Banshee – Claire Loader

They say the banshee came the night my grandmother died, the night my mother was born. Through their screams and wails it was said another sound could be heard, a keening howl that tore about the hedgerows, raced upon the fields. The desperate cries of life and death dancing above the thatch as both bled into the floor beneath it.

I never really believed in all that shite. My Grandmother dying as she gave birth on the barren earth of a dingy cottage was horror enough without the need of a spectral element. I think Mam was always disappointed in me in that way, as if not believing in another piseog I was turning my back on her somehow. Just another disappointment to add to the pile.

“Could you make your bed this morning please, just once?”

“Yes, Ma.”

“And don’t go using the dryer so much. You know it eats up the electricity.”

“I’m sorry, Ma.”

“And you better not fail that maths test this morning. If I have to be called in to talk to Mrs Kennedy one more time…”

“I’ve been studying Mammy, don’t worry.”

If the banshee really did exist surely it was in the form of Mrs Kennedy, she heralded the death of all things. That pursed upper lip, those awful tanned stockings, the way she spoke Irish like she was squeezing it past a carrot squashed up the hole of her arse. Her classes were like one long drawn out scream in which we were all forced to remain silent, not knowing which one of us would drop next from shear boredom. And I was late, again.

“Ms Kavanagh, Dia dhuit.” The words slid out of her mouth like putrid yoghurt. “Delighted you could join us.”

I sat quickly in my seat, determined to ace this thing, to prove to Mam I was more than just a future burger flipper at Supermacs, pregnant at seventeen to the likes of Enda Costello. I looked up at him from my exam paper, broad shoulders hunched over his own, the bottom edges of his pants mucky with this morning’s dirt. Up early on his Dad’s farm most like, his large hands at work long before I managed to drag mine out of bed. His pen was dwarfed by them, and I could suddenly see myself in its place, albeit far less rigid…

“Ms Kavanagh! Eyes on your paper please!”

The banshee again, screaming at me from my future. I looked at my blank paper, then at the clock. I didn’t need the gift of foresight to know I was in deep shit.

When I arrived home Mam looked shook, as if she knew already of my imminent F.

“You alright, Ma?”

Her hands paused in the sink, “Yes. Yes, it’s nothing.”

My eyes narrowed, full sure she could somehow see into my mind, into all of its scraggly compartments, see clearly my morning equations that had nothing to do with numbers. I wavered like an unsure cat, not knowing if it was truly safe.

“Why don’t you go walk the dog or something?”

My brow creased in suspicion. “Sure, Ma.”

I grabbed the dog, hand sliding over the small box in my pocket as I headed out to the quiet of the back field. My parents hadn’t built far from the old cottage, its stony gable end the only thing visible now through the tangle of brambles. I turned from the kitchen window, lighting up a cigarette away from the ‘Great Eye of Mammy’ that was otherwise always watching, Molly rustling about the long grass as I drank in the quiet of the afternoon, certain at any moment Mrs Kennedy would appear with my fast food uniform at the ready, the stitched white shirt proclaiming my doom.

Molly started barking suddenly and I nearly tripped as, quickly turning, I saw her growling wasn’t at the house but the ruins, a dark movement catching my eye from between the bushes.

“Those little Halloran shits again.”

I don’t know what I was doing heading towards the cottage, as if my cigarette was some kind of lightsaber against local vandals, but I stopped abruptly, the dog trembling at my feet, a hooded figure looming out from the stone.

“What the…”

A shriek broke the air and, not waiting to find out if it hadn’t come from my own mouth, I ran through the paddock, my fingers fumbling on the kitchen door, before slipping inside and slamming it safely behind me.

Mam spoke suddenly from the middle of the kitchen, as I leaned heavily against the door, my chest heaving. “You saw her too, didn’t you?”

“I, no, um… maybe?”

Mam stood ashen, her gaze suddenly fearful and I barely made out her whisper, “But she only comes to warn of another’s passing. But that means…”

Our eyes locked. Perhaps now was a good time to tell her about the test.

 

CLAIRE LOADER was born in New Zealand & spent several years in China before moving to County Galway. A photographer & writer, she was a recent winner in the Women Speak poetry competition and blogs at http://www.allthefallingstones.com

Cabinet Of Heed Contents Link 24

Image via Pixabay

The Layover (Bellies On The Breeze) – Stephen Mead

Some birds have heart attacks in mid-air,
the pulse suddenly fluttering at too rapid
a rate. We, as well, often travel that
accelerated. Our eyes, cameras, process
micro seconds, our limbs; long distance
runners, our energy; hormonal stimuli
thrown into overdrive…

Let up. Let up.
Tranquility spills into panic, sifts
like rain through tired joints, spreads,
steams invisibly.

Remember the bends?
They are resigned now, detached, clasping
stillness like wings that have flown
into the tower of a large glass marina…

As water things slide, fin-sprinting
here & there for the ebbing of concentric
ripples. The beauty of such motion,
observed & next, entered, is what holds us
to existence as we again dive, gut-gripped,
in flight.

 

A resident of NY, STEPHEN MEAD is an Outsider multi-media artist and writer. Since the 1990s he’s been grateful to many editors for publishing his work in print zines and eventually online. He is also grateful to have managed to keep various day jobs for the Health Insurance. In 2014 he began a webpage to gather various links to his published poetry in one place.

Cabinet Of Heed Contents Link 24

Image via Pixabay

Flamenco Tat – Chloe Balcomb

Turning the corner into Vernon Street, Daisy tastes vermillion and her unease grows. It’s been a while since Rhoda had one of her turns but then she’s just finished a commission, always a trigger. Daisy sighs. She’s an Art student herself so it’s not that she minds having an unusual mum who’s a bit batty and dresses like someone from the 1920s, it’s just the unpredictability factor.

Daisy pauses at the front door and takes a deep breath. Beneath the grey blue paint, the grain shimmers. She admires its silky taffeta appearance, will one day replicate it on her own front door, ‘Not long now!’ she thinks giddily. Living with Rhoda is taking its toll.

‘Rhoda, I’m back! ’ Daisy calls from the hallway. She squeezes her jacket onto the overflowing hooks, pausing to rest her cheek against Rhoda’s favourite, a moss green maxi coat that looks incredible against her mother’s auburn hair. Daisy’s own hair is an ordinary brown, though thick and glossy, while Rhoda’s is beginning to thin.

She bends down to unlace her boots. They’re still pinching at the bridge, which is weird because surely ‘vintage’ Docs should be worn in by now? Her mother distrusts second hand shoes, says they bring a stranger’s energy into the house that’s hard to eradicate. Claims Daisy’s been ripped off anyway, says purple Doc Martens didn’t even exist back in the day.

Daisy hates it when Rhoda bursts her bubble but has learnt to keep quiet. The consequences of shaming her mother are worse than the initial pain. Take that time Rhoda killed Goldy in an ill thought out spell. To be fair, though Rhoda had found a substitute, Daisy had spotted the change. Tired of her daughter’s protest and growing impatient at her tears, Rhoda had turned herself into a hat.

A straw boater trimmed with green ribbon was completely useless to eleven year old Daisy, who for the rest of the week had to cook her own meals and walk the four miles to and from school because Rhoda hadn’t thought to leave bus fares. A week felt like forever in a quiet house and a hat wasn’t something she could easily chat to.

Daisy’s father Robert had left them by then. And little wonder, given her mother’s outbursts and eccentricities, though the suddenness of his departure and his continuing silence, still rankles.

Daisy’s tried hard to respect his choices but this Christmas, after one too many Snowballs, she found herself asking Rhoda whether she ever missed him? Annoyed, Rhoda declared that she certainly didn’t and nor should Daisy. She went on to list Robert’s faults, including his unimaginative dress sense, complete lack of skills and general neediness.

Despite her mother’s vehemence, Daisy detected a note of regret in this tirade but was deterred from further questioning by Rhoda’s final remark that Robert smelt strongly of seaweed. This last part was true at least and suddenly reminded of his metallic, salty scent, Daisy had mourned that too. So what if Robert had dressed conventionally, couldn’t’ summon smoke or turn cupcakes into mushrooms? As far as she knew, neither could anyone else’s father.

’Mum, I’m back!’ Daisy calls again but still there’s no reply. She wiggles her bruised feet and pads into in the front room.

Light splashes through the stained glass window, flooding the carpet with colour. As a little girl she’d loved bathing in the translucent strands and relished the way they’d clothed her skin. Purple was her favourite because it made her happy and she loved the underwater feeling of emerald green. The blue was deliciously calming and made her sleepy. Orange could be sickly if you got too much of it and red made her so itchy that she’d continued to avoid it.

‘Why are you standing there, Poppet?’ Robert would ask, but such things were hard to explain and though he ruffled her hair and nodded seriously, she could tell that he didn’t understand.

By contrast, Rhoda positively encouraged unusual behaviours and signs of exuberance. She understood that Monday, a red day, was spiky and uncomfortable. She knew instinctively which fabrics Daisy would enjoy and why her daughter rejected clothes that smelt wrong when loosely crumpled.

Early on in Secondary school there’d been an embarrassing Parents’ Evening when Miss Price had openly gawped at Daisy and Rhoda’s contrasting velour capes, before suggesting that Daisy might be on the Autistic Spectrum, what with her ‘heightened sensory reactions.’ Rhoda had responded by pinching Daisy’s cheek delightedly and laughing her wild laugh, before saying,

‘You might call it that but we know different, don’t we Daisy love?’

To all future events Daisy wore her school uniform. She became a model student and avoided further incident by saying that her single parent working mother, was unable to attend. Of course, things would have been simpler if Robert had still been around. Daisy fondly remembers her father’s ordinariness, the nubbly feel of his soft worn corduroys, his wooly cardigans.

Gradually, over time, Rhoda has become more stable and there are fewer surprises. Usually when Daisy returns from college, Rhoda’s absorbed in one of her spectacular paintings. Great splashes of colour on vast canvases, she works on them late into the night. Daisy herself can only glance briefly at them before she’s affected, but Rhoda’s London dealer has no such problem and they always sell well.

As a result, Daisy has rarely gone without, though it’s true to say that Rhoda, an ardent anti-consumerist, is increasingly a hoarder not a spender. Despite her love of textiles and original design, Rhoda’s wardrobes creak with faded garments that no longer fit her and are pocked with moth holes. Like elderly recalcitrant relatives, Rhoda declares that they have earned their space and must stay.

Standing in the sitting room Daisy takes stock of the overstuffed bookcase and ancient couch spewing its innards. The place is cluttered with useless objects, like these on the mantelpiece – a pile of irregular shaped green stones, a carved elephant with a broken trunk, the sooty stump of a candle and a creamy limpet shell that, if she’s not mistaken, has recently migrated here from Rhoda’s bedside table.

A delicate thing with a tinge of softest primrose yellow, it reminds Daisy of a summer dress she once had. She picks it up tenderly, blows dust from its slim flutes and feels an intense and immediate sorrow. A tear plops onto the shell. Rubbing it in gently she feels the hairs on the back of her neck rise to attention.

She turns round slowly. To all intents and purposes the room is empty but the air crackles with electricity and little puffs of wind ruffle the curtains,

‘Mum?’ she murmurs tentatively and then more impatiently, ‘Mum, I know you’re here somewhere, please make yourself known!’

There’s no response and Daisy finds herself sighing again. Rhoda’s timing stinks as usual. Either she’s forgotten that Daisy’s having friends over from college tonight or this is a deliberate ploy because she doesn’t want others in the house.

Daisy stalks into the kitchen and makes herself a cup of tea. She fills Smokey’s empty saucer with milk and calls him. He doesn’t appear either and her irritation rises. How many times has Rhoda promised she’ll stick to inanimate objects? And what can possibly be learnt by turning a cat into a notebook or place mat anyway? Smokey will be cranky and off his food for days, no doubt emphasising his annoyance by crapping in the bath.

Daisy fishes out her teabag and throws it in the compost bin before clocking the acrid smell of singed paint from near the pantry. She scans the area for alien objects and spots a black enamel tea tray, blowsy with roses and rimmed with gold, the style of which can only be described as Flamenco Tat.

The tray shimmers. She picks it up carefully. It’s faintly warm and sticky, the enamel not quite set. Anger rises in her body. Surely Rhoda could have given Daisy a chance to talk her round? Or at least chosen colours more thoughtfully? God knows how long she’ll be in this form, leaving Daisy as usual, to field awkward questions.

‘Jesus Mum!’ she exclaims, ‘You’re an Artist! Why not choose a Faith Ringgold or a Tracey Emin? At least I’d have something decent to look at!’

Daisy slaps the tray back down and stomps back into the front room. To her relief Smokey slides in beside her. She picks him up and strokes his soft grey fur but he struggles uneasily from her arms.

Alerted, she looks around. Something in here is different but what? She turns to the mantelpiece, her skin tingling. The air around and above it is shimmering softly, creating light and shadow, a sense of movement.

The tingling continues and she finds herself picking up the limpet shell and inhaling its briny odour. Its pleated creamy surface is emitting heat and appears to be pulsing. Daisy stands stock still, blood pulsing in her head. Surely Rhoda couldn’t’t have? Wouldn’t’ have?

‘Robert,’ she whispers incredulously and the shell gives the smallest of shivers,

‘Dad? Is that you?’

 

Cabinet Of Heed Contents Link 24

Image via Pixabay

Magical Objects – Caroljean Gavin

The Aunts came one after the other in a procession of pantsuits and leather loafers. I purchased their services with the money I had left from my father. They marched up the concrete stairwell of our fifth floor walk-up, never-minding the shed snakeskins of used condoms, the daggers of broken brown bottles, the oily mystery puddles, the ground out cigarette butts, the walls smeared with ash and feces. They would give my daughter the gifts and blessings I could not, the gifts and blessings my parents didn’t give me. The Aunts ascended armed and perfumed with their lilac, their lavender. Tea rose. Sandalwood. Potato salad. Ziti casserole. Banana bread. French roast. Wrapping paper, tape, and ribbon. I watched them through the peephole.

They rapped on our door; seven soft knocks with their seven soft fists.

Petal swaddled in pink muslin and sleeping, was oblivious to the knocks of the world.

The Aunts shuffled in. Pant legs aflutter, they glided past the wiped and whitened walls.

Things would get better when I wasn’t birth sore, bleeding, sleepless, and so in love with my little princess and my prince charming, Rex, that I was a float-y, blissful, ache. And things would be better when Rex got it under control. He was working on getting it under control. He really, really, really was. I wouldn’t have stayed if he hadn’t promised. The Aunts were paid to give their gifts to our daughter; they wouldn’t judge. Still I polished every fucking thing till it shined, sparkled, and glittered like the Northern Lights on the coldest, darkest, Northern winter night.

The Aunts shed their coats and their packages, piling them on the table I had fancied up with a stiff, floral, dollar store tablecloth and a large yellowed doily my grandmother had crocheted once upon a time.

The Aunts gathered around Petal’s crib of thin white spindles.

“Live Nudes!!!” blinked in daylight neon through the window. A police car flashed its reds and blues, siren-ing down the street. Someone yelled, “Get off my tits motherfucker.”

“Look-it,” said one of the Aunts leaning down over Petal’s puckered bud of a face, “Look-it how peaceful.”

Petal, my five-day-old sleeping beauty, her eyes fastened tight, eyelashes intertwined, her soft little lips, almost quivering with breath rested, with her arms stretched past her head.

Rex was retching in the bathroom. Just puking out his guts, rattling the porcelain, kicking his feet backward into the door, banging the hell out of it. He had the faucet going as if the anemic trickle of low-pressure water could drown out his frantic racket.

The First Aunt, at the head of the crib, bent down over Petal, slipped an object out from the depths of her trench coat and pinned it to Petal’s swaddle, right above her bird-tiny chest. The gold of the rose brooch glittered, and the diamonds encrusting it sang out stars of light. “May you always be the most beautiful girl in the room. May you always glitter as brilliantly as a rare jewel on the sun. Even in the deepest caves of darkness, your beauty will shine.” She bent down and kissed Petal on her lips.

“Coffee,” I said. “I should make coffee.”

The Aunts didn’t move their gaze from Petal for a breath, a blink, or a twitch while I ground their gourmet French Roast in my rumbling, screaming blender.

“Alright then,” said the Second Aunt, stationed the first on the right side of the crib. She was tall and stern, gray and brown, some kind of shore bird of the apocalypse, “My gift to you is intelligence, the capacity for wisdom and for wit.” She licked her finger and made a circle of slobber on Petal’s forehead. “Among the pile of packages, wrapped quite effectively, is a large, leather-bound book of tales, fables, stories, and myths, with which you can enhance your already increased capacity for understanding and navigating the world. Also there, you will find a second leather volume full of History. A third is devoted to Geography, and a fourth to Science and the Natural World.

You will have a flexible and fertile mind. You will be clever and cunning, and wise. You will know more than the most tenured professors…more than the most versed trivia masters.”

“Perhaps you should have saved the poor girl’s body the weight of all those pages and sprung for a laptop,” one of the Aunts on the other side of the crib teased though I was the one who had not sprung for the top tier package.

The next Aunt, the Third Aunt, had a dusty-rose tint to her clothes. She wore a pleated skirt, a cashmere sweater, and pantyhose two shades too dark. She only came up to the shoulders of the Second Aunt. When she moved, it seemed as if her bones were made of mercury or some kind of liquid that gravity didn’t apply to. Her voice, when she allowed her lips to part, was soft, fluid yet measured, somehow maintaining a sense of sternness with no hard edges. “My darling,” she spoke, “May you learn to flow over the rocks with nary a twist to your gait. May you grow to sway with the breeze and never tremble or tremor. May you know the excesses of your own demeanor and of the world, so you may be all the more steeled against them.” She opened her palm, and resting inside was a small, glass-worked koi on a thread. She tied it to the crib. It spun and spun between two of the perfectly white spindles.

“What a nice segue,” said the Fourth Aunt, the Aunt at the foot of the crib. “What a nice segue indeed.” The Fourth Aunt was exactly the tallest of all the Aunts, the most athletic, and the most lithe. Her clothes moved with her and she was moving all the time with an assortment of purposeful gestures and poses that seemed to be part communication. She did a plié, and then tossed her body up into a small, joyful leap. “Dance,” she shouted, and I imagined Petal throwing up her arms in startle, but she didn’t stir at all. “Dance!” The Fourth Aunt folded over into downward facing dog, her derriere pointed up to the ceiling. She unfastened her scuffed oxfords. She drew her feet out of her shoes, tied the laces together and hung them over Petal’s crib. “My child,” she said, taking my baby’s feet in her hands, “There will be no dance that can defeat you. Your body will be fluent in the language of music, of rhythm, nuance, expression. Your muscles, your very bones will speak in music, in dance, as natural as breath, as enchanting as magic.”

“Very well spoken, my dear,” said the Third Aunt. The Fourth Aunt nodded and dropped to a deep, show-off-y curtsy, then deepened to a low bow, gesturing to the Fifth Aunt on the left side of the crib.

“Beautiful,” she trilled. The Fifth Aunt had a labyrinth of tight braids running along her head, short sprigs of baby’s breath sprayed from them. Her skirt and her blouse were both ecru, long and loose. She reached behind her and pulled out a ukulele that she had set against the wall.

The First Aunt clapped her hands together, “How delightful.”

The Fifth Aunt smiled back at her, held the ukulele against her body, opened her mouth and…

“Help me!” Rex screamed from the bathroom. The Fifth Aunt put the ukulele down, and slipped her finger into Petal’s hand.

“Let me out of this mother fucking prison! I need medicine!” Aunts shifted in their shoes, tugged on their skirts or at the knees of their khakis. The Sixth Aunt turned over her wrist to check the time. I didn’t want to make them late for their next appointment.

“Excuse me,” I said.

The wooden chair wedged under the bathroom doorknob rattled, shook, and leapt in place. I took a deep breath. Rex just needed fresh air, and it wasn’t really fair of me to keep him from the Aunt’s blessings. He should be there.

I knocked the chair out from under the knob. The door burst open. Something hard caught me above the eye. Rex shoved the door and me behind it, thump-sprinted down the hallway bare-chested and barefooted and barreled out the front door.

The bathroom was a mess. The toilet was stopped up with toilet paper. Water burped off the lip of porcelain. Every thing, every bottle, jar, makeup palette, Q-Tip was on the floor. The medicine cabinet mirror was hanging on by a hinge.

“Lovely, lovely,” the Fifth Aunt said when I made it back to the living room. The coffee was half gone, and the banana bread had been nibbled on. Our chipped plates and mismatched mugs filled the sink.

The Fifth Aunt picked her ukulele off the wall and cradled it back in her arms, “I simply must get the recipe for that banana bread dear.”

“Just a secret family recipe,” The Second Aunt said looking at her hands, “No big deal. Of course I did adjust it to be gluten free, so it’s made with combination almond and coconut flour. I also substituted brown sugar for most of the white sugar, and of course I toasted the walnuts before including them, and then there’s the matter of browning the butter, which really should go without saying.”

“Oh yes, yes,” ad-libbed the First Aunt, “I think I came across that recipe on the Internet. AllRecipes? The pictures of it were awful. Not appetizing at all.”

The Fifth Aunt closed her eyes, dropped her jaw, held a chord with her left hand, lifted her fingers and slid them up and down the fret board while her right hand fingerpicked frantically, tickling and teasing the music out of the ukulele. “Baby mine” she sang, with her eyes closed, her tongue rolling out the syllables, savoring them, spinning them gently out of her mouth, and into our ears.

I wiped a tear with my sleeve.

When the Fifth Aunt was done, the Aunts clapped. The Fifth Aunt slipped the ukulele back in the case, and kissed each of her palms. One she pressed lightly against Petal’s lips, and the other she wrapped around Petal’s tiny hands. “And like that,” she said, “the music is yours.” Looking at me, she said, “And so is the ukulele. Hers. It is not worth much in money,” she warned me, “but to the girl it will be priceless.”

The Sixth Aunt folded her hands in front of her; they hung down with her skirts. “What a kind offering,” her voice cooed, highly pitched, but not too highly pitched, sweet, but not too sweet, softly, but perfectly audible. “Everyone, such kind offerings.”

The Sixth Aunt dipped her head down to study Petal, “And my precious soul, that is exactly what I have to offer you. Kindness. Goodness. A clear sense of what’s right and wrong. Humility. Compassion. Empathy. You will understand that you are superior to no one and that no one is superior to you, and you will treat people accordingly. You will take responsibility for your actions, and you will give people second chances. You will give gifts for no reason. Your generosity will be purely motivated and boundless. If you have any enemy in this life it will be Injustice.”

The Sixth Aunt drew an index finger over her lips, pulled back Petal’s swaddle, uncovering her chest and painted a heart over Petal’s in lipstick. “Never forget that above all, your heart is who you are.”

“Hear, Hear,” applauded the First Aunt.

“I say, that was a fine job,” said the Second Aunt.

“Thank you all, very much,” I said, “We really appreciate it.”

“Of course, my dear,” said the Third Aunt. Would I have to tip them? I hadn’t thought of that before. I had a little cash I’d been saving in a tampon box, but not enough for all of them.

“True, true,” agreed the Fourth Aunt, wiggling her toes into the carpet, “We do not get as much work as we used to. My legs need the stretch every once in awhile you know.”

“This darling has been particularly quiet,” said the Fifth Aunt.

“Not a peep from her,” the Sixth Aunt agreed, “Not a peep.”

“She’ll be hungry soon,” I said. My breasts were heavy and full, uncomfortable. “Anytime.” I said.

“Of course, of course,” said the Third Aunt. “Well it was brilliant to meet you, to come to your beautiful home.”

One of the Aunts coughed deep in her throat, I’m not sure which.

The Seventh Aunt, shuffled up to the crib from the back of the apartment, my room. She yawned and rubbed at her eyes with slim tan boxing gloves over her hands.

The Aunt of Strength. The Aunt who would teach my daughter how to kick ass and take names. The Aunt whose gift would inspire her to never relent to fear, to bullying, to other people and other things controlling her. I hadn’t noticed the Seventh Aunt slip away. There were so many Aunts; it was hard to keep track of them all.

“Did I miss anything?” the Seventh Aunt asked on her way to the coffee pot. “Just black,” she called to me.

“It’s gone a little bitter,” I warned.

“The bitterer the better,” she blurted, “This old tongue can take it.”

I poured her a cup. She fumbled at the mug with her boxing gloves, batting it around the counter like a cat. I grabbed a straw and popped it in her mug.

The other Aunts were gathering their coats and riffling themselves back together in a line.

“Hey, I haven’t gone yet,” the Seventh Aunt shouted, “Keep your wigs on and wait for me will you?”

“My dear, said the Second Aunt, “You were supposed to go first.”

“Hey,” the Seventh Aunt countered, “Don’t tell me how to live my life. She’ll get her gift. After my coffee. I’m not as young as I used to be.”

“None of us are,” said the Third Aunt, but she wasn’t agreeing.

“There is supposed to be an order to these things,” the Sixth Aunt reminded her.

“Order, schmorder,” The Seventh Aunt said, and then miraculously drew up the rest of the coffee through the straw, rubbed her boxing gloves together, and sauntered up to Petal’s crib like a bulldog. “Let’s do this thing.”

The rest of the Aunts shuffled back to their places around Petal’s crib.

“Come on, dear,” the Seventh Aunt shouted to me, “What are you doing all the way over in the kitchen?”

“Watching,” I said, “Staying out of everyone’s hair.”

“Being respectful, I would imagine,” piped in the Third Aunt.

“No, no no,” the Seventh Aunt admonished, “Be anything but that.”

“My, my,” the Sixth Aunt tutted as I make my way over, “Brashness does not become us.”

“It isn’t ladylike I know,” the Seventh Aunt scratched at her bottom with her boxing glove, “Being ladylike is not all it’s cracked up to be.”

“Surely…” started the First Aunt.

“Look, look,” the Seventh Aunt blustered. She was red faced and her hair seemed to be escaping its loose bun out of a yearning for adventure, “We can argue this all day. I used to be Obedience for Christ’s sake. I never would have survived this long if I hadn’t changed. Anyway,” she bent her head down and wiped her sweaty forehead off on her sleeve. “Back to the matter at hand.” She looked down at Petal and smiled. “Oh, how cute. Look at how hard she is. You can already tell, this one is going to be tough. This one is going to punch life in the nose and while it’s bleeding she’s going to tell it to screw itself with a chainsaw.”

“It will be bedtime soon,” warned the First Aunt.

“That it will be,” agreed the Seventh, “ So my darling, my gift to you is…”

“Holy fucking God,” Rex howled as he fell back into the apartment. “What the hell is wrong with you woman?”

“Keep your nasty ass boxers on and sit down.” The old woman behind Rex looked a little like the Aunts: gray hair and tiny bones, but she was dressed in black and gray instead of various shades of brown. She did not come in laden with packages or with a pleasant scent. She smelled a little bit like mold and carried with her only a small black purse that hung from her shoulder. Also she wore too much blue eye makeup and a terrible shade of orange lipstick. It took me too long to realize it was my actual aunt, Mildred. She looked ten years older than the last time I saw her, a year ago, my father’s funeral.

“While you’ve been having your nice little party,” she said to me, “I found this one in a frenzy in the hallways, knocking on people’s doors, causing chaos. I just took a wild guess that he belonged to you.”

Aunt Mildred had Rex by the wrist, her nails digging in. She threw him at the couch, and then sat down beside him, tucking her skirt under her knees. When he tried to pop back up, she hit him in the chest with her handbag.

The aunts shuffled in their shoes, and just looked at each other. The Second Aunt checked her watch.

“I thought we didn’t do the evil, curse-y one anymore,” The Fifth Aunt said. “People were asking for their money back.”

“This is Mildred,” I said, “My father’s sister.”

“So who are you all then?” Mildred asked, scowling directly at the Third Aunt, “Her mother’s sisters?”

“We are The Aunts, that’s all you need to know,” the Seventh Aunt said, bouncing her boxing gloves together and off each other, for some reason, like she was getting warmed up to use them.

“Well whoever the hell you are, congratulations. Congratulations on getting to celebrate this little hot mess.”

“That is no way to talk about a baby,” the Fourth Aunt scolded.

“Yeah, because that’s who I’m talking about,” Aunt Mildred said.

“Why did you come?” I asked her. There was a smudge of something on a wall behind the crib, something I must have neglected to clean off, something that escaped my attention. The smudge moved, scampering quickly to a crack in the ceiling.

“I guess I heard the news. Didn’t I?” Aunt Mildred said.

“Mom?”

“Ding, ding, sweetheart. She’s a delight. Wanted me to check on you.”

“Don’t tell her where I am,” I said, “Please.”

“Well,” the First Aunt said, “We just need to finish up with the final blessing and then we can be on our way and let you catch up with your loved one.”

“That’s right. That’s right,” the Sixth Aunt agreed. She patted the Seventh Aunt on the shoulder, “Go ahead dear.”

Aunt Mildred said, “Your daughter doesn’t deserve to grow up like this.”

“There’s love here,” I shouted.

“Your daughter doesn’t deserve to grow up like this,” Aunt Mildred repeated.

I stared at my ragged ass, stupid, stupid fingers. “What about me?” I muttered to those asshole hands of mine, “Did I deserve to grow up like that?”

Aunt Mildred’s orange lips tightened. “I did what I could at the time.”

“Trips to the zoo? Pizza parlor dinners?” I cried, “You took me out, but you always brought me back.”

“With books,” she said like it was a defense. “Clearly they gave you hope. Clearly they still give you hope.”

The Seventh Aunt approached Aunt Mildred, “You want me to punch her lights out?”

“No.” I said. I sank to the ground. The carpet smelled like actual shit.

Rex crawled over the arm of the couch and ducked and dodged Aunt Mildred’s graspy fingers, running back out the door and down the stairs, thumping, thumping, thumping.

“He’ll be back soon enough,” Aunt Mildred said.

“I know.”

“Maybe you’ve avoided it,” she said. “But one day your daughter is going to find that damned needle, just like her father, just like your father, and when she pricks herself, she’s not going to be gone for a 100 years until someone saves her. She’ll be gone forever. Forever. There will be no saving. No miracles kisses. That’s not how it works. Just fucking memories and funeral lilies. Who cares if she knows how to sing and dance?”

The Seventh Aunt crouched down beside me, put a boxing glove on my shoulder. “Hey,” she said, “Look in my pocket.”

“You’re not a real fairy godmother,” I answered, “You get paid by the hour.”

She said, “So what? We need to eat like everyone. Doesn’t mean we don’t have magic. ”

She pushed her hip out to me and there was something paper sticking out of her pocket. I slipped it out and stared at the photo, the Polaroid of me as a little girl that I hadn’t seen in years. Maybe Strength found it in my closet, maybe she found it in some hidden time capsule. In the photo, I am snarling with a smile tucked under my irises, too young for the teeth I am missing. I am holding a huge water gun, pointing it at the photographer. It was empty, Dad thought it was funny. I was trying to protect him. Thought he was dead when I came down the stairs, the way he was laid out on the floor. I was so confused after he took that picture, I cried, and my mom yanked the water gun out of my grip and gave me something to cry about, and the bruises left over had me crying for days, had me learning how not to cry, how to absorb pain, hold it, not show it, never show it to the person who caused it.

“I look…plucky,” I said and handed the picture back to the Seventh Aunt, “but you don’t know that photo like I do.”

“You are still alive,” she said. “Your mom, your dad, they were doing the best they could.”

“Their best was pretty shitty.”

“Yes, it was pretty shitty,” the Seventh Aunt said, “but…”

“The family curse,” Aunt Mildred said, as she began scooping things out of her handbag and then dropping the same things back in. She handed me a check and a handful of strawberry hard candies.

“Needles and fairy tales,” I muttered. Prince Charming, you wait for him to save you and he’s a trash can, and his kingdom is a landfill, and he puts you to the same damn work you were at before, and one day you wake up as your own stepmother, and one day you wake up, and you’ve been asleep for your whole life, and you are covered in bruises and ashes and pumpkins, globby seeds threaded in your hair, rotting, and fairy godmothers surround you with your one beautiful uncomfortable shoe held so tightly around your foot. As they chitter, chatter, trill and coo, you feel breeze refreshing your leaves, you feel grass growing beneath you.

Petal began to cry. My nipples started purging milk, the wet spot on my top spread fast, like from a wound in my heart. The Aunts parted as I approached the crib and lifted Petal into my arms. Petal was not a glass shoe. Her skin was warm, soft, pink, and her own. She snuffled for my breast, brought her mouth to me, feeding herself. Petal was not a wishing well. She was not a golden key or a poisoned apple. She was not a talking frog. Not a secret name. I held her in a one-arm cradle, my other hand grasping a thin white spindle. Not a blessing. Not a curse. Not a promise. Not a threat. Not even a miracle. Just a daughter. Just like me.

 

CAROLJEAN GAVIN’s work has appeared in places such as Bending Genres, Barrelhouse, Flash Flood, The Ampersand Review and is forthcoming from The Conium Review. Currently she is raising two rambunctious boys, a novel and a story collection.

Cabinet Of Heed Contents Link 24

Image via Pixabay

The Trouble With Larry – Mark Czanik

Dora and Dorcas were on the 476 to Ledbury, sitting in the seats reserved for the elderly. Dora’s friend Irene had told her there were gammon steaks on offer in Tescos, and since they were sold out in her local store by the time she got there, she had decided to catch the bus to Ledbury and try the Tescos there. Dorcas was just along for the ride.

‘I had to laugh yesterday,’ said Dora. ‘This Polish man sitting opposite me on the bus kept asking me if I had a shoe. “Have you got a shoe?” he asked me. I said, “A shoe?” “No, a shoe,” he says. “No, I ant got a shoe.” Only the ones I had on anyway, and he wun having those. “A shoe!” he kept saying. And then eventually I realised what he was trying to say. “Oh, a tissue!” I said.

The two women laughed.

‘I couldn’t understand a word he was saying,’ Dora went on. ‘Not only was he foreign, but he had this bad cold too. Breathing his germs all over me.’

The bus gears gave a violent scrunch, as if the vehicle were clearing its throat, and began its slow struggle up Prospect Hill.

‘That reminds me of this cat I took in last summer,’ Dorcas said. ‘This beautiful grey cat. It just sort of made itself at home for three weeks on my sofa. I mean, I put him out in the morning, but he kept coming back and settling onto my sofa. It seemed quite content. So I started bringing it tins of cat food home and feeding it. And I called him Larry. I even bought him a litter tray in case of accidents, which he was quite obliging about.’

‘They’ve closed more public toilets in town now,’ Dora said.

‘I know, terrible, ennit. I mean, we can’t all squat down in the street like Basil whenever we please.’

Basil looked up from where he lay in the aisle at this affront to his dignity, and then returned his head stoically to his recently washed paws, which smelt strongly of disinfectant.

‘Pam was in Cornwall last summer and she said there are lots of conveniences still open down there.’

‘You can judge a town by its toilets.’

‘You can.’

‘Dan and Denise have got five ensuites in their house now,’ Dora said.

‘Where do they go for the other two days?’ Dorcas replied.

The two women laughed again.

‘No, I enjoyed his company,’ Dorcas said, picking up her story. ‘Basil enjoyed his company too, funnily enough. I mean, he likes terrorising cats like the best of them, and he’s normally quite possessive of me, but somehow he made allowances for this cat. And Larry seemed quite at ease with Basil. Not put out at all. He looked content on my grey sofa. Blended in very nicely. I was even thinking about getting a cat flap put in so he could come and go as he pleased.

‘Oh, there’s Arthur, look,’ she interrupted herself, gesturing to an old man with a walking stick as they passed the Cock of Tupsley. ‘You know, I never see him out with his wife. I don’t think they’re that enamoured. I might be wrong.’

The two women watched the old man making his solitary way along Hampton Dene Road.

‘Anyway,’ Dorcas continued, ‘one day this builder from over the street came in to give me an estimate on some work I wanted doing. I had plans for a new kitchen, and he made such a nice job of Irene’s downstairs toilet after Derek’s stroke. And this builder kept looking at this cat lying on the sofa. ‘“That looks a bit like our cat,” he said. So he went out and came back with his wife for a second opinion. And it turned out it was. And she got quite angry with me for taking her cat. She said they’d been looking for him everywhere. Didn’t I notice the identity chip on the back of his neck? Apparently, there were all these posters up in the area as well – on lampposts and in shop windows, and all down Watery Lane. But I hadn’t seen them, or the identity chip. So she bundled him up in this blanket and took him away.’

‘Well, that’s a mistake anyone could make,’ Dora said.

‘That’s what I said, but they didn’t seem to think so. And that wasn’t the end of it. The cat came back the following day, and they came knocking on my door. More strong words were spoken. They started swearing and calling me a cat thief and all sorts of terrible things. Anyone would have thought I’d done it deliberately. And you could see Larry was getting upset about it. I had to ask them to leave in the end. I threatened to call the police and take out a restraining order.’

The two women fell into a habitual silence while the bus negotiated the old stone packhorse bridge over the river Lugg, where so many travellers had come to grief. ‘Must have been a very special cat,’ Dora said, once the danger had passed.

‘Probably a pedigree. I expect it cost a lot. Basil didn’t cost me a penny. I was lucky to find him in the rescue home. But then you were the one who rescued me really weren’t you after I lost my Bernie,’ she said, reaching down to give her dog a stroke.

Basil, finding his coat being ruffled, looked up with his eyes only, like one well acquainted with the transitory nature of compliments. Still, his tail gave a little involuntary thump.

‘Anyway, Larry still visits me every day and sleeps on my sofa. I think he prefers it with me. This family, they’ve got a lot of children about, and cats don’t like being moithered do they. And this builder’s always making a lot of noise in his garage where he has his workshop. I can hear him banging away all day sometimes.’

‘I bet you’ve never complained about him.’

‘Well, not to his face. No wonder Larry needed a bit of peace and quiet.’

The bus was passing the new golf course now on the other side of the new redbrick estate at Bartestree.

‘This used to be all hop fields once,’ Dora said.

‘It did,’ said Dorcas.

‘So where’s this cat now?’

‘On my sofa. But I make sure to put him out every evening so he can go home, and at least put in an appearance. I don’t want them to catch him in my living room and get told off again. What was I saying all that for? Oh, yes, that Polish man asking you for a tissue. Well, I called this cat Larry because he was as happy as Larry. And his real name turned out to be Harry.’

 

MARK CZANIK’s stories have appeared in The Interpreter’s House, Southword, Wasafiri, Cyphers, and elsewhere. He used to write poetry too, and plans to go back to it one day, along with drawing and learning Hungarian. He was born in Hereford, and currently lives in exile in Bath.

Cabinet Of Heed Contents Link 24

Image via Pixabay

A Cello Story – Heather Sager

Of course, the children still returned to have my mother’s cookies, to be petted about the head, but they never again came to hear her play the cello. To play with me—and my brother—in the open in our comfortable home, that Mother did not do either. Not since the incident. Sadly, the neighbors admired my mother’s technical skills—on that one occasion—then declined her future invitations. What had happened that night, shades drawn to our Ohio street as Mother played celestial music, my brother and I in our rooms? Though I couldn’t say it at the time—I didn’t know what to say when Mother cried in the kitchen—the neighbors were philistines. They did not know their Shostakovich from Oum Kalthoum, as Mother did.

Father was a digital parts salesman. He never once heard Mother play. He wasn’t the type to appreciate Music, he said. Music was always spoken of in a revered whisper in our house—because of Mother. Soon, Mother practiced only behind closed doors, sending out warm, arachnoid tones from her barricaded office. I imagined my brooding, faceless Mother as the oracle in the de Chirico painting.

Friends stopped coming. Breakfast dishes piled in the sink. A limousine came to take Father and he never returned after that.

Mother’s hair grew wild and she became strange—recklessly beautiful. I never sought advice from Mother—I, her daughter, her young pea. It seemed dangerous to do so. And so it was that one Sunday, when I returned from the mall, job application in hand, I found with utter astonishment that the house was abandoned. A screech of notes—violent, Schoenberg—came from Mother’s cello and the ventilation system. But I looked and Mother—she was gone.

Over the years I got such wonderful postcards.

 

HEATHER SAGER is a fiction writer and poet. Her work appears in New World Writing, Mantis, Sweet Tree Review, Little Patuxent Review, and other journals. Heather grew up in rural Minnesota and lives in northern Illinois.

Cabinet Of Heed Contents Link 24

Image via Pixabay

Ballade For Single Women – Irene Cunningham

Cavaliers on the weekend tour
we keep our eyes peeled for well-heeled
men with wallets, and hair just groomed.
My hot lips squint from lurching cheers
in clouded rooms, guessing careers
comparing body parts to heights
though any one might test the means
come the end of the long long, night.

Sliding from cocktail to bar, whore
they call us; our skirts laugh at sneers.
We slant eyes across pints of Coors
nudge each other Had him last year
condommed to the armpits, no fear
and necks stretched against boisterous bites
walled up dark lanes with trembling knees
come the end of the long, long night.

Now bare-back riders buck no more
no sucking and jumping bones, dears –
safe sex penetrates. No encore.
My fingers don’t feel the same here…
turns the man into a gloved peen.
In these diseased years thighs are tight,
the months are passing, now eighteen
come the end of the long, long night.

So cancel my ticket to ride
blow sweet kisses, goodnight good knights,
sing softly of white wine and beer
come the end of the long, long night.

 

http://ireneintheworld.wixsite.com/writer
https://wolfatthewindowblog.wordpress.com

Cabinet Of Heed Contents Link 24

Image via Pixabay

The End of the Night – Scott Laudati

I remember some good years.
The old pilings of
the Baltimore pier
that swayed under the crowd while
we watched our favorite band.
And when I told her
I didn’t love her
for the third time
she threw their record at me
and it hurt
but we laughed
until
I decided to break her heart again.

There was the year
I ate sixty oysters
at the Aqua Grill.
She’d paid attention
when I said
I only wanted to eat oysters
from states I hadn’t been to
so she had the maître d’
bring out a special menu
and I tried them all
and the Damariscottas
and Hog Islands were the best.

I woke up in the parking lot
of a Long Island casino
one time
and when I put
two chips
on red
I won $800.
I paid for everything
that weekend
and the four of us walked home
arm in arm
puking in the snow and laughing
like it was our last night
on earth.
We don’t call every year but
I still smile when I think about
that birthday
and the best friends
I never see.

Some years
I feel like I’m losing.
And there are others where the score
seems to be even.
I’ve lost cousins
and girlfriends
and a brown dog
with a white cross on her chest.
But there were the other years.
There were friends who
didn’t leave me in their wake.
Girls who left me believing I wouldn’t
always be let down.
And my mother,
using expensive ingredients
to cook me a birthday dinner
that fit with my new diet,
always making sure something was safe
in a world that started licking its teeth
as soon as you
walked out the door.

Tomorrow doesn’t always come with a nightmare.
Seeds grow.
Leaves fall.
I tell my friends to hold up their bottles
and look around.
“Remember our tribe,” I say.
“Nothing will ever be better than this.”
And I know I’m right
because I still haven’t found a place safer
than a backyard
in New Jersey.
And no matter how long I’ve been gone
there’s always a family waiting for me
when I come home.

 

SCOTT LAUDATI lives in Bushwick with his shnoodle, Dolly. His work has recently appeared in The Bitter Oleander and The Columbia Journal, among others. Visit him on instagram @scottlaudati

Cabinet Of Heed Contents Link 23

Image via Pixabay

Cabinet Of Heed footer logo

Round And Round The Garden – Helen Laycock

No one ever passed Ettie Budu’s house without crossing the street first. It was an unwritten rule, a fact of our childhood. And you didn’t just pass it, you ran.

Ettie Budu’s house was a place to be feared, where malevolence resided, as heavy as a sack of ditchwater. It hung in the air and clung to the building like a ball of flies.

Get too close and who knew what would become of you? It was well known that she was a witch and that, behind that rotten brown door and those filthy windows, she concocted spells.

The house had become the personification of evil long before our lives had begun.

Everyone knew of it; there was no need to point it out. Find the worst house on the street and you had found Ettie Budu’s dwelling-place. Her hovel.

Unlike the other semis, Ettie’s had no front wall at the end of the garden. The grass grew high – an enchanted forest – and would, no doubt, shackle any child that dared to wade through. The windows, thick with grime, were as still as the eyes of the dead, but we knew we were being watched. It was impossible to see in from across the road – and no one was ever brave enough to peer in at close range. It seemed that dirty nets had been draped at the edges, but they may well have been cobwebs.

Day after day, at the end of school, groups of children would take a deliberate diversion in order to pass the house. None of us ever had permission to walk home that back way; it was a ‘lonely’ place where bad men hung out, but no one was willing to lose face and refuse the route. We’d climb a gate which took us to a narrow, grassy pathway along a little river, a ‘reen’. Gardens backed on to the side where we walked, and there was wasteland on the other. The gate we had to climb at the other end was just opposite Ettie’s.

Our status moved up a notch if we stopped and stared at it for a moment or two. It was a way of asserting bravery.

Sometimes a chant would begin: ‘Ett-ie, Ett-ie, Ett-ie.’

We’d adopt a stance: feet splayed, knees bent, hands on thighs. Quick glances would be exchanged, but we had to watch the door. Always.

It never lasted long. No one had the guts to see what would happen if she came out.

In the winter months, when grey afternoons sheathed the village in darkness, we would linger – not for long – on the opposite side of the street and watch the upstairs window as it flickered with candlelight. It was a scene far removed from our experiences of modern living; it had the intrigue and bygone age-ness of a grotesque fairytale. We knew she’d be stirring a cauldron in that upstairs room. An imagined face at the glass, hollowed by the light, would send us squealing and running.

Then, one day, I felt big and brave. Omnipotent. Adrenaline coursed through my veins, like fire bowling through a tunnel.

In an instant, I took off from the safety of the opposite pavement, leaping onto the road from the kerb and hurtling towards the unkempt lawn, seeing the house closer than I had ever seen it before – the parched windowsills, the gouged brickwork and the cracked glass of a dying building.

The ground was unexpectedly uneven beneath my feet as I ran in difficult circles through the long grass, lifting my feet high and holding my arms up for safety. I felt glorious and daring, and looked for approval as I curved around for the second time to face my awestruck onlookers.

I was a hero. I, the unnoticed one, was suddenly visible – the eye of the storm.

Then, chop. Everything changed.

Like the jerk of a reversing second hand, their gaze shifted from me one notch to their left.

As one, their smiles fell.

Their jaws dropped.

Their bodies flinched.

I heard a sound behind me.

I saw my friends run.

Should I look? Or run?

I recall the instant as if it all happened in slow-motion. As my chin passed my right shoulder, I saw a wiry, old man who had stepped out of the front door and was now feet away from me. His face was scrunched up in anger. His left arm was raised, and when I looked up at it, I saw that he was holding a cleaver. In a beat, he ran at me and I stumbled out of his garden, my legs taking great unwieldy strides.

I didn’t look back. I sprinted right to the end of the long, long road where the other children were hiding around the bend, fizzing with excitement and terror.

‘That was Ettie’s brother. The madman,’ I heard someone say. My heart was beating like a caught bird, and my chest prickled and burned as I panted.

‘A brother?’

This was news to everyone. There were two of them living there?

Double evil.

Our whispers filled the evening air like frenzied bats before we dispersed to the light and safety of our own homes, each a little more afraid than we had been up until that day.

The challenge had taken on a whole new dimension. The danger was real. We had been right to fear the sinister embodiments of depravity which dwelled inside that house.

I avoided any route that would take me past Ettie Budu’s after that. Maybe she didn’t exist at all, and it was just a vicious old man who lived there.

I wasn’t convinced.

At the age of fourteen, I took a Saturday job at the local supermarket, weighing out the fruit and veg for customers and pricing the brown paper bags. I was positioned right at the entrance.

Even though the incident had been years before, my breath caught like a wedged pebble when a hunched figure shuffled in just as we were closing, late afternoon, one dark November.

It was Ettie.

I experienced a cold thrill. I wanted my friends to see how close she was.

The stench was putrid. She was wearing a headscarf and a huge overcoat, and was dragging a battered trolley. She bypassed me and went straight to the tins just next to my fresh produce.

I could see her filthy face, whiskered and warty, the very image we’d concocted when we were ten. Her mouth hung open as she rasped and wheezed; I imagined beetles and spiders being exhaled with each whispering breath. She had only a few black teeth.

I shuddered. Even now I was a teenager, she still had the power to unnerve me. I dreaded a direct look from her; her eyes would turn red and she would throw a curse upon me as though netting a fish.

She really did have witches’ hands, too. Her nails were long, thick and brown and when her sleeve rose, I could see that the skin on her arm was impregnated with dirt.

I watched her steal a few tins of peaches.

As soon as the manager had locked the main door and was switching off the lights, I grabbed my coat and left by the back entrance. It would take her a while to get home. I could catch her up.

I had no idea why I wanted to be in proximity to someone who could strike me down with black magic. Perhaps I had been charmed.

I could see her shape, rounded, no head, shuffling along ahead of me. She looked like a dark toad under the streetlights. Because of the peaches, or the brother, or the state of her house, I felt immense anger towards her. She moved steadily through the night.

I stopped trailing her within a safe distance of her house.

She still scared me.

All through the winter she came for peaches.

She never paid. I never said.

She was always dirty. She always wore a man’s coat. I began to wonder if she might have been thin underneath. What else did they eat, she and her brother? Though I must have stared, she never looked at me. Her gaze seemed fixed on her dirty boots. She was bent like a bridge.

On the last Saturday of February, Ettie didn’t come. I had moved the last few tins of peaches to the front of the shelf for her. I left through the back door as the manager flicked off all the strip lights. There was a frost on the bins and the air was sharp. I wrapped my scarf around my mouth and headed for The Hovel.

Apart from a stutter of candlelight in one upstairs window, the house was in darkness. I imagined how cold they must be without electricity. Ettie – was that even her real name? – probably kept on her coat indoors. Her brother’s cast off maybe. Or did she ever have a husband?

Over the next few evenings, I walked by again. The house seemed to have fallen into a deep sleep, every window full of night. I no longer felt watched.

Sunday morning was crisp and cold. The sky was a dirty white, and as I made my way to Ettie Budu’s, it began to snow. Frozen flakes melted on my cheeks and caught in my eyelashes, and by the time I had got there, the blades of grass were tipped with white. It was almost pretty.

I crunched across the garden, older and braver than I had been the first time. Years of neglect had made the windows opaque, so I crouched down and pushed in the letterbox.

The humming seemed to come from everywhere: an incessant drone from an orchestra where violinists bowed the same monotonous note. Every inch of space was inhabited by moving black specks.

Funeral confetti.

I was reminded of shaking a snow globe, but in negative.

Layer by layer, my senses became drunk with excess, and I covered my nose and mouth with my free hand as the putrefaction seeped out of the letterbox and into my air space. The blood smell at the supermarket meat counter always made me gag, but the intensity of rotting flesh that was now spewing out of the rectangular aperture made me reel. Desperately, I scanned the hallway, but only had a sense of dark brown through the cloud of flies, nothing more.

Catching sight of movement in my periphery, I let the letterbox go with a snap. Three maggots were pulsating across my left glove. I shook them off on to the ground and ran.

The day they took the bodies away, there was a small crowd outside.

‘The mad brother chopped off Ettie Budu’s head with his axe,’ I heard a boy report as he swung an imaginary weapon towards his friend, ‘and he survived by eating bits of her until she was all gone.’

Maybe.

But I think that their ending was far from dramatic. We had made it that way. In truth, they lived together in the only way they knew how, an older sister caring for her brother, and surviving by whatever means were at their disposal. They were poor, cold and hungry, and society had shunned them.

We were to blame.

When Ettie had gone, the peaches had stopped coming. And, without peaches, her brother had dwindled, along with the melting candles.

The house had been dying all along.

 

HELEN LAYCOCK, previously a lead writer at Visual Verse, features in several editions of The Best of CafeLit. Recently longlisted by Mslexia, pieces are showcased in Popshot, Poems for Grenfell, Full Moon and Foxglove, The Caterpillar, Cabinet of Heed, Reflex Fiction and Lucent Dreaming, whose inaugural flash competition she won.

Cabinet Of Heed Contents Link 23

Image via Pixabay

Sunflowers – Amanda Saint

The woman behind the counter in a snake skin patterned sari doesn’t look at Daisy as she says, ‘Thirty rupee, madam, please.’

Daisy smiles anyway as she hands the money over in exchange for a fresh coconut with a straw stuck in the top. Nothing can stop her feeling good today.

On the shop’s rickety veranda she sits and watches bony cows and mangy dogs mill about. Down the street a harassed-looking woman bundles children into a tuk-tuk. Horns beep and the air is thick with dust and exhaust fumes from the constant stream of traffic going past.

Goodness still trickles through Daisy’s veins from the cold, sweet coconut water though. She can feel it. When she’d arrived at the retreat, only days after getting out of the hospital, her skin had been a dull and dirty yellow, showing the world what she was. A coward. Running and hiding in bottles of vodka until her liver nearly died.

When she’d woken up in the hospital the first thing she’d seen was a bunch of wilting sunflowers in a chipped jug on her bedside table. She’d blinked unsure of where, and when, she was. Then he appeared, sitting on a hard, plastic chair wearing his retro 80s t-shirt with the smiley acid house face, and faded jeans. What he’d been wearing that day.

‘Hey,’ he said.

‘Hey yourself.’

He leaned forward, dropping the softest, gentlest kiss on her parched lips. ‘You’ve got to stop this now. It wasn’t your fault. Just an accident.’

Daisy sank back into sleep again. When she awoke he was gone, of course, as were the flowers. They were the ones he’d given her on their first date. The chipped blue jug the only thing she’d had to put them in. Wild young things didn’t own vases.

When she’d been released from the hospital, she booked the retreat and a flight leaving the very next day. Then she went to a florist and bought every sunflower they had and took them to his grave. She knelt in front of it, sprinkled the flowers all around. A splash of happy sunshine on a grey and gloomy day.

She ran her fingers over the inscription:

Robert James
12th August 1972 – 2nd October 2016
Beloved husband of Daisy.
Taken too soon. We were all we had.

Daisy sobbed while she smiled then kissed her fingertips, pressing them against his name. ‘Hey you. I’m going to be okay now. Thank you.’

The last slurp of the coconut water through the straw pulls Daisy back from that dank English graveyard. She takes the empty coconut back into the shop and places it on the counter.

The woman ignores her again and doesn’t look up from her phone. Daisy shrugs and carries on her way. Maybe she’ll stay here. Nothing to go back for, after all, and the insurance money would go a lot further. A nice little place by the beach where she can live a quiet, healthy life. Yoga, walking, reading, painting. No booze and lots of delicious vegetarian food. It’s what Robbie would want for her.

Daisy kicks her flip-flops off and stuffs them in her bag when she reaches the track to the beach. The warm sand caresses her feet as she climbs up and over the small dune. Later it will be too hot to walk on. At the top the beach opens out before her. Just a handful of fishermen fixing their nets. The milky sea glinting softly in the sun.

Daisy walks right to the end of the row of sunbeds. Takes the one in the front row so that no matter how busy it might get later, she can feel like it’s just her, white-hot sky, ocean, and burning yellow sun.

She lies back and stares up into the dried palm fronds of the parasol, a smile on her face. She’s turned a corner. She closes her eyes, lets the shushing sound of the tiny waves fill her mind.

She doesn’t see the snake until it’s curling around her leg.

With a breathless little scream, Daisy kicks out. The snake rears back, then strikes at her leg one, two, three times. Before slinking away into the shade it had been seeking.

Daisy’s leg swells and reddens instantly.

‘Help,’ she calls.

But the snake has stolen her newfound strength.

Nobody hears.

She grabs for her bag, her phone. But her fingers won’t work.

Then she’s still. Her breath coming in shallow gasps as the sun beats down, slowly turning her body golden again.

 

AMANDA SAINT is the author of two novels, As If I Were A River and Remember Tomorrow. Her short fiction collection, Flashes Of Colour, is coming in 2020. Amanda founded Retreat West, providing writing competitions, courses and retreats, and Retreat West Books indie press publishes short fiction, novels and memoirs.

Cabinet Of Heed Contents Link 23

Image via Pixabay

Growls of Fate – Katie Nickas

Sometimes when I’m alone in my apartment, the maker speaks to me. It talks about my husband.

We had a blowup last summer. I got mad and moved out. Our cat listened to it happen from the ledge, because cats hate shouting. Now, she stays with him. She’s sweet and adorable, with a face like an owl that peers from the ends of hallways and claws that dig into flesh to show affection. He has her and a good job and a nice place to live. He should be happy, but he’s not. I know this, but the maker tells me, anyway. It whispers like a surrogate conscience all the things he does to try not to be alone.

Books.

Grr.

Music.

Grrr.

Guitar.

Grrrowl.

In the daytime, I go for long walks through the blue-green hills that resemble bunches of broccoli. I look at the bluebirds and marshmallow clouds and walk to the store to buy groceries. When I get home, the rooster on the weathervane is stuck pointing south, its figure suturing the fog. I carry in the groceries that I’m addicted to buying and pour water and grounds into the maker, switching it on and listening to it brew. The whispers begin almost immediately. They’re palpable in the silence.

“He wants to be alone,” I say, unloading heads of garlic, carrots, celery, cheese, crackers, thinking I’ve been transported to some other dimension.

Grr.

“He pushes people away and then asks them to come back.”

Grrr.

“He’s bad.”

Silence.

“He can’t stop.”

Grrrowl.

Though soft at first, the sounds become more plangent as the cycle runs its course. I pour a cup, lean back in the chair, and close my eyes. Images of family and friends appear. Their features are nondescript, like tiny grains of sand swept in and out of form. I imagine my neighbors sitting down to dinner all throughout the neighborhood. It’s twilight. I know what happens at twilight. Shadows rise and mists settle, holding everything in their vaporous breaths until morning.

Sometimes, the maker splutters at these times. That’s when the heaviest truths are divulged—when it’s running on steam and wants to be fed more water so it can continue talking.

I sip and think I must have really good hearing.

They’re all gone now, those closest to me. Not gone—distant. It’s only the maker and I in this thick, cloistered silence.

Suddenly, I hear the flawed person inside and panic. Its voice fills my head—the voice of someone who’s been abandoned and who’s doomed to ask questions with no answers. I’m angry—angry that my husband treats people like puppets, bending them to his whims.

“Why did he do this?”

The thought sends shudders through my collarbone and pushes up beneath my skin, wanting to be let out. A plaintive growl spreads out across the room. Except instead of making a sound, it forms a word. There’d often seemed to be an echo in here, and while the maker’s percolations have been well timed to coincide with my questions, they’ve never implied they belong to an actual being or presence—a mind. I’d fed it water, electricity, and grounds. From those ingredients, it pressed out something like a piquant juice—sometimes smoky, others intense—but always juice and no more.

Yet the word was unmistakable. I straightened in the chair, my back turned rigid.

Suicide.

“Suicide?”

Yes.

More than a growl—an affirmation, with the maker reaching into its grizzled depths to lay a finger on its pulse and measure the beats of its efficient, little heart.

“He is, or intends to?”

No answer.

“Why?”

My imagination spirals back to all the possible causes: Childhood abuse, neglect, the old tunnel with no light at the end, his loss, our loss, the growing apart, the splitting after so many years together.

“Will it be fast or slow?”

No sound.

“Fast?”

Nothing.

“Slow?”

Grrrowl.

Yes, I might have guessed that. He’d already been killing himself slowly. One moment later, another question arises.

“What can I do?”

Silence.

“Buy him a book?”

Silence.

“Dinner?”

Silence.

“Cakes? Treats? Records? Phone calls?”

My brain kicks itself. You’ve already tried all that. For god’s sake, think of something more original.

Finally, it comes.

“Maybe, somehow, I could help him live?”

I hear the longest growl of all. Not only a growl, it’s something chthonic that seems to rise from the earth and shift through night’s inchoate shroud—something that speaks for others.

Clutching the sides of my chair, neck laced in sweat, I realize it’s not the maker at all. It’s he. He’s somehow found his way inside and is channeling himself through it.

The notion seems to lift some of the fog. To hear from another source that his life is truly out of control offers closure. But I’m just as unnerved as before, wondering what can be done to help someone live a life whose intent is on ending it, however gradually.

Rising from the chair, I walk to the kitchen and look at the maker sitting on the counter, its contents settled in the bottom. I could give it more water to listen to it talk some more. I could do that.

Instead, I pick up the phone and call him.

 

KATIE NICKAS writes off-kilter fiction. Her work is published or forthcoming in journals including Anti-Heroin Chic, Asymmetry, The Furious Gazelle, formercactus, FRiGG Magazine, The Oddville Press, Sidereal Magazine, Soft Cartel, and STORGY. Find her on Twitter @katienickas.

Cabinet Of Heed Contents Link 23

Image via Pixabay

Tornado Preparedness Drill – Ace Boggess

If the power’s still on, make coffee.
If you prefer whiskey, sleep
on a futon by the nearest phone.

I have better ways to spend my time:
complaining about loud noises &
worrying over this coming storm

which brings with it fish &
frogs that fall from the sky.
In the past hundred years:

one tornado in this county,
that so small the horror-movie
flying cows ho-hummed.

Nobody asked for my opinion,
but I give it while the city sirens
hit their spine-chilling notes &

radio stations sing,
“Get down, get down,”
as if a disco boogie jam.

 

ACE BOGGESS is author of four books of poetry, most recently I Have Lost the Art of Dreaming It So (Unsolicited Press, 2018) and Ultra Deep Field (Brick Road, 2017). His writing appears in Notre Dame Review, Rhino, North Dakota Quarterly, Rattle, and many other journals. He received a fellowship from the West Virginia Commission on the Arts and spent five years in a West Virginia prison. He lives in Charleston, West Virginia.

Cabinet Of Heed Contents Link 23

Image via Pixabay

Last Will and Testament of Gaia – Sheila Scott

I, Gaia, third planet of the Local Interstellar Cloud, Orion-Cygnus arm, Milky Way, declare this to be my Last Will and Testament, hereby revoking any and all Wills and codicils previously made.

At four point five six eight billion years of age I am of legal age to declare this Will and, despite the best efforts of some of my lodgers these last fifty thousand years, I am still of sound mind. My wishes contained herein do not result from undue influence.

Having experienced no major collisions, I have remained single and without children excepting one satellite. However, this sole relation has remained distant throughout and I leave them nothing.

Whilst I realise, but do not care, that this may cause some consternation, I hereby nominate, constitute and appoint God and Richard Dawkins as my Joint Executors to act in my interest regarding my estate and other items. In the event that these Executors be unable or unwilling to serve jointly, I appoint Rihanna as sole Executor. This Will authorises these Executors to act in my interest regarding my estate, debts, funeral expenses (see accompanying document ‘Par-tay’) and other items.

The assets I am legally entitled, by which I mean, I have decided to bequeath are as follows:

1) The Atmosphere I give to the Penguins. This one is too important to everyone and honestly who doesn’t trust these little dudes. Plus the flightless element has always tickled me.

2) Whales and Cetaceans, you get the Oceans. You know your ass is too big for firths and rivers so just stay the hell out of them – you’ve got plenty of ocean to swim around in now.

3) The Freshwater Lakes I give to the Crocodiles. You always acted like you owned them: now you do.

4) Fish, you can have the Rivers. I know how much you love those currents whether you’re surfing to the sea or battling upstream (physics kinda passed you by, didn’t it?) so enjoy, they’re yours whichever direction you’re travelling.

5) The Hills I bequeath to the Horses. Hell, you just look so damn good galloping over their rolling horizons. Off you go and make me proud.

6) Mountains I am giving to the Goats. You’ve not done a damn thing to earn them, but it takes a bit of nous to understand gravity and frankly you guys are the only ones just too dumb to fall off.

7) The complete collection of Soils is to be the domain of the Invertebrates. We all know you have your job to do but, let’s be honest, you’re no fun to look at. So, do everyone a favour and stay indoors.

8) Plants, you are entrusted with the Valleys. Some of you like sunshine, some don’t. I have faith you can sort who gets which face between you. But no secession: there’s room for everyone.

9) The Volcanoes are made for Dragons, if only to prove you exist beyond Welsh kids’ cartoons. Be careful making s’mores, though – those things are sticky little fuckers and can totally ruin a good rug.

10) Cats, you get the Tectonic Plates. Plan is that way most of the time they’ll just sit at peace. But when you’re not sleeping, no batting them back and forth just for fun.

11) The Tundra I was going to leave to the Reindeer, but the melt’s made it a challenge for you big boys getting about now. Therefore, given the more favourable feet-width to body-weight ratio, Geese, it’s your ball now. Reindeer, you know who to take it up with.

12) Bit of a no-brainer now – Camels, you get the Deserts. It may not be the most exciting asset, but it’s far and away the fastest growing – you’re on course to be Kings of the World. But play nice and enough with the spitting.

13) Wide open Plains are for the Skunks. The others have been pestering me for years over this, so use your space thoughtfully.

14) Regarding the Polar Ice Caps, Penguins you got the atmosphere so the Southern one is going to the Polar Bears. Big guys, you would’ve got the Northern one too, but you do like you ice-Lilos and it’s just sea up there now.

15) Finally, all my Glittery Rocks I leave to the Humans. You’ve always been obsessed with these at the expense of everything of value, so good luck eating, drinking, and breathing your bling.

Despite claims that will undoubtedly be made to the contrary (by I think we all know who), there are no prior legal contracts into which I have entered in relation to these assets. Anything that suggests otherwise is a crock of shit.

 

Signature: Gaia

Name: ____Gaia_______

Date: 21st October 2018

 

Hybrid writer-scientist, SHEILA SCOTT most enjoys sitting with pen and paper turning idle thoughts into short narratives and illustrative doodles. Published in Causeway, Cabinet of Heed, Ellipsis Zine, Flashback Fiction, Bangor Literary Journal and Poetic Republic, she also helps lead New Writing Showcase Glasgow. Her intermittently hyperactive Twitter account is @MAHenry20

Cabinet Of Heed Contents Link 23

Image via Pixabay

Bed 3, Bay 2 – B F Jones

Day 1

They wheel me into the room after the surgery though I tell them it is unnecessary, I can walk. But there’s been a considerable blood loss and they’re concerned I might faint again. A stupid accident really. Avocado hand. Yes that’s right, I’m hospitalised for a pretty trendy affliction. I wish I could say 13-year-old me that I’m finally trendy. I wonder what that loser would think.

Anyway. After the knife blade lodged itself deep inside the fleshiest part of my palm, tearing through the skin before cutting through a small artery and quite a bit of ligament, I managed to call 999 between two bouts of wrenching and a mild fainting episode. I opened the front door wide, mucking it with blood before crouching against it, trying not to look at the little bids of fat oozing out of my skin and this is where the paramedics had plucked me from.

Day 2

The pain wakes me early. The monitor attached to the lady next to me and going off everytime she gasps for oxygen doesn’t conduce me to fall back to sleep. Neither does the Christmas tree blinking just outside the ward. I re-live the previous day. The blade going in and the cracking sound of the skin as it tears. You should have kept the knife in, they told me in the ambulance. It would have helped reducing the blood loss and damage to my ligaments. No need to mourn those, the damage is done now. At least I can breathe unmonitored.

Day 3

Janet from the office has popped over to say hi. She’s brought me a card signed by the team and an adult colouring book. I look at my heavily bandaged hand and thank her. She doesn’t stay too long. The day stretches. I wish I’d brought a book and my toothbrush. The doctor comes and says I should be able to get out tomorrow. The nurse changes my dressing.

I take an approximate shower and have an average dinner. The old lady bips and there’s a new arrival, a teenager with a broken leg.

Day 4

The teenager has loads of friends, they bring him coke and Haribos and some magazines. His girlfriend gives him noisy snogs and access to her chest that he fumbles clumsily before they leave, the stench of sweat and Lynx and chocolate bars remaining until the leek-potato soup is served. The doctor comes and says I can go out tomorrow. The nurse changes my dressing. The old lady bips and the teenager types furiously on his phone. I miss my home and my bed and my tub and Socks purring on my lap.

Day 5

The Xmas tree blinks to the rhythm of Staying Alive. That same rhythm you use when you do CPR. Blink, blink, blink, blink, blink blink blink, blink blink blink. And again. And again.

The teenager has left and has been replaced by a 3rd degree burn.

The doctor comes and says I can go out tomorrow. The nurse changes my dressing. The old lady bips and the burn victim weeps. I read a battered copy of Gone with the wind wondering if touching it might give me an acute case of e.coli. This is unbearable.

Day 9

I don’t think I can take this anymore. I just spent the last 3 days plotting my escape as I’m desperate to go home.

Janet has come back saying that she feels for me, and also implying they might want to replace me if I don’t come back though, and reminding me I owe her £3.99 for the cat food.

I tell her I’ve just seen the doctor and that he’s said I should be able to leave tomorrow. The nurse changes my dressing. The old lady isn’t there anymore and the burn victim has just left, being replace by a pretty nasty case of anaphylaxis.

Day 10

I didn’t sleep well. A young couple came with a baby around 2 am. I was hoping to see their baby this morning, I love babies, but when I woke up, they were gone.

Janet pops over with some paperwork for me to sign, I’ve been dismissed. She asks if she can return the colouring book since I haven’t used it yet and she could repurpose the £4.99. She doesn’t stay long but that’s fine by me.

Day 13

I was meant to leave today but I told the doctor I didn’t feel too good and tomorrow might be better. It’s quiet as the old lady’s bed is still vacant and the anaphylaxis guy is pretty out of it.

Day 14

I told the nurse it might better if I stayed overnight as it it’s icy and I’m worried driving with my injured hand in such conditions. Also it’s potato leek soup night.

Day 15

I had a panic attack after watching the news and not being able to remember the prime minister’s name. There was that lady looking like a praying mantis addressing the nation, she was familiar but her name had disappeared from my memory.

They gave me Xanax and I had a good night’s sleep. I’m still a bit woozy so it’s safer for me to spend the night and leave tomorrow.

Day 17

Terry, my favourite nurse, has written the name of the prime minister on a post-it note for me. I use as a bookmark for the copy of Catcher In The Rye she’s brought me. Apparently I’ve read 14 books since my arrival. I don’t remember much of them.

Day 18

Terry has come for a quiet chat about my mental health and to say goodbye as I’m being moved to a different unit. I give her a hug and tell her I’ll miss her, before I erase her from my memory.

Bed 6, Bay 1

Day 74

I like it here. Apart from that young woman that occasionally rambles on a about rats and cats and talks to an invisible person called Libby, it really is very cosy. Doctor C says I can stay as long as I want.

 

Cabinet Of Heed Contents Link 23

Image via Pixabay

Trainwreck – Alexa Locksley

First time in Denver, a highrise hotel
Smooth sweep of the sliding door whispers class traitor
recessed lights nod in agreement
My companion’s asleep—
exhausted by the mesas of Utah
the hazy opulence of Vale
or maybe my sullen silence
Tiptoe through the lobby of the Grand Hyatt
dress too short
hair too disheveled
flannel too flannel
too many toos for this place
and a copy of Burroughs tucked under my arm
catches the camera eyes of the elevator woman
fluorescent glare from her black plastic shells
insect eyes bulge from her face
She adjusts her orange hibiscus print dress
smiles a false robot smile
and telepathically opens the doors.

Cross the stone corridor
step out into the steaming gray morning, stand under wet humid sky
my antennae drooping, two wilted celery stalks
Take refuge among leather and lamplight
Crack open gold coins, melting yellow streaks
Cell walls expand, jelly replenished
synapses of cellulose stronger with intake:
poison word hoard and rich burn of espresso
wine & sour oil
faint hints of charcoal at the back of the tongue
an imagined memory of withered grass, oolong reduced to ash
false dairy, shelf stable and sanitized
in another world, twin apricot suns below ground
in the lindworm’s tunnel under Munich streets

Shake off the memory
shake out my powdery wings
dodge the streetcars and blend in with gray concrete
Disguise myself as a steamed salmon
lemon slice to keep up with the fashion
and join in the stream

A fresh bucket of deep-sea dread from a long-past meet&greet
(too serious and literary for the ampersand)
Warst du schon mal in Wien?
that deceptively innocent questionmark a tiny tadpole sprouting tentacles
transforms
octopus whirlpool spirals down to the depths
until your friends fish you out
reel you in
admonish in hushed strained voices because Jesus Al you can’t say that
and the sting of the fishhook still slices into your cheek

But now in the diegetic present
face to face
you’re one of us, I’m almost sure
our panicked transaction of phrases a mutual trainwreck
jumbled words casualties that limp from the wreckage
and for a moment I belong.

 

ALEXA LOCKSEY is an escaped Midwesterner living in Las Vegas, where they teach English. Their poetry and short fiction has appeared in Ghost City Review, Peach Mag, Shot Glass Journal, Rose Quartz Magazine, and Bone & Ink Literary Magazine. They are on Twitter and Instagram @AlexaLocksley.

Cabinet Of Heed Contents Link 23

Image via Pixabay

Thirty-Two Keys Stud the Body of Each Sax, So It Logically Follows That.. – Jim Meirose

I got a tape for you to hear Sonboy. I got a tape you’ll hear to make you decide.

Mom. That’s great but I don’t need help—I—

Yes here sit down it’s short hear it out here.

Her finger jabbed in starting it coming. It came. It said, The last but not least dimension of anyone’s ascension to virtuoso-level sax playing, is the patterned pushing so fast it seems random but each push has a purpose a name and a meaning and more and more to it, depending on how deeply into the documentation you dare to delve—

Mom. I don’t see. I—

No, listen.

—thirty-two keys stud the body of each sax; nine fingers are used to press the sax keys, and that in itself is easy to conceptualize. Here’s a finger, the first of ten. There’s the keys baby, so press one any one; there’s the cards baby, so pick one anyone; look at it remember what key it was—

Mom I can’t follow this. And—I never said I wanted saxophone.

Hush! Listen.

But I never—

Hush.

—tear the card from the sax put it on the table and remember which key it was; look at it remember what card it was put it face down on the table and remember which card it was; do this for each and every key until none are left and there are thirty-two torn off keys from the now-unusable sax lying on the table—

Sorry but I don’t get it.

Maybe if you stopped resisting you would. Hush.

—do this for each and every card until none are left and there are fifty two picked-out cards from the now-nonexistent deck not anywhere anyplace anymore; now take the sax to a sax repair man and he will charge five hundred dollars on average to restore the sax to playing condition; now take the deck to anyone at all who knows what a deck of cards is—

Cards. Mom, I never have been interested in—cards.

Sonboy shut up and let it come.

—and he will charge nothing on average to pull all fifty two cards back together into a usable deck; now here’s the bottom-line cost-benefit analysis—it’s not really that but that sounds pretty impressive; this has cost the sax player five hundred dollars; this has cost the card player nothing. And the added benefit tipping the argument to cards is that the card deck can be restored by the potential card player themselves.

Thank God is that the end—This shows—my God there’s more? Mom.

—that in the final analysis, any logically impassive mechano-person to whom such numerical decision-making holds appeal, should forget sax—

Mom I never said I wanted to play the saxophone Mom. Mom—

Shut up!

—and take up one or more of the hundreds of table games which are based on a deck of cards, or take up some other non-game related pastime that nonetheless uses a deck of cards, such as magic, making bicycles sound like motorcycles—which also requires a big box of wooden spring-style clothespins, building houses of cards, constructing card bridges, making balls of cards, doing origami, making card boxes, or attempt to match the cardistry skills of Dan and Dave. Their most holy. Good-bye—and may you enjoy a profitable day!

Her finger jabbed out stopping it going. She turned to.

Sonboy, there—you.

Sonboy, hey! Sonboy get back in here right now!

www.jimmeirose.com

Cabinet Of Heed Contents Link 23

Image via Pixabay

 

The Magpie – Babette Gallard

Silence is our bond, the no-need to say whatever it is we might be feeling, because we know. I know Kerry is feeling my brush as I paint her, following the folds under her breasts, and I know she doesn’t mind. Her breasts are large and beautiful, even the filigree of lines drawn by their weight and traced, by me, in silver. Perhaps I love them even more, because my breasts are like walnuts, with as many folds.

The sun has moved down below the window behind her, its shadows filling hollows I hadn’t seen before. I want to go on and paint their darkness, but sense her cold. “Let’s take a break,” I say.

“No, I want to see what you’re seeing now.”

The magpie flies in just as I’m opening my mouth to say something in reply. Big and brash on the window sill, snapping his beak.

Kerry turns round to look for the disturbance, a hand on each nipple, which makes me laugh and say she needn’t worry, because, “human breasts probably aren’t his thing”.

Our silence and our laughing, shared and private. Sniggering like hogs, at the beautiful Spanish girl with hairs growing out of her ears, sitting two seats down in the coach from Burgos to Logrono. Both of us thrown out of the amateur opera, for laughing at Carmen, because her singing sounded like my mother’s orgasm. Our love is grounded in moments like these, so now I drop my head to the magpie and thank him. Kerry says I’m following an ancient pagan tradition and that she’d always known I was a witch. I kiss her, and we go to bed.

Him, strange that I never thought of him as anything else. He could have been female, but I never wanted to find out. He should have been she in my world of women, where men are only allowed in on special terms, but he was my boy. The Boy, named by me, just two days later. “Looks like The Boy’s here to stay.”

I remember now, that she didn’t reply. Perhaps our silence had already begun to lose its value, or perhaps I wasn’t listening.

Anyway, the Boy moved in, sitting on the backs of chairs and tilting his head, pointing a black eye at the brush in my hand. “Perhaps he wants to be a painter too,” I say. “I could teach him.”

“Try it,” she said. “He’d probably earn more.”

In the past I would have laughed, but The Boy has taken over, his raking laugh already better than mine.

I’m working on a big commission, a real one that could pay for our flat and probably even a car. Being gay is, for once, an advantage. The husband has said that only another woman, who loves women, could know how to capture the beauty of his wife. Her amputated legs lying bare on the floor, their fleshy ends as soft as cream cheese, flattened against the silk.

“Silk for the reflections,” I tell her. “Do you mind if I move this leg closer?” She shrugs, still angry with her husband, because this is what he wants to see of her.

The Boy is watching, one spiny toe scratching the other.

Today, Kerry has said she has things to do, and might be late getting back. I asked her to help me put this hurting woman at ease, leaving me to work, unseen behind the canvas. But Kerry is too busy, so it’s just The Boy and I, testing each other to see if we can be a team.

“Is he tame?” The woman looks over to where he’s sitting on the back of a chair. Another reason to be tense and not want to be here, on the floor of my studio where, I have told her, the light falls best.

“Tame enough,” I smile back, in a way I hope is reassuring. “Wants to be a painter too.”

The Boy claps his beak.

I see her face change when he flies over to sit on my shoulder. “Incredible,” she whispers, after a while. “He’s following everything you do and then looking at me, as if he’s checking to make sure you’ve got it right.”

That’s it. The Boy has done it, dissolved the knot inside her, and now we can work, the three of us a team.

Ellie, the woman, comes every day for ten weeks, understanding now why the silk is so important for me. How it tells the whole story and why it can’t end with her legs. The Boy hears her coming every time, and beak-taps the uneven rhythm of her steps on each stair.

Kerry drains her cup of coffee. “You don’t need me here. I’ll finish my research in the library.”

I put my hand on hers, wanting to push it down so hard that she can’t move, ever again, but instead my fingers trail like feathers over her white knuckles. “It’s the last day, please stay with us.”

“What for?”

“To see me finish,” I say. “No more painting. She’s just coming to check the final version before her husband sees it.”

“And then?”

The silence drips between us, blood-soft and as dark. When I call her, she says she’s having a drink with some colleagues. When she doesn’t come home, I’m not surprised. In the morning I look at The Boy and want to hate him.

Kerry has gone, every trace, even her smell. I’ve tried to find it, sniffing into the corners of the cupboard where she used to hang her clothes, at the edge of the bed where she always slept, curled like a kitten, when her period pains were bad. The Boy sits on my shoulder, watching while I search my phone for the digitally preserved love that has died in the flesh. It’s the silence I need, but The Boy has taken it, whistling at the back of his throat the way Kerry used to when I got out of the shower, snoring like me, when I’ve got a cold.

Night after night, I lie on our bed, playing our past in my head. The day we first met, both of us blobby and gauche, passing a spliff we didn’t know what do with. Then again, all those years later, when she’d finished her Phd, and told me I had to call her Doctor. I refused and answered that she was too beautiful. She was, by then, especially her breasts.

“What have breasts got to do with intellect?” She’d stuck them out at me like a rude tongue and we laughed for the first time, and then always after that, in a way I thought would be forever. The silence came later, when we both knew who we were and didn’t need to explain anymore. Laughing and silence, the key to our being. She’d written it on the blackboard we used for shopping lists, and I’d coloured in the curves of her letters.

During those first weeks alone, I used to draw her all the time, holding onto her in the only way I could. The parts I remembered most, her eyes and the fold under her chin, but when I’d done that, there was nothing left, so I told The Boy I was leaving and he would have to look after himself. He laughed with her voice, so I left, but when I got to the bottom of the stairs I had to go back up to check that he had really gone. The window was closed, and the sill outside it, empty. The Boy gone and Kerry too. Perhaps one because of the other, but mainly because of me.

When I paint now, I paint the spaces, the white between the black on The Boy’s feathers, the silences between two people who think they are talking. When I see a magpie I always nod and say thank you.

 

Cabinet Of Heed Contents Link 23

Image via Pixabay

Edginess – Jacob Kobina Ayiah Mensah

The cloudstreet hums,
walls vibrate, tears drop from the metallic hardness of the distance between
us, with an alarming speed,

rooms filled with sea currents,
we are filled with sickly smile.

Every parts of life floating across everything capture beyond
unpredictable lurch,
everything cross the rough strip

and everything remains a trait of certain vibrations and insinuations, the
house falls into a special version of afterimage, we are
lost in its weight.

Shadows follow
the shape of things to come,

and your time has past thirty years,
we lie awake,

predicting
forthcoming changes,

everything through
the blur of the water, everything remains imported confession,

sea waves come in your way,
a ray of moonlight

without shedding itself is all the feeling of guilty,
everything is looking like a urine sample.

 

JACOB KOBINA AYIAH MENSAH is the author of the new hybrid works, The Sun of a Solid Torus, Conductor 5, Genus for L Loci and Handlebody. His individual poems are widely published and recently appearing in Rigorous, Beautiful Cadaver Project Pittsburgh, The Meadow, Juked, North Dakota Quarterly, Cathexis Northwest Press, The Sandy River Review, Strata Magazine, Atlas Poetica, Modern Haiku, etc. He is algebraist and artist and lives in the southern part of Ghana, Spain, and Turtle Mountains, North Dakota.

Cabinet Of Heed Contents Link 23

Image via Pixabay

Mimo – Adam Forrest

The life of Mimo begins today. Everyone is very pleased. Such a pretty nose. Such a lovely mouth. The eyes and ears are completely flawless. In any case, the committee has deliberated long enough and final deadlines have now passed. No more tinkering. Mimo, you are terrific just as you are. You fulfil our brightest hopes and all of the client’s demands. More than that Mimo, you are beautiful and you have made us cry.

Is it important to catalogue all the misfortunes involved in your conception? No, probably not. But it may allow you, Mimo, some insight into your origin. If you understand the difficult creative pregnancy, it may give you some sense of what is expected of you, some sense of yourself as a delivery vehicle for the hopes and dreams of girls and boys all over the world. But enough with the burdensome jargon. Let’s stick to the basics.

The client wanted an illustrated figure representing the International Children’s Foundation (ICF). The icon was supposed to be non-gendered and racially ambiguous. The organisation wanted a symbol of innocence, but also one of dignity and independence, ready to inspire the world.

So we started with a head slightly tilted to one side, creating a sympathetic gesture of curiosity. We tilted it a tad more and suddenly the gesture became one of stupidity. So we tilted it back, but slightly too far back, and now the empty head seemed to speak only of jaded scepticism. We found the correct angle and composed a mental note: no more messing with the 7° head tilt.

Next, the mouth. We cheated a little here. We took the mouths of Tweety Pie, Pebbles, Snagglepuss and Squiddly Diddly and we put them all through a programme on our computer. We thought the composite might look a little ridiculous, but it was not ridiculous at all. It is the same mouth you have today Mimo. We added the tiny ears and pointy nose by way of polling. A simple, fuss-free method.

The hair was a bigger problem. We noticed, on our research trips to the toyshops and swing parks, that neat hair had become fashionable. But neat hair was harder to keep gender-free. Short neat meant boy, longer neat meant girl. In the end we went with medium-length messy hair, but it was a very organised, symmetrical kind of mess. So you see Mimo, we never gave up. We pushed on into the early hours, pulled you this way and that. Some things came gently, others came gently undone.

All this talk of pushing and pulling. It reminds us that perhaps your head is a little too wide, your cheeks a little plump. Can we say chubby? Can we say pudgy? We cannot, but the cynics have done. What will these horrible people do with you? Deface your precious features? Slim, shrink or stretch you out further to fill the required space on their baseball caps, promotional pencils or desktop wallpaper? So be it. What happens to you now, sadly, is no longer under our control.

Anyhow. We deliberated, again and again and again. We were under a lot of pressure. But remember Mimo, all of our anxieties and erratic behaviour made you what you are, and what you are is terrific. Think of it all as the adding up at the side of a tricky math problem. You Mimo, are the solved equation, standing alone as a solid truth. A truth that can be replicated as often as required.

But what about the feet? Did we get those lovely little feet wrong? Do tiny feet imply hesitancy? An unwillingness to move from here to over there, if over there is the place innocent, dignified and independent children should be? No, no – enough! Your feet are fine.

The eyes. Your eyes happened upon us as if by magic, on a late-night cigarette break. We wandered along the river where the answer was waiting. The water was a depthless blue film, the moon a light shining on the surface. It was hard to tell which was more real. We threw stones to break the spell. Then we realised – as the river swallowed the stones, as light and water shimmered in slow motion – we realised that if we reversed the typical order, turning the white of the eye blue and the pupil pure white, then we had something strange and wonderful. Mimo, we whispered, and you were all but done.

After thickening outlines, we filled your shoes, sweater and dungarees with red, green and blue. You were about to become digital, a one-zero whole. Here we faltered once more, hummed and hawed and lingered. We argued over meaningless details, like how thick the lower lip should be. Dungaree buttons: yes or no? That kind of thing. But we took a deep breath, looked at the bigger picture, and saw beauty on a flat screen.

Now that you are a fully copyrighted entity, Mimo, now that you actually exist out here in the world as we do, we seem to find ourselves quivering shamefully yet again. The eyes. Those haunting eyes. Will those big, beguiling saucers need further explanation in the ICF’s target countries? Perhaps we could now produce a short book illustrating Mimo at play? But have we then failed you Mimo, if you cannot stand alone without further puppetry and exposition?

We only hope all expectations will be met. We wonder if you will be happy. We want you to be happy just the way you are, just the way we finished you. We hope, we wonder, we want. And for you Mimo, life begins today.

Please feel free to create your own Mimo in the space provided below. This may help you better understand the difficulties undergone during the creation of the real Mimo.

 

 

 

ADAM FORREST is a journalist also writing flash fiction and short stories. He lives and works in London.

Cabinet Of Heed Contents Link 23

Image via Pixabay

Dulie Hud – J Edward Kruft

She was startled when a wide woman yanked open the red door. “You’re late!” she accused. “Never mind. Come in, I’ll get you up to speed.”

Sunlight beamed through clerestories as Calliope followed the woman. “Dinner is in the fridge. Warmed it up at 5:00,” she instructed. “He doesn’t like breakfast but he’ll eat dry toast if you leave it in front of him long enough. Medications here. I’ve written it down for you, see? I’m Ms. Godfrey.”

“Oh. Ms. Jones…but I think….”

“I trust the agency told you about his TIA.”

“TI…?”

“Mini-strokes,” she said, on the move again. “They didn’t tell you? Worthless! Not you, dear. I left a pamphlet on the table that explains it. Watch for the signs and call 911 if you suspect something.

“Well, I guess that does it. I’m awfully late so I only have time to introduce you and get out the door. Well. Come on then.”

The living room was aglow from the wood stove. The furniture was more modern than she would have imagined for Dulie, except for a worn club chair by the picture window that looked out on a hemlock stand. Across the room, a small man sat covered by an afghan, his head bowed.

This man was once Dulie Hud.

“You have a visitor,” Ms. Godfrey said as she shook his shoulder. Dulie lifted his head, looking all of his seventy-eight years. He glanced toward Calliope, his eyes working to focus.

Oh, but those eyes – green, at once probing and tender – they were Dulie’s.

“This is Ms. Jones. She’s here for the weekend. Be a gentleman and say, ‘how do you do, Ms. Jones.’” Dulie licked his lips but said nothing.

Ms. Godfrey, coat and purse in hand, all but flew to the front door.

“Behave yourself, Mr. Hud!” she called. “Good luck, Ms. Jones.” And before Calliope could correct her, she was gone.

There was only the ticking of the wall clock as they stared. Breaking his gaze, her eyes moved, as if by design, to an oil portrait of a woman in a red dress and a single strand of pearls.

Adira.

Her eyes shifted again to across the room where boxes looked waiting to be filled.

“Are you moving, Mr. Hud?” Immediately, she regretted keeping up the charade. Why didn’t she simply declare: “I’m not the weekend woman. It’s me. It’s Calliope.” Instead, she bit at a cuticle. “I’ll look at what’s for dinner,” she said, leaving Dulie alone.

She sat at the kitchen table and glided her hand across the smoothness. There was no question that Dulie had made it himself. When they were falling in love at Stanford, when Dulie was finishing his engineering degree and she was beginning hers in American Literature, he had built her a small cedar chest, the kind brides of old might have kept their trousseau. She still had it. Only hers didn’t contain linens or preserved gowns, but stories started and forgotten; poems abandoned and then grieved; her dissertation on Hawthorne, of which she had once been so proud. With this, anger muscled into her gut and she returned with conviction to the living room, only to again find his frail head bowed, and her anger dissipated, and she wondered: why had she come?

“Mr. Hud?” He raised his head. “I have a favor to ask. May I call you Dulie? I’m not very formal, you see, and I’d like it very much if you called me Calliope.” Dulie’s green eyes held her gaze, and he nodded.

Calliope sat in the club chair; it felt comfortable and familiar as she fingered its buttery arms, trying to harken its history. In her reverie, she hadn’t notice Dulie’s stare.

“Married?”

Calliope was startled by his voice – dry but strong – and by the question. “Once. I married late and divorced early,” she said, forcing a laugh.

“Children?”

“No.” Dulie went silent. And although she knew the answer, she asked anyway: “How about you? Do you have children, Dulie?” he shook his head.

Once, the two of them had spoken differently about children, bundled under a blanket at Golden Gate Park. “Three,” Dulie had said suddenly.

“Three what?”

“Children. That’s how many we’ll have.” Calliope laughed at the notion.

“We’ll see.”

Then, Korea. He wrote and she wrote. And then only she wrote. Finally, he returned, a Korean woman in tow. Adira. Adira Hud, who would lose that baby in the fifth month, but by then, the dye was set.

Dulie looked to be sleeping so Calliope slipped out to have the daily cigarette she allowed herself. It was going to be a cold night, she thought. She’d best bring in more firewood. She blew a final stream of smoke into the fading sun and stubbed her cigarette on the head of a garden gnome.

She adjusted the afghan on Dulie’s lap.

She put another log on the waning fire.

She set a TV tray next to Dulie, and another next to the club chair.

She put that evening’s bounty of medications into a souvenir shot glass.

She placed the meatloaf in the oven and set the timer.

She set their plates, and Dulie stirred. He looked at her, startled.

“Adira?”

Calliope drew a quick breath. “No, Dulie,” she said. “It’s Calliope.”

Dulie turned to his wife’s portrait: “Oh, how you grieved.” He closed his eyes and went silent, but his head did not bow.

Calliope sat in the club chair and wondered, wished: to whom did Dulie speak?

They were at dusk, and it was clear to Calliope that the weekend woman was not coming. They sat quietly together, as they might have for many years had circumstances been different. Calliope watched the last arc of the sun over the hemlocks, then she too closed her eyes and slept, to be awakened by the kitchen timer.

“Well then,” she said, rising from the club chair, stirring Dulie.

Off she went to the kitchen to fetch their supper.

J. EDWARD KRUFT received his MFA in fiction writing from Brooklyn College. He is a Best Short Fictions nominee, and his stories have appeared in several journals, including Soft Cartel and Typehouse Literary Magazine. He loves fried zucchini blossoms and wishes they were available year-round. He lives with his husband, Mike, and their adopted Siberian Husky, Sasha, in Queens, NY and Sullivan County, NY. His recent fiction can be found on his Web site: http://www.jedwardkruft.com and he can be followed on twitter: @jedwardkruft.

Cabinet Of Heed Contents Link 23

Image via Pixabay

Create a website or blog at WordPress.com

Up ↑