant of net petticoats, tight bodices and Dior perfume.

“Ithaca Road, please,” Miss Powder Blue says.

I glance in the rear view mirror and marvel at my cargo of female beauty. Hasn’t it always been so? We men are defenceless.

Miss Pink Sateen is the prettiest but I rather like the brunette in broderie anglaise. She speaks and I am struck with that old familiar feeling. “I think we are too dressed up,” she says softly.

“It’s Elizabeth Bay. We are not too dressed up,” her friend hisses.

As I pull away from the gutter, the gum trees rustle and the late summer sun kisses the top of the houses in Lavender Street. The harbour bridge hums and the girls whisper in the back seat. I can feel the heat of the day ebb from my cab. I want to close it up after the girls jump out. Trap this moment to live off for days. As I drive I remember Ithaca Road as it once was. The cool, square houses and the blue water. In particular a deep garden and a verandah with a small return that I used to kip in for the night. I breathe out my Peter Stuyvesant and watch the fare tick over.

“Brian Paignton is going to be there,” says Pink Sateen.

“I’ve got my sights set higher than that,” remarks Powder Blue.

“We’ll have to contend with the Kambala crowd.” All three groan.

“I’m determined to meet someone tonight,” declares Blue. Not when she expects to and not if I can help it, I decide. I park the cab not far from their destination, inches from an FX Holden in front and a blue Zephyr behind. Pink pays me and they stand for a moment looking up at the balcony of the old house, the steep rise of flats behind and a Cook Island pine shadowing both. Laughter drifts down as the girls begin to ascend.

Up, up you go girls. Your destiny awaits. I pause and let things settle. Count the minutes for the hostess to get through her introductions, for the hors d’oeuvres to be served and the years to fall away.

“Zach! Is it really you?” Mrs Hungerford studies me. I can tell she is wondering what to do with me. Where can she put a taxi cab driver? In with the bankers or the doctors? Maybe the poet won’t mind. I look around but can’t see him.

“Can I steal your balcony for a few hours? I’ll just sit and contemplate your view.”

She is confused. “If someone needs…”

“Of course, I’ll drive them.” She is immediately relieved. I am here as a standby taxi driver. Nothing more. Never mind the night, twenty three years ago, we spent in her bedroom. I wonder for a moment if it is still painted white, the curtains like Scheherazade billowing gently on us. Do they still billow? Does she?

Suddenly her face brightens. “Can I send one or two guests to you if I’m desperate?”

“The lost ones?”

“Yes.”

“Of course.”

“There are not so many of them now, thank God.” She pauses. “Time passes,” she comments blithely but frowns when she studies my face. My hostess doesn’t wait for my reply.

I spend about an hour on the balcony. For most of that time Miss Broderie Anglaise is a smiling wallflower. No accounting for tastes. She is worth all the others together, rolled up in a Persian carpet. I can’t stop myself from turning and observing her. She drifts beautifully. Young men in grey suits with baggy legs drift towards her but don’t stay talking long. I can see this happening for years. Most of the time I let things take their course. Just simply watch the patterns unfold and tweak here and there. I’m not as old as Methuselah but I have the luxury of the long view.

The problem is, keeping my enthusiasm up. I’ve grown tired of marvelling at how small the points of divergence are. The difference between two people meeting, finding they have something to keep them together and then staying together. The last part, of course, is a challenge but at least it is grounded in the everyday. The first part is the stuff of dreams and where I do my best work. A wrong address, a crossed line, a missed flight. A sudden remark that lifts an eyebrow. A mood that is uncharacteristic and suggests the unexpected. A spilled drink. Sometimes it is just one word.

The sky is black now and sprinkled with stars that wink in the bay. As I stand up and stretch, my hostess brings me a White Russian. She hasn’t forgotten. I smile at her and take a sip. Before I look up again she has disappeared back inside. So I may not be in luck tonight, although I know her husband has been dead since ’44. It was a bad year to be with the RAAF. So many lost and nothing I, or others like me, could do about it.

I put my drink down and think about that one word. It’s not sky, or luggage or moon or rose. I close my eyes and see a beautiful stretch of coast road, a headland and a smashed car. An officer and his dead wife. I hold the word in the air and then glance at Miss Broderie Anglaise. She is at the table helping herself to some punch when he walks in. Late. Nervous and adjusting his tie. He is the man who holds that word inside him; who has been cutting his teeth on it for too long. It is just as I thought. She glances up as he arrives but he quickly looks away. I know what he’s thinking. She’s too pretty. She looks as though she’s rich and beyond his reach. He hasn’t realised yet that she is standing alone.

She is aware of him though. His country boy looks complete with cowlick and broad shoulders, only a year or so older than herself. As he looks in despair around the room, Broderie spills her punch and curses. He turns with a handkerchief like a true gentleman.

“I’m so clumsy.”

“No, you’re not.”

“Thank you.” She pats discreetly at her chest.

“You look really nice.”

“Thank you.” She pauses. “Can I get you anything? The smoked oysters are really nice.”

“I’ve never had them before,” he admits. He moves closer to the table.

“There they are,” she points.

He sees them on the platter.

“They’re wrapped up in bread.”

“Yes.”

“I’m not good at these things.”

“It’s hard when you don’t know many people.”

“I meant the oysters,” he says as he struggles with one. He curses to himself. He has nearly lost the moment, but luckily she is looking at him sympathetically. He pauses. “Yes, meeting so many people too.”

She smiles at him and he feels a little more confident. “My mother is a friend of Mrs. Hungerford,” he says.

“She’s got a lovely house, hasn’t she? I went to high school with her daughter.” Broderie points to a vision in scarlet.

“Wow.”

“Yes,” she agrees. “My name is Lucy.”

He takes her hand. “Sorry, I should have said. My name is Charlie and I think you’re much prettier.” He is relaxing a little and has helped himself to some punch. “So you grew up in Sydney?”

“No. I grew up in a place called Lorne, on the coast.”

And there is the word. That one simple word. The blood has drained from his face. He turns away for a moment and she believes he has lost interest. People always seem to, I can feel her thinking. But he rallies.

“It’s in Victoria,” he says numbly.

“Yes. Do you know it?”

I wait for him to choose the right answer for the two of them. The carpe diem answer. And he does.

“It’s where my brother killed himself during the war. He was on his honeymoon and the tyre blew out on their car. She was killed instantly.”

I glance in to the crowded dining room again. They are in the corner nearest to the balcony and she has moved towards him. Suddenly she straightens up.

“My dad never got over the disgrace,” he continues, but she is only half listening.

“Was it at the Grand Pacific Hotel?” Her mind is racing ahead to the past. “My grandparents still run the hotel.”

“What?” He’s confused and says for the hundredth time, “It was a cowardly thing to do.”

“No, it wasn’t.” She has gripped his arm. “It was because of her luggage.” She pauses. “He sort of rallied after it happened and then there was the mix-up.”

He moves closer to Lucy and grips her other arm. “You need to tell me what happened!”

And she does, whilst food is eaten and more drinks are poured. They are alone in the elegant drawing room. No one else matters. No one else will ever matter but children, grandchildren and great grandchildren. The lamps and the chandelier have extinguished the stars. I finish my White Russian and leave.

 

Contents Drawer Link

Debbie Robson loves to write fiction set in the first sixty years of the last century. Zach is a relatively new character in her short fiction and she is enjoying getting to know him. This is one of six short stories featuring a disgraced angel caught between two worlds.

 

Image: See page for author [Public domain], via Wikimedia Commons

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